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Russian artist Ilya Kabakov, along with his wife and collaborator, Emilia, is known for his large-scale public installations. But prior to his emergence in the West during the perestroika era of the late 1980s, Kabakov was confined to working out his ideas on paper. The rarely seen drawings presented here span the years 1960 to 1985, and document the period when the artist faced the constant threat of official censure.
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