March events in Sydney

Are you ready to chase artistic escapades around the city? The Biennale of Sydney is back for its 24th edition from March 9 to June 10, 2024. Whether you’re a dedicated arts fanatic or a casual culture buff, you’ll find something to inspire and provoke you along this epic art trail. The largest contemporary art event of its kind in Australia, the Biennale is taking over six different locations with awe-inspiring installations and intriguing exhibitions. Titled Ten Thousand Suns, this year the festival explores a multiplicity of global cultures, taking on a transgressive spirit as it leans into the origins of Carnivale. As always, the Biennale is free for everyone to visit for a total of 16 weeks.   Of all the locations, White Bay Power Station is absolutely the main character of the Biennale’s 50th year anniversary (and 24th iteration – it takes place every second year). This is the first time the revitalised industrial site will officially open its doors to the public in more than 100 years – and what they’ve accomplished is pretty spectacular. Years of accumulated pigeon poop has been cleared out of the enormous factory spaces, making way for art installations that tower multiple storeys high, and more works hidden in various nooks and crannies. Pop-up bars and brand new bathrooms also set the stage for a packed program of live performances and music curated by Phoenix Central Park. Think of White Bay as a replacement for the role that Cockatoo Island has played in Sydney’s

Discover the hidden marvels of marine life and the remarkable woman who paved the way to better understanding marine conservation at Valerie Taylor: An Underwater Life. This free homegrown exhibition is more than just a tribute to one of the world’s most celebrated underwater storytellers, shark researchers and conservationists. It’s a call to action for all environmental enthusiasts and future changemakers to protect our beautiful oceans, their animals and their habitats from further threat. Dive straight into 60 years worth of stories as told through objects and ephemera donated by Valerie and her husband Ron Taylor, including cameras and underwater housings, Valerie’s iconic blue fins and dive suits, and the stainless-steel chainmail suit she wore to get up close and personal with sharks. You can also admire Hollywood movie posters from the past fifty years, including Jaws and The Island of Dr Moreau, plus more than 500 images from the Maritime Museum’s collection of animals, people and places now under threat.   Valerie Taylor: An Underwater Life is one of the headline exhibitions in the Maritime Museum’s summer program and will run until August 31, 2024. Be sure to catch the other special exhibitions while you’re there including Ocean Photographer of the Year. For more information on the exhibition head here. 

This is it, we have found the yassification of Shakespeare. Fuelled by a playlist of certified pop hits, this jukebox romp billed as “the greatest love story ever remixed” poses a simple but provocative question: What if, instead of joining Romeo in eternal slumber, Juliet decided to live? A contagiously joyous musical spectacular, & Juliet has finally landed at Sydney’s Lyric Theatre after being met with critical acclaim on Broadway and the West End, not to mention the rapturously received Australian debut in Melbourne.  Filled with sing-a-long-able chart-topping bangers made famous by the likes of Britney Spears, The Backstreet Boys, Katy Perry and more from the songbook of Grammy-winning Swedish songwriter/producer Max Martin, the Aussie cast is overflowing with talent in this feel-good, flashy production. & Juliet is Shakespeare remixed for the girls, the gays and the theys... [but does it] really cut it as the feminist reclamation that we are promised? Will you be entertained? Absolutely. Does & Juliet set a new standard for jukebox musicals? Yes. Will you see one of the most diverse and charismatic casts of triple-threats ever assembled on an Australian stage? Heck yeah. Does the story deliver on the feminist retribution we are promised? Not quite. “What if Juliet didn’t kill herself?” Anne Hathaway (played by the enthralling Amy Lehpamer) posits to her husband, William Shakespeare (the ever-charming Rob Mills). “She’s only ever had one boyfriend, and frankly, the endi

Calling all amateur Egyptologists, history buffs and lovers of gold and glamour: you can explore a blockbuster exhibition packed with priceless Ancient Egyptian artefacts. Exclusive to the country's oldest museum – the Australian Museum in Sydney – Ramses & the Gold of the Pharaohs is an interactive museum experience more than 3,000 years in the making, and featuring 181 priceless artefacts. The popular exhibition has sold over a record-breaking 330,000 tickets in the first three months alone, becoming the biggest hit in the history of the Australian Museum. Ramses is still in town until May 19, 2024, and the Australian Museum has recently extended its visiting hours, giving you more chances to explore the exhibition after dark. In February, it is now open from 9am–9pm on Monday, Tuesday and Wednesday (last entry at 8pm). The museum also continues to be open from 9am–5pm from Thursday to Sunday (last entry at 4pm).  View this post on Instagram A post shared by Time Out Sydney (@timeoutsydney) Ramses is the largest cultural exhibition to visit Australia in more than a decade, and in a huge coup, the Museum even managed to ship over the actual coffin of Ramses the Great for it. You can also excavate further with the museum's Gateway to Egypt public program, an exclusive season of lectures, conversations, and experiences designed to give visitors of all ages a richer understanding of Ancient Egypt, whether an Egyptophile or justEgypto-curious. RECOMMENDED: Thre

Sydney’s summer of blockbuster exhibitions is about to get a whole lot bigger from January 24, when the highly-anticipated Banksy exhibition will open in Sydney Town Hall. The Art of Banksy: Without Limits has already wowed more than 100,000 people across the nation, with its impressive collection of works by the famously anonymous king/queen of street art. We're the third lucky Australian city to host this mammoth exhibition, which arrives fresh off the back of successful runs in Brisbane and Adelaide. Before landing Down Under, it toured across Europe, the Middle East, Asia and the United States, where it attracted more than 1.6 million visitors.  The Art of Banksy: Without Limits Sydney edition will feature more than 150 of the artist’s works, including certified originals – like ‘Flower Thrower’, ‘Rude Copper’ and, of course, ‘Girl with Balloon’. Visitors – along with murals, sculptures, photos and mapping shows (in plain speak: images or animations projected onto irregularly shaped surfaces).  The exhibition is famed for creating several custom-built experiential installations that fit the venue of each location and in Sydney, visitors can explore an ‘Infinity Room’ of mirrors, a simulation of ‘Dismaland Bemusement Park’ (for those who’ve never heard of it, it’s a dark and twisted theme park that was created by Banksy in 2015), and a ‘Murals’ room that houses seven new murals Banksy created in war-torn Ukraine. There’s even a space dedicated to former the MV Louise Mic

It’s imperative that you do not eat before you visit the Carriageworks Farmers Markets. You’ll want to save maximum belly space for your personal version of The Bachelorette where you decide who gets your dollars and what delicious produce gets to come home with you. Maybe you like something soupy and savoury first thing? In that case head to Bar Pho for a traditional Vietnamese start to the day. On the veggie train? Hit up Keppos St Kitchen for a falafel breakfast, or head to Food Farm for a classic bacon and egg roll.Once the hounds of your hunger have been quieted it’s time to prepare for your next meal, or seven. Stock up on artisan cheese from Leaning Oak, smoked salmon from Brilliant Foods and Sydney’s favourite sourdough from AP Bakery and brunch is sorted. You can spend a whole lot of money if you want to here, but equally you could just grab a kombucha on tap from Herbs of Life and find a chair for some of the best dog-watching in the city.   Hungry for more? Look at our list of the best markets in Sydney – produce or otherwise. 

Few musical references are as iconic as those from Grease. A simple "rama lama lama" or "a wop ba-ba lu-bop a wop bam boom!" may invoke joyful nostalgia, transporting you back to the first time you witnessed John Travolta's gyrating hips or “our” Olivia Newton-John's sweet Sandy smile. For me, it takes me back to my own high school musical experience. With my Pink Lady jacket and Pink Lady sunglasses, the Grease stage is where I first forged my life-long love affair with musical theatre and the passionate community that came with it. That is what musicals are forged on: passion – and this production of Grease: the Musical at Sydney’s Capitol Theatre has an infectious amount of it. Before the 1978 film adaptation cemented Grease’s place in the global pop culture consciousness, this show set in the working-class youth subculture of 1950s Chicago was first staged in 1971. Like any rebellious teen tale, Grease tapped into the angst of young people of the time; it had a '50s style and a '70s attitude. Everyone wanted to be as cool as Kenickie (played here with delectable zeal by Keanu Gonzalez, who has also appeared in Hamilton and West Side Story), as bold as Rizzo (the eye-catching triple threat Mackenzie Dunn, as seen in Hairspray), or as sweet as the nervous Doody (Tom Davis). There were definitely elements of my high school production that built my confidence, brought me out of my shell, and changed my perspective – but the plot wasn't one of them. The musical numbers were jo

For many of us, our first introduction to The Rocky Horror Show involved a beaten up VHS tape and an exhilarating brew of conflicting feelings about Tim Curry’s iconic fishnet-stocking-clad role as Frank-N-Furter – the cross-dressing mad scientist alien from Transsexual, Transylvania. Beyond its immortalisation in the cult classic 1975 film, this rollicking rock’n’roll musical has been continuously on a stage somewhere in the world ever since it premiered to a small London audience in 1973 – and while today’s slick mainstage productions are a far cry from its grungy roots, there’s still no denying the appeal of doing ‘The Time Warp’ again. After touring around the country, Australia’s 50th anniversary production of Rocky Horror has taken a jump to the left (and a step to the right) to land back at Sydney’s Theatre Royal, about a year after it premiered at the same venue in the same month as Sydney WorldPride, with a couple of notable cast changes this time. It appears that the time on the road has done this company a world of good; the cast take to the stage with a more relaxed and playful energy as they tackle this risqué, silly, borderline-pantomime musical.  Former Australian of the Year and Paralympian Dylan Alcott is a delight to witness in his stage acting debut as The Narrator. With good humour, an ability to roll with the punches, and an injection of signature charm, Alcott nails the difficult-to-pin-down prerequisites to fill this role. The Narrator must be someone a

A fascinating sight has appeared on the forecourt of the Art Gallery of New South Wales’ original South Building, and heads are turning. A monumental spider, which stands more than nine metres high and ten metres wide, made of bronze, steel and marble, is the unmissable first encounter gallery visitors will have with the work of trailblazing French-American artist Louise Bourgeois. The world-famous and seminal arachnidian sculpture, ‘Maman’ (1999), is an ode to the artist’s mother, who she described as “deliberate, clever, patient, soothing… and [as] useful as a spider”.  The colossal sculpture is in Australia for the first time ever as part of the largest and most comprehensive display of the artist’s work ever seen in the Asia Pacific – Louise Bourgeois: Has the Day Invaded the Night or Has the Night Invaded the Day? – which opens on Saturday, November 25, as part of the 2023 Sydney International Art Series (closing on April 28, 2024). Her work maintained – and still delivers – a charge of intimacy, urgency and piercing peculiarity... The exhibition spreads across a considerably large footprint, weaving through the Art Gallery campus with the eerily beautiful force of a wave of spiders wrapping the institution in a silken, cobwebbed nest. This is also the first major solo exhibition to be staged in the Art Gallery’s world-class modern North Building, the centrepiece of the Sydney Modern expansion, almost one year since it opened to the public in December 2022.  Moving from

There’s something so intriguing about exploring the depths of the ocean, because we don't get much chance to check out what's down there. If you’re not a diver but you’ve always wanted to see what happens underneath the ripples of the water's surface, check out the world premiere of an ocean photography exhibition that's coming to the Australian National Maritime Museum.  From November 16, the Ocean Photographer of the Year 2023 exhibition will feature all of the winners and finalists of the of the prize, which is led by Oceanographic Magazine.  Marvel at more than 100 of the most awe-inspiring wildlife shots ever snapped. Particular highlights will no doubt be getting your peepers on the winning image from photographer Jialing Cai. Her incredible photo of a female paper nautilus riding on a stick was taken at night while scuba diving in the Philippines. There are award-winning photos across 10 categories, including the Ocean Wildlife Photographer of the Year, Ocean Adventure Photographer of the Year and the Ocean Fine Art Photographer of the Year.   Australian National Maritime Museum Director and CEO Daryl Karp said she was thrilled to be welcoming such esteemed wildlife work to Sydney, and she hopes the exhibition will shine a light on the work that needs to be done to protect our oceans. “As Australia’s museum of the sea, we have embraced the opportunity to display these amazing images from ocean photographers globally, creating an immersive exhibition experience, while e