How A Living Day Is Made

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How A Living Day Is Made
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Doris McCarthy Gallery (DMG) at University of Toronto Scarborough says
How A Living Day is Made

Curated by cheyanne turions
Featuring works by Aisha Sasha John, Walter Scott and Rachelle Sawatsky

21 April – 11 June 2016
Doris McCarthy Gallery, University of Toronto Scarborough

Opening Reception
April 21, 2016, 6-8pm
Sequel to Guts, performance by Walter Scott, 7pm

A FREE shuttle bus departs from OCADU (100 McCaul Street) at 5:30pm, and departs from the Doris McCarthy Gallery at 8pm

How a Living Day is Made is an exhibition about survival strategies that features the work of Aisha Sasha John, Rachelle Sawatsky and Walter Scott. Their practices open up places of affect, empathy and entanglement, staking a claim for the vibrancy of being recovered from the banal, systemic or heroic struggles of making a life in the world today.

More information: howalivingdayismade.wordpress.com

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This exhibition is produced as part of the requirements for the MVS degree in Curatorial Studies at the University of Toronto.

This exhibition is part of the graduating Master of Visual Studies 2016 cohort, including:

Rehearsal for Objects Lie on a Table, a composition by Emelie Chhangur with arrangements by Diane Borsato, Aleesa Cohene, Erika DeFreitas, Derek Liddington, Gertrude Stein & Terrarea at the University of Toronto Art Museum, Justina M. Barnicke Gallery, Hart House, University of Toronto St. George Campus. 18 March–30 April 2016.

the distance between nowhere and now here, curated by Charlotte Lalou Rousseau at the Blackwood Gallery, University of Toronto Mississauga. 20 April— 22 May, 2016. Presented in collaboration with the Images Festival and the Scotiabank CONTACT Photography Festival, and supported in part by the Department of Visual Studies (UTM) through the Graduate Expansion Fund.

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Image Credit: Rachelle Sawatsky, Love Loving Lobe, chalk pastel on newsprint, 2014. Courtesy of the artist.
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By: Doris McCarthy Gallery (DMG) at University of Toronto Scarborough

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