Mdff Presents Here’S To The Future! And Hit 2 Pass

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Mdff Presents Here’S To The Future! And Hit 2 Pass says
On November 4th 7pm at Camera, MDFF Presents a double feature of HERE’S TO THE FUTURE! and HIT 2 PASS. The films will be presented with a brief intermission. Tickets are $10 and sold at the door.

HERE’S TO THE FUTURE! (dir. Gina Telaroli, 76 mins)

On a late-summer Sunday in 2011, a female director (Telaroli herself) gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz’s Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, in different permutations. With a freedom influenced by pre-Code Hollywood, cameras, phones, and laptops are scattered around the set at almost every possible angle, documenting the action – both in front of and behind the camera – as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate, playful, and spontaneous look into the collaborative cinematic process emerges, a snapshot of the filmmaker’s perennial struggle to capture fleeting moments before the day (and light) slip away


HIT 2 PASS (dir. Kurt Walker, 72 mins)

Two circles move in not-quite unison; a camera tracks a car which, later, tracks a track, all forced contact and slow speed, velocity crying out for inertia like friendship, a time apart in the digital flow of perpetual motion to talk and listen and know, where history sits calmly and speaks slowly as a tangent-you have to pick precisely the right angle, as he picks precisely the right word, and stick with it, and, again, listen-to these online concentricities as it gradually reveals that what from one distance looked sturdy is, from in fact the same distance but different light, a mess in constant need of untangling (And so you see that Walter Benjamin’s Angel has no choice but to turn his back to the future.) and that in the face of this monumental facing up, literal project of lifetimes, there is absolutely nothing but love.
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