Beasts of the Southern Wild (12A)

Film

Drama

Quvenzhane Wallis, center, and Dwight Henry, far right, in Beasts of the Southern Wild

Time Out rating:

<strong>Rating: </strong>5/5

User ratings:

<strong>Rating: </strong>4/5
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Time Out says

Fri Oct 12 2012

True originals are hard to come by in cinema, but this heart-on-sleeve, deeply eccentric tale of life, love and loss in the flood waters of New Orleans truly merits the label. First-time feature filmmaker Benh Zeitlin has adapted a one-act play by fellow American Lucy Alibar into a dreamy but strikingly immediate and frayed-at-the-edges, child’s-eye view of life on the margins of America.

The child is six-year-old Hushpuppy (Quvenzhané Wallis), a tomboyish girl who lives with her erratic dad, Wink (Dwight Henry), in a remote and wild bayou region of Louisiana – a ramshackle, watery trailer community of hard-living waifs and strays. Humans live cheek by jowl with other animals, and happily kill, cook and crunch them when the time arises.

Hushpuppy’s fears of the rising waters and her confused feelings about her parents (her dad is ill, her mum is dead, although she appears as a spirit) mean that she – and so we – slips into a world of imagination that involves strange, menacing prehistoric beasts and melting ice caps. This is a very magical and musical sort of social realism – as if Ken Loach’s ‘Kes’ was given a rewrite by Lewis Carroll.

If that still sounds gritty and grim, much of ‘Beasts of the Southern Wild’ consists of bursts of pure, naked emotion, and it cartwheels along at a cracking pace. It’s fleshy and mucky (and shot on grainy 16mm), but it’s also musical and colourful, with Hushpuppy’s voiceover leading us playfully and innocently through the story and scenes of fireworks and dancing.

There are hints that the story, with its levees, heavy weather, flooding and refugee camp is taking place at the time of Hurricane Katrina, but little about it is so concrete. This is a fairytale in which we regularly slip out of the real world and into another one inside an over-imaginative young child’s head. And what a crazy, fun, circus-like world that is, full of poetry and pain.

Critics' choice
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Release details

Rated:

12A

UK release:

Fri Oct 19 2012

Duration:

93 mins

Cast and crew

Cast:

Quvenzhané Wallis, Levy Easterly, Dwight Henry

Director:

Benh Zeitlin

Screenwriter:

Benh Zeitlin

Cinemas showing Beasts of the Southern Wild

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The Bussey Building/CLF Art Cafe

133, Rye Lane, London, SE15 4ST Show map/details

  • Address:

    133
    The Bussey Building/CLF Art Cafe Rye Lane
    London
    SE15 4ST

  • Phone:

    020 7732 5275

  • Website:

    www.clfartcafe.org

  • Transport:

    Rail: Peckham Rye

  • Map

    1. The Bussey Building/CLF Art Cafe
Map
  • Sun Jun 9:

    • 21:00

Queen of Hoxton

Rating: 3/5

1 Curtain Road, London, EC2A 3JX Show map/details

  • Address:

    Queen of Hoxton 1 Curtain Road
    London
    EC2A 3JX

  • Phone:

    020 7422 0958

  • Website:

    www.thequeenofhoxton.co.uk

  • Opening hours:

    Open Summer 1pm-midnight Mon-Wed, Sun; 1pm-2am Thur-Sat. Winter 5pm-midnight Mon-Wed, Sun; 5pm-2am Thur-Sat

  • Transport:

    Tube: Old Street tube/rail or Shoreditch High Street rail

  • Map

    1. Queen of Hoxton
Map
  • Wed Jun 19:

    • 21:00
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Comments & ratings

Rated as: 4/5 (14 ratings)
  • Mesmerizingly gorgeous film about everything that's important in the world. Belonging, Connection, family, the environment, loss and resilience. All from the perspective of a five year old girl named Hushpuppy. This film manages to create a allegorical modern fairytail that has the timelessness of a Grimms tale and the resonance and psychoanalytic understanding of Maurice Sendak's 'where the wild things are'. Suffice to say I loved it.

    Lisa bolger Sun Jan 20
    Rated as: 5/5
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  • terrible film , boring over rated and selfbasorbed . my friend didnt like it weither

    chris jackson Wed Jan 2
    Rated as: 1/5
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  • I can understand the polarised (bit of an accidental pun there) reviews. But whatever your taste or your views on global warming etc you cannot but admire the main performances (Tatum O Neil's 'youngest Oscar winner' is in danger ) the direction and the poetry of the piece. That's not being pretentious- it was daring, brave and most of all fresh. You'll actually remember this film in ten year's time. As good as it was , you'll have forgotten Skyfall by December....

    NILES CRANE Thu Nov 15 2012
    Rated as: 4/5
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  • This is, without question, a five star film. It's a work of pure genius, and is the most affecting film I've seen in many many years, and very possibly in a lifetime of cinema-going. On the surface it has a beautiful simplicity, yet under the surface it is utterly harrowing. The more you look, the more you see, and the more you think, the more you connect with the possibilities within the child's mind and her future world. The direction, acting and cinematography is sublime. It's rare to find a film like this, and if I see another in my life I'll consider myself lucky. We left the film feeling traumatised with emotion, yet uplifted with hope. A masterpiece.

    agentfruit Wed Nov 14 2012
    Rated as: 5/5
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  • This is, without question, a five star film. How the reviewer missed the many complex emotional levels I'm not sure. It's a work of pure genius, and is the most affecting film I've seen in many many years, and very possibly in a lifetime of cinema-going. On the surface it has a beautiful simplicity, yet under the surface it is utterly harrowing. The more you look, the more you see, and the more you think, the more you connect with the possibilities within the child's mind and her future world. The direction, acting and cinematography is sublime. It's rare to find a film like this, and if I see another in my life I'll consider myself lucky. We left the film feeling traumatised with emotion, yet uplifted with hope. A masterpiece.

    agentfruit Wed Nov 14 2012
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  • I Would like to make a film and be a director bceause non of the director's in my country have the skill to address the exact problem and aware or educate the people every film I know is influnced by bollyhood movies and the indan's are influnced by hollyhood movies.There are a lot going on in my country. we have rich cultural background but due to the technical knowhow and dominance of indian movies I feel like we have no identity and I also wanted to compeate to the indian market and direct my people towards the 21st century since movies would be the best way to make people understand about issues and aware them for changes and it could be understood by both educated and uneducated group of people.

    I Would like to make a fi Tue Nov 6 2012
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  • You need to kick this film in the nuts, ladies and gentlemen. Kick it in the nuts and keep on kicking. This film mustn't breed.

    Phil Ince Mon Nov 5 2012
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  • I went to this film knowing nothing about it, other than that it had had good reviews, so was prepared to be impressed. I wasn't. As it veered from chaos to cliche I had no idea what it was trying to say, apart from the clunky message about climate change, which reminded me of how all wildlife documentaries once used to end. What particularly disturbed me though was a narrative that seemed to say the father's violence and erratic behaviour (by any criteria I'm familiar with) towards the child was acceptable since she, miraculously, had the maturity to deal with it. For a child of six, behaviour like that, no matter how much it’s tempered with love and affection, would be terrifying and deeply damaging. And are we also to believe that the child of the same age who acted this part could really base her performance on an understanding of what it was all about.

    Kate Sat Nov 3 2012
    Rated as: 1/5
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  • The film is different and highly watchable.The relationship between father and daughter is poignant as it is a childs blind devotion and the fathers hurt and sorrow of life.The cinematography is fabulous and it makes a somewhat ugly environment almost lush and Dickensian .Very different but quite enthralling

    carol Thu Nov 1 2012
    Rated as: 4/5
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  • I thought it was a boring embarrassment but I can understand how more sensitive viewers would be so revolted by it, vomit so hard and often that finally they puke their own legs up.

    Phil Ince Wed Oct 31 2012
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