Confessions

  • Film
  • Drama
0 Love It
Clear your thoughts of Robin Askwith and his saggy white bum: with scenes of matricide, bullying, animal torture and the murder of kids, this ‘Confessions’ is about as far as it’s possible to get from a cheeky suburban romp. It’s also a long way from director Tetsuya Nakashima’s previous films: while his debut ‘Kamikaze Girls’ and dizzying sugar-rush melodrama ‘Memories of Matsuko’ flirted with themes of exclusion, abuse and violence, their DayGlo presentation and stylistic hubris masked a simple, sympathetic, humanist message.

Not so ‘Confessions’. It’s hard to remember a film so bleakly, furiously anti-people, in which almost every character is a vicious tyrant or a deluded, deserving victim, and most of them haven’t even graduated from high school. The film opens with a bravura 30-minute monologue, the first of the five ‘confessions’, in which teacher Moriguchi (Takako Matsu) reveals to her rowdy, self-involved pupils that the death of her beloved four-year-old daughter Manami wasn’t an accident, but an act of wilful murder carried out by two of the students in the class – and that she’s spiked those students’ free milk with HIV-infected blood.

From here, it’s a freewheeling downhill spiral of degradation and death, as Moriguchi’s revenge plan takes a series of savage twists, while her victims, psychotic engineering prodigy Shuya (Yukito Nishii) and remorseful recluse Naoki (Kaoru Fujiwara), become ever more desperate and unhinged. Nakashima’s signature stylistic inventiveness is exhilaratingly expressed in a series of stunning slo-mo shots of raindrops on windows and gathering storm clouds, lending a sense of impending tragedy which suffuses the entire film. The colour palette is steely and muted, a glassy, hauntingly beautiful urban landscape populated by abandoned souls who lack even the most basic human empathy.

But this atmosphere of rampant nihilism can become oppressive, and it tends to squeeze the life out of the characters: both Moriguchi and Shuya are psychologically convincing, but we never get a real sense of them as human beings. This could be a problem with translation: in many scenes, dialogue between characters is overlaid with voiceover and TV news broadcasts or interspersed with flashes of text messages and emails and  it’s simply impossible to accurately convey this overload of information in subtitles.

‘Confessions’ was Japan’s entry for this year’s Foreign Language Oscar, but it came as no surprise when the film wasn’t nominated: a grim, challenging drama about murderous high school kids must be an unbeatable recipe for Oscar poison. But, like all of Nakashima’s films, it deserves wider attention: one of the few directors currently working who has intelligence enough to ensure that his films aren’t just eye-poppingly stylish but loaded with emotional substance, his is a bold and provocative body of work. ‘Confessions’ may be too grimly cynical to convince fully, but its combination of visual excess, dark wit, random violence, psychological insight and raw emotional intensity is intoxicating.

Release details

Rated: 15
Release date: Friday February 18 2011
Duration: 107 mins

Cast and crew

Director: Tetsuya Nakashima
Cast: Inowaki Kai
Takako Matsu
Masaki Okada

Average User Rating

3.4 / 5

Rating Breakdown

  • 5 star:2
  • 4 star:0
  • 3 star:1
  • 2 star:1
  • 1 star:0
LiveReviews|6
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cassius

Full marks for trying to experiment, but the scattershot plotting just ends up with a story that is a somewhat uninvolving. Similar to Memories of Matsuko in this respect; the visual quality is superb but Nakashima is SO keen to be inventive that narrative plotting is overlooked and the result is a bit of a mess. Lots of lovely moments but the result just doesn't hang together well enough to sustain interest.

Gee

Fantastic film, if you like films a bit for challenging than the usual 'three act structure', predictable, main stream cinema. It handles the story of vengeance in with the brooding, unnerving tension familiar in other SE Asian cinema ie Oldboy', it builds to an incredible last chapter. I was surprised that the story was based on a novel rather than a manga comic, it really has a comic book exaggerated feel, and the framing is very anime. The use of a constant soundtrack bed was unusual and effective too. With a classroom full of kids like this you realise that the terrible premise behind 'Battle Royale' wasn't such a bad idea after all.

Gee

Fantastic film, if you like films a bit for challenging than the usual 'three act structure', predictable, main stream cinema. It handles the story of vengeance in with the brooding, unnerving tension familiar in other SE Asian cinema ie Oldboy', it builds to an incredible last chapter. I was surprised that the story was based on a novel rather than a manga comic, it really has a comic book exaggerated feel, and the framing is very anime. The use of a constant soundtrack bed was unusual and effective too. With a classroom full of kids like this you realise that the terrible premise behind 'Battle Royale' wasn't such a bad idea after all.

Aindreas

You're mad.Mad I tell you. It was structurally awful, lived on slomo, lacked any drive, the confessions structure was broken within 30 minutes - it was so tedious that for the last 40 minutes I fantasised about needing to pee. terrible glutinous ponderous splodge of a film with serious script problems. You robbed me timeout. You robbed me.

matsuko

>> about murderous high school kids about murderous JUNIOR high school kids.

matsuko

>> about murderous high school kids about murderous JUNIOR high school kids.