Hell Is for Heroes

Film

War films

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Time Out says

A war film is a war film is a war film... except that Siegel, brought into the project at the last moment when Steve McQueen refused to work with the scheduled director, toughened the standard war-is-hell screenplay into an extraordinary study of psychopathology. He centres everything squarely on the McQueen character (one of his best performances, a human war machine), and emphasises the tensions within the American platoon rather than the conflict with the offscreen Germans. The ending, which stresses the enormous human cost of a small tactical gain, is remarkably powerful, precisely because it's the first time that Siegel allows his audience any perspective on what they've been seeing.
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Release details

UK release:

1962

Duration:

90 mins

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<strong>Rating: </strong><span class='lf-avgRating'>0</span>/5
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Terry Jacks

My favorite actor (McQueen) in a very good war movie. McQueen is a badass in this one, in one scene going after Germans with a submachinegun and a butcher knife.

Terry Jacks

My favorite actor (McQueen) in a very good war movie. McQueen is a badass in this one, in one scene going after Germans with a submachinegun and a butcher knife.