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Time Out saysThe middle section of Antonioni's trilogy on bourgeois alienation, La Notte covers twenty-four hours in the breakdown of a 'typical' middle class marriage. The husband (Mastroianni) is a novelist with a block, spineless, out of touch with his own instincts; the wife (Moreau) is a bored socialite who understands her own predicament but doesn't know how to get past it. Scene after scene is introduced solely to make laboured points about their emotional/ social/philosophical problems; Antonioni's intimations of a broader political context are startlingly shallow. It's impossible to discern the relevance of this kind of film-making, which is doubtless why nobody (including Antonioni) practises it any more.