Underground (U)

Film

Thrillers

Time Out rating:

<strong>Rating: </strong><span class='lf-avgRating'>4</span>/5

User ratings:

<strong>Rating: </strong><span class='lf-avgRating'>4</span>/5
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Time Out says

Mon Dec 24 2012

In celebration of the tube’s 150th anniversary comes this painstakingly restored print of a classic British silent movie, which unfolds in and around the London Underground of 1928. Eyes meet across a Northern Line carriage and soon Bert (Cyril McLaglen) is pursuing the alluring Nell (Elissa Landi), though she’s already involved with dashing ticket inspector Bill (Brian Aherne). Tensions between the two men soon escalate into violent confrontation, which threatens the safety of the network when the action switches to Bert’s workplace – the LU’s Lots Road Power Station.

Extensive filming in and around Waterloo tube station provides cherished vintage period detail of uplighters on the escalators, smoking on the trains and pre-Harry Beck route maps. But the film’s much more than a mere time capsule. True, the plot is somewhat coincidence-prone but it’s delivered with muscular performances and an array of thrillingly mobile camerawork from the oft-undervalued Asquith – its sweep from lyricism to high tension is matched by Neil Brand’s cracking new orchestral score. An utterly splendid achievement all round.

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Release details

Rated:

U

UK release:

Fri Jan 11, 2013

Duration:

94 mins

Cast and crew

Director:

Anthony Asquith

Cast:

Cyril McLaglen, Brian Aherne, Elissa Landi, Norah Baring

Art Director:

Ian Campbell-Gray

Cinematography:

Karl Fischer, Stanley Rodwell

Screenwriter:

Anthony Asquith

Producer:

H Bruce Woolfe

Users say

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<strong>Rating: </strong><span class='lf-avgRating'>0</span>/5

Average User Rating

3.8 / 5

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LiveReviews|2
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Peter Ludbrook

I absolutely agree with Trevor Johnston's review. This film is a real discovery, very well restored with a terrific Neil Brand score. One other thing I must commend is the superb lighting. Strongly recommended and it's whetted my appetite to catch up with the BFI's restoration of another Asquith silent 'A Cottage on Dartmoor'.

Peter Ludbrook

I absolutely agree with Trevor Johnston's review. This film is a real discovery, very well restored with a terrific Neil Brand score. One other thing I must commend is the superb lighting. Strongly recommended and it's whetted my appetite to catch up with the BFI's restoration of another Asquith silent 'A Cottage on Dartmoor'.