The 25 best Shakespeare-to-screen adaptations
To film, or not to film, that is the question. We rank the answers.
Thu Oct 20 2011
10. ROMEO AND JULIET (1968)
Perhaps you had to watch it in high school, thanks to a lazy lit teacher. You could have done far worse: Franco Zeffirelli's vigorous, youthful version—starring teenagers Leonard Whiting and Olivia Hussey—infused the love story with passion and (controversially) a bit of nudity.—JR
9. HAMLET (1948)
Writer-director-star Laurence Olivier's atmospheric version of the Prince of Denmark tragedy takes some purist-baiting liberties (no Rosencrantz and Guildenstern, for example). But it hardly matters in light of the ethereal black-and-white visuals—heavily influenced by Citizen Kane—and Olivier's hypnotic lead performance. Oscar fell head over heels, awarding the film Best Picture and Actor.—KU
8. RICHARD III (1955)
Neither as immediately beloved as his Henry V nor as moody as Hamlet, Laurence Olivier's third effort directing the Bard left many viewers cold. Regardless, it's come to be seen (rightly) as the star's finest performance. Millions watched the movie's TV broadcast, including a future Johnny Rotten, cribbing notes for punk attitude.—JR
7. HENRY V (1989)
Kenneth Branagh's ballsy directorial debut was a metal-studded glove thrown down at the feet of Laurence Olivier's supremacy. Aiming for battlefield realism (mud, blood and moral chaos), Branagh found the sweet spot between British jingoism and imperialist critique that would have been unthinkable in Olivier's famed World War II--era treatment.—DC
6. MY OWN PRIVATE IDAHO (1991)
Gus Van Sant borrows elements from the Henry IV plays in this dreamy street-hustler drama, but shifts focus revealingly. His hero is not the slumming heir or the Falstaffian lecher, but a narcoleptic sidekick—played by the achingly vulnerable River Phoenix—doomed to a life of getting picked up and left behind.—AF






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