Summerhall, theatre
Photograph: Peter Dibdin

Summerhall

The current king of the city’s arts scene, hosting performances of all shapes and sizes. Even when there’s nothing on, great bars and food are worth dropping by
  • Art | Arts centres
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Time Out says

As Edinburgh’s newest – and hippest – multi-arts venue, Summerhall has quickly evolved from its former life as the Royal Dick School of Veterinary Studies into a cutting edge performance space.

Year round it puts on a programme of largely avant-garde, occasionally political exhibitions, talks, music, theatre and dance, and film events – as well as functioning as a space for workshops and residencies.

It’s quickly emerged as the go-to for ground-breaking, thought-provoking work during the Festival, with shows performed in everything from the lecture hall-slash-theatre spaces, to site-specific works in basement corridors and tiny lifts. In lesser hands dubbing yourself as a ‘cross cultural village for innovators’ would sound a little, well, pretentious. But here, they largely deliver.
 
Geeks aren’t ignored either, with the addition of TechCube providing a space for technology start-ups to rub shoulders and develop their ideas.

Eccentricities from its former life as a veterinary school reside throughout what’s essentially a labyrinth of a building, from the odd bit of taxidermy on the wall and operating tables in the bar, to the much-loved Dissection Room.
 
Beyond its success an arts venue, it’s also establishing itself as a popular place to grab a coffee or a beer, and The Royal Dick Bar and Bistro, which was once the Small Animal Hospital at the school is fast emerging as great place to loiter in, largely thanks to a decent food menu. Across in the café, a decent cuppa is guaranteed, along with a regular exhibition of pop art posters, including work by usual suspects Robert Rauschenberg, Andy Warhol and more.

As an additional hoorah, they have a resident craft brewery, which produces Summerhall Pale Ale, brewed by Barney’s Beer.

Details

Address
Summerhall Place
Edinburgh
EH9 1PL
Transport:
Rail: Edinburgh Waverley

What’s on

Darkfield: Eulogy

3 out of 5 stars
This review is from the 2022 Edinburgh Fringe. Darkfield’s hallucinatory audio dramas are practically their own genre and I don’t think it’s totally unreasonable to say that if you’ve seen one before, you basically know what you’re getting yourself into with a newie. ‘Seen’, of course, is not the operative word: like predecessors ‘Seance' and ‘Flight’, ‘Eulogy’ takes place in total blackout conditions, inside a sealed shipping container, with the show prerecorded and relayed via headphones - a trippy audio drama relayed in disorientating binaural sound. There’s a twist with this one, which is that our headsets have microphones in them, and throughout the show we’re asked a series of yes/no questions about ourselves - it’s mostly at the beginning and I started to wonder if there had been any point to it, but it actually builds up to an extremely amusing twist at the end – it’s a throwaway gag, but it’s a good throwaway gag. Otherwise, it’s a traditional Darkfield adventure: that is to say, a batshit crazy story that involves us being entered into some sort of bizarre contest at a strange hotel, where we’re put under the charge of a ‘helper’ who seems to be tasked with taking us through a ritualistic series of actions that must be followed to the letter if we’re to succeed in the contest. We do not follow them to the letter… and things get very dark. The plots in Darkfield shows always seem to follow the vertiginously swirling logic of dreams, with abrupt changes in location...
  • Immersive

Darkfield Radio: Double, Visitors and Eternal

Blackout theatre specialists Darkfield are ever less escapable at the Fringe, with their shows Eulogy and Arcade coming back for runs at different venues this year. And then there’s Darkfield Radio: if we’re reading it right it’s so called because it’s a ‘pure’ headphones show and lacks any real set beyond a blackout. Which is fine really: the headphones plus blackout are the main bit of Darkfield shows, and this format actually allowed for ticketholders to choose one of three different pieces of the same 25 minute length (a bit like changing between channels at a silent disco). The pieces are Double, about the rare phenonomenon that is Capgras syndrome, wherein you think a loved one has been replaced by an evil imposter; Visitors, about why the dead find no comfort in the land of the living; and Eternal, about the price of endless life.
  • Immersive

Ordinary Decent Criminal

The great touring company Paines Plough hasn’t been able to bring its iconic Roundabout venue to Summerhall this summer – for reasons you can google – but it’s still up at the Fringe with two shows, this one even at Summerhall. Comic Mark Thomas scored great notices a few years back for his rivetingly intense acting debut in Ed Edwards’s England and Son. Now actor and playwright are reunited for Ordinary Decent Criminal, a story about a recovering addict prisoner who becomes part or a liberal rehabilitaton experiment in the years after the Strangeways riots. Paines Plough co-boss Charlotte Bennett directs. 
  • Drama

Paldem

Megan and Kevin are just pals; until a one night stand caught on camera makes them reconsider their relationship. This ‘anti romcom’ delves into the amateur industry – not uninteresting as an idea, but what makes it considerably more intriguing is that Paldem is the debut play from rising Brit star David Jonsson, known for Industry, Rye Lane, Alien: Romulus and more. He won’t be starring in the two-hander, though: Tash Cowley and Michael Workeye play the duo, while Zi Alikhan – who has worked on Industry – directs.
  • Drama

Philosophy of the World

Anarchic performance trio In Bed With My Brother were last seen at the Fringe with Difficult Second Album, a show inspired by the KLF’s burning of a million pounds. There’s been other work since – notably their furiously anti-Jeff Bezos Barbican show PRIME_TIME – but they make their return to Edinburgh with another music themed show. Philosophy of the World sees them explore their fasicnation with The Shaggs, the bizarre ’60s and ’70s rock band comprised of a trio of sisters with little interest in music, whose strict father nonetheless forced then to form a rock band as a result of a prediction made by a fortune teller. Mocked at the time, their one album Philosphy of the World has become an avant-garde cult classic. In Bed with My Brother’s show of the same name is billed as ‘part tribute act, part feminist reclamation, part fever dream’.
  • Experimental
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