Vixen

Voracious Erica Gavin indulges a little choreographed foreplay with a wet fish; a black draft-dodging biker discovers during a mid-air hijack that even Cuba-bound IRA commies hate niggers. Just two cherishably iconic moments from Vixen, the film that showed Meyer to have the most dynamic editing style in American cinema, and took him from nudie king to national monument via the most outrageous exploitation of bosom buddydom ever.