Film

What's on at the cinema plus reviews of the latest movie and DVD releases


Europa (1991)

Director: Lars von Trier

Average user rating
2 reviews

Movie review

From Time Out Film Guide

Von Trier's Element of Crime was one of the great love-it-or-hate-it films, and this divided opinions even more furiously. Portentous but hypnotic, it's a mannered delve into postwar history: an American German (Barr) returns to work on the German railways after WWII, only to get entangled in underground politics and the dark machinations of a railway dynasty. The grandiose scale and visual pyrotechnics paradoxically combine to claustrophobic effect (imagine something between Fassbinder and Lynch's Dune); and like the constantly shuttling sleeping car in which much of the film is set, where it's going is hard to say. Max von Sydow's ominously mesmeric opening voice-over makes for a wind-up from the outset, but if you can stay awake through that, you're in for a highly idiosyncratic mystery tour.

Author: JRo

Time Out Film Guide


User reviews of this film

  • Knocked my socks off with said...
    Posted on Oct 05 2011 04:24 Knocked my socks off with knoweldge!
    Report as inappropriate
  • Technoguy said...
    Posted on Nov 27 2008 14:51 I have never seen this film.Got it on DVD.I thought I was getting'Europa,Europa', a film I saw 17 years ago and wanted to see again.'Europa' is also known as 'Zentropa' to distinguish it from 'Europa,Europa'.
    Von Trier has made a technically complex film like the use of b/w and colour sometimes alternatively or in the same scene or through superimposition or back-
    projection.He even drops red colouration into a b/w
    bath scene when Max Hartmann commits suicide.The film
    opens with the camera over running rail lines and the
    deep hypnotic voice of Max Von Sydow ushering us into
    the mesmeric nature of film,or this film(or story).
    It's, in effect, the setting of a mood,the atmosphere of a dream in this Kafkaesque narrative.Leo,a German-speaking American, comes to post-war Germany Frankfurt to take up work with his uncle as a sleeping-car conductor on Zentropa's train(formerly used we find to transport Jews to the camps).Leo seems naively idealistic as he wants to show the Germans a little kindness, following the destruction of their country,to aid their recovery.
    He meets and falls in love with Katherina who is the daughter of Max Hartmann,the train's owner.She is a bit like the Ingrid Bergman character in 'Notorious'.
    She takes Leo to see her family where they dine.He
    meets Colonel Harris who wants his help to find Germans with connections to the Nazi Party. One of the family question his lack of commitment to either
    side.Katherina later says of anybody with connections to the Nazi's(80% of Germans) 'they were only fighting for their country'.The resistance to
    American occupation are called 'Werewolves'.A form
    or census is given to all Germans to establish their
    Nazi affiliations.The Americans are willing to turn a blind eye(like Hartmann) who are useful for post-war construction.However Hartmann knows he will be found out and suffer reprisals.He commits suicide.
    Katherina admits to being a 'Werewolf'.Leo is torn between the Americans and the Hartmanns.He still marries her.However he is now in the grip of the 'Werewolves' who enlist him to plant and set off bombs on the train as it goes over a bridge.Katherina
    is taken away as he heads into manipulated destiny.
    The burial of Hartmann is akin to a Nazi rally. He
    has second thoughts about the bomb and attempts to turn it off. However it explodes and there is a very drawn out drowning scene.
    As the train goes through the night we see that collaborators are strung up along the track. we also get a vivid sense of the collapse of post-war Germany
    with great crowd scenes and destroyed buildings which
    can be seen from the train.The problem I had with this film was the predominance of style over substance.We feel it's set more in the subconscious
    realm rather than in a physical space and so the point of the drama and where it's going becomes lost.
    There are echoes(homages)to Hitchcock,Welles and Lynch,possibly to Laughton's'Night of the Hunter'.
    The acting and cinematography are excellent and this
    remains a marker in world cinema.
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields




Most popular on this site


Top Stories

Has David Cronenberg turned tame?

Has David Cronenberg turned tame?

Has director David Cronenberg veered too far from his radical and bloody roots with new film 'A Dangerous Method'?

The 10 worst date movies

The 10 worst date movies

Just in time for Valentine's Day, we present ten of the least romantic films ever made

Where to watch this year's Oscar-nominated films

Where to watch this year's Oscar-nominated films

Find out where to watch 2012's Oscar-nominated films in London cinemas

10 unlikely badboy biopics

10 unlikely badboy biopics

Featuring Phil Collins, Jeremy Clarkson, Nick Clegg, David Starkey and a host of other unlikely subjects

Interview: Sean Durkin on 'Martha Marcy May Marlene'

Interview: Sean Durkin on 'Martha Marcy May Marlene'

The first-time director of the brilliant new thriller discusses religious cults and robot boxing

Pop-up cinema for Valentine's Day

Pop-up cinema for Valentine's Day

Side-step romantic clichés with some alternative Valentine’s viewing