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Ordet (1954)

Director: Carl Dreyer

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From Time Out Film Guide

Dreyer's penultimate feature (Gertrud followed a full decade later) is another of his explorations of the clash between orthodox religion and true faith. Based with great fidelity on a play by Kaj Munk, it's formulated as a kind of rural chamber drama, and like most of Dreyer's films it centres on the tensions within a family. Its method is to establish a scrupulously realistic frame of reference, then undercut it thematically with elements of the fantastic and formally with a film syntax that demands constant attention to the way meaning is being constructed. The intensity of the viewer's relationship with the film makes the closing scene (a miracle) one of the most extraordinary in all cinema.

Author: TR 0000-00-00 00:00:00

Time Out Film Guide


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User reviews of this film

  • Technoguy said...
    Posted on Dec 28 2008 19:30 Dreyer comes as a revelation.Set in 1920s Denmark
    centred on the Borgen family farm. Within one family we have variations of belief. The stern paterfamilias,
    Morten Borgen who's own belief is of a life-affirming
    Christianity of the mainstream. His eldest son.Mikkel is
    a humanist agnostic.His wife Ingers, is a true believer
    who ,hopes she can lead her husband back to the faith.
    Then there is Anders,who has fallen in love with Anne
    a neighbours daughter from a stricter fundamentalist sect.However Johannes is seen preaching to nature
    outside in the dunes and grasses.He has become
    mentally deranged after reading Kierkegaard while
    training as a Pastor.He clearly upsets his family
    wandering as he does in and out of rooms and touched
    by his pure incantatory faith.He observes others loss of
    faith as he passes them. He tells the Pastor he is Jesus
    of Nazareth.The Pastor asks how he can prove it as he
    comes across as somewhat sceptical.Johannes is
    dismayed at the state of the state church which cannot
    believe in miracles. Peter the fundamentalist does not want Anders to marry his daughter and Morten being
    wealthier,is so put out by this he pays Peter a visit to
    have it out with him with Anders.Peter and Morten fight
    and Peter wishes upon Morten a shocking event to
    wake him up. The shock comes as his daughter-in-law-
    shown earlier to be the hub of the farmstead,ministering
    to all the family members care with a gentle,caring,
    compassionate disposition- has a premature delivery and loses her baby son.She also loses her life after a
    deterioration. The beliefs that people hold do not
    unite them.Johannes thinks it a disgrace that nobody
    wished Inger to come to life. He is led by the hand of
    his neice who literally believes he can do the
    impossible and perform a miracle in a mysterious climax.Johannes has a miraculous return to sanity
    and instead of believing he is Jesus Christ he invokes
    Jesus Christ over the dead body. I wont give away the ending:it's something the spectator has to see themselves in order to believe it.The camera is moving
    all the time between people,diagonally,up and down ,across the cabin floor and from scene to scene
    and room to room.There is a complex combination of
    rhythms, from the gliding camera right to the way the lines are read.The camera tracks and pans each character at a distance.There is a continuous,flowing,
    horizontally gliding movement.Every character has their distinctive walk and speech and facial expression.
    Only when Johannes recognizes his delusion does he
    receive spiritual power,who seems to be given the 'word'
    that can bring the dead alive.The cinematic illusion
    makes us believe the unbelievable.The quality of the
    whole mise-en-scene gives a larger than life
    transcendence to this group of slow moving and slow talking actors.Based on a play by Munk was a playwright
    and country priest killed by the Nazis due to his living
    and dying by the 'word'(ordet).
    Report as inappropriate

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