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Midnight Cowboy (1969)

Director: John Schlesinger

Average user rating
5 reviews

Movie review

From Time Out Film Guide

Outrageously overrated at the cynical end of the Swinging Sixties, when the seedy New York milieu in which the pathetic buddy-buddy story takes place was thought to be truthfully depicted. Instead, as Voight's likeably dumb Texan hick hustler teams up with limping guttersnipe Hoffman in an effort to make enough money from the wealthy women of New York to fulfil dreams of living in sunny Florida, the film indulges in bland satire, fashionable flashiness, and a sodden sentimentality that never admits either to its homosexual elements or to the basic misogyny of its stance. Add to that a glamorisation of poverty and an ending that makes Love Story seem restrained, and you have a fairly characteristic example of Schlesinger's shallow talent. (From a novel by James Leo Herlihy.

Author: GA 0000-00-00 00:00:00

Time Out Film Guide


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User reviews of this film

  • luv the sixties said...
    Posted on Jun 22 2009 17:51 My favorite movie of all time. Not a feel-good movie to say the least but very moving. I thought the acting, music and directing were exceptional. The academy got it right with this one!
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  • jay em said...
    Posted on Apr 14 2009 19:05 Whatever...TIME OUT COMPLETELY BLOWS IT with this review. It's one of the greatest films to come out of one of the greatest periods of American filmmaking...
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  • Edward Como said...
    Posted on Jan 04 2009 21:02 Hey guys there's a bus leaving in 10 minutes....be UNDER it. I guess think The Dark Knight or Harry Putter is a solid movie. Remind me never to read anything you guys write...again...EVER!!! Ya' bunch a' Dopes!!!
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  • overkill said...
    Posted on Dec 20 2008 07:30 ...
    You guys wouldn't know good film making if it fell on ya.
    Report as inappropriate
  • yduric said...
    Posted on Sep 01 2007 02:36 I will be even harder than TimeOut towards this film: the fact that it was so praised and even oscarized is beyond my belief: first of all, the film is caricatural, exploiting the equation: big city=cruelty and road to perdition to such an extreme that it achieves quite the opposite: all the supposedly 'bad' characters that our 'poor little heroes' encounter are in fact far more likeable than them. Second, the suggestion that New York is responsible for their condition never rings true: I had quite the oppossite feeling, that they thought the world owed them everything and that this was an excuse for any kind of hatable behaviour. And with all this, are we supposed to feel sympathy for two characters who are as wretched morally as materially? It should be rememebered that Joe Buck even MURDERS the old man that invited him to his hotel room in order to get his money!!! (the excuse: he must put his buddy on a bus to Florida!!!) No, I do not buy it, this is only a display of cheap and self-indulgent miserabilism that no 'outcast' condition will ever justify.
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