Alligator (1980)
Director: Lewis Teague
Movie review
From Time Out Film Guide
Ramon, the eponymous star, is flushed down the pan as a baby, grows to an inordinate size by feeding on the corpses of pets used in hormone experiments (plus the odd sewer worker), and finally hits the streets looking for food and action. The basic angle to John Sayles' script (dubious scientific research leading to a dangerous freak of nature) is a reworking of his 1978 Piranha, but the sense of humour, narrative economy and attention to character are as sharp and fresh as you could wish. No prizes for guessing that Ramon finally devours the shady hand that unwittingly fed him, or that the cop on his tail literally blows the lid off his own guilt problems, but Sayles and Teague never stint on incidental pleasures. The result is an effective and unpretentious treat.Author: SJ
Cast & crew
Director: Lewis Teague
Producer: Brandon Chase
Cast: Robert Forster, Robin Riker, Michael Gazzo, Dean Jagger, Perry Lang, Jack Carter, Sydney Lassick full cast
Genre(s): Horror
Duration: 94 mins
Most popular on this site
Top Stories
A Bond a day: No.7 'Diamonds Are Forever'
Join Time Out as we revisit the 21 official James Bond movies to celebrate the release of 'Quantum of Solace'
Steve McQueen on 'Hunger'
Dave Calhoun meets artist Steve McQueen’s whose debut feature film, ‘Hunger’, is the story of IRA hunger striker Bobby Sands
Producer Stephen Woolley on ‘How to Lose Friends and Alienate People’
Stephen Woolley, recalls the near catastrophes he had to contend with in bringing Toby Young’s memoir to the screen
Paul Newman: 1925 – 2008
Paul Newman died at his Connecticut home this weekend, at the age of 83. We look back at one of the great movie careers of the twentieth century
Richard Attenborough: interview
‘Entirely Up to You, Darling’ is the long-awaited autobiography from Sir Richard Attenborough. David Jenkins meets him in his Richmond home
Hard hacks to follow
To celebrate the release of 'How To Lose Friends and Alienate People', Time Out pick some of the toughest journalistic gigs in cinema








What do you think?
Post your review now