Film

What's on at the cinema plus reviews of the latest movie and DVD releases

Get 2 for 1 cinema tickets with Orange Click Here

Search cinema listings

Browse cinemas A-Z

Search 20,000 reviews

 

Kiss Me Kate: 3-D (1953)

Director: George Sidney

Average user rating
No reviews

Movie review

From Time Out Film Guide

Brush up your antiquated novelties, courtesy of this BFI revival. We open on the full three-dimensional munificence of the leading man's living room: with Cole Porter (actually Randell) looking on, silver-tongued impresario Fred Graham (Keel) tries to court his combative ex-wife Lilli Vanessi (Grayson) into starring opposite him in a musical version of The Taming of the Shrew. The effect is spoilt just a little when Lilli's eager-beaver rival Lois Lane (Miller) arrives to hoof it around the couch to the tune of 'Too Darn Hot'. And so the show goes on. This 42nd Street-style, backstage stuff is tantamount to social realism so far as musicals are concerned. Certainly the film never attempts the cinematic fancifulness of, say, Minnelli or Donen, and Sidney's tricksiest 3-D application is to have his players throw objects at the camera. With querulous lovers, waspish dialogue and erudite hoodlums for comic relief, it's really a screwball musical, rooted in the 'comedies of remarriage' of a decade earlier. Think The Awful Truth, The Palm Beach Story and especially His Girl Friday; and as a musical resetting, rather than a travesty, this is to Shrew almost what High Society is to The Philadelphia Story. That said, all the sophistication here is in the original play and score, though the final number, 'From This Moment On', choreographed by a young Bob Fosse, is admittedly quite something.

Author: NB 0000-00-00 00:00:00

Time Out Film Guide


  • Print this page
  • Send to a friend
Get 2 for 1 cinema tickets with Orange Click Here

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Ang Lee talks 'Taking Woodstock'

Ang Lee talks 'Taking Woodstock'

Ang Lee talks to Tom Huddleston about his tale of the men behind history’s greatest music festival

Hippies who work for The Man

Hippies who work for The Man

To celebrate George Clooney comedy 'The Men who Stare at Goats', we look back at six memorable onscreen hippies who fought the system from within

Roland Emmerich's guide to disaster movies

Roland Emmerich's guide to disaster movies

Ahead of the release of '2012', Roland Emmerich offers his ten tips on creating the perfect global catastrophe

Grant Heslov: interview

Grant Heslov: interview

Grant Heslov, director of 'The Men who Stare at Goats' talks about his old pal George Clooney, his interest in the paranormal, and his fond memories of working on 'Happy Days'

The Coen brothers discuss 'A Serious Man'

The Coen brothers discuss 'A Serious Man'

Masters of contrary comedy, Joel and Ethan Coen have struck gold again with their latest, ‘A Serious Man’

Ten inspirations behind 'Avatar'?

Ten inspirations behind 'Avatar'?

Time Out ponders the influences behind James Cameron's anticipated space-opera on the basis of the trailer

Michael Haneke: The man behind the menace

Michael Haneke: The man behind the menace

From Cannes to Munich to London, Dave Calhoun tours Michael Haneke's Palme d'Or winner, 'The White Ribbon'

How Jane Campion brought John Keats back to life

How Jane Campion brought John Keats back to life

Time Out gets Romantic with the ‘difficult’ New Zealander about her new film, 'Bright Star'

Time Out's 50 greatest animated films with commentary by Terry Gilliam

Time Out's 50 greatest animated films with commentary by Terry Gilliam

In celebration of the release of Pixar's 'Up' and Wes Anderson's 'Fantastic Mr Fox', read our rundown of fifty classic feature length animations