Film

What's on at the cinema plus reviews of the latest movie and DVD releases


Head-On (2003)

Director: Fatih Akin

Average user rating
3 reviews

Movie review

From Time Out London

It’s easy to think we’ve seen all this before: the Turkish community in Hamburg, a clash of cultures, stern Islamic parents and rebellious youngsters… The same old deal. However, dismiss this movie at your peril since such cultural displacement isn’t its be-all and end-all, merely the starting point for a narcotically vivid love story shaped by wilful volatility as much as the pain of exile.

Leather-clad late-thirtysomething loner Cahit (Birol Ünel, who looks like someone left a Turkish Iggy Pop in a skip) is stuck in a nowhere job at a Hamburg rock club, so it’s hardly a surprise he ‘accidentally’ drives his car straight into a brick wall. Recovering in a psychiatric hospital brings another fateful collision with the beautiful but obviously troubled Sibel (Sibel Kekilli), who bears the scars of conflict with her conservative family. She’ll do anything so she can take drugs and fuck who she wants, and marrying fellow Turk Cahit is one way out. If he’ll agree to tie the knot for show, the deal is that she’ll deliver wifely domesticity without consummating the union.

It sounds terribly rational, but she’s a little bit mental, he’s a little bit rock ’n’ roll, and pretty soon there are tears, blood and rage before bedtime, romantic redemption by no means prevailing against bitter experiences of self-destructive uncertainty. Cannily, the film sets its authentic scuzzball ‘cool’ in ironic context by inter-cutting traditional Turkish ballads filmed before a postcard Bosphorous, suggesting that these two have travelled so far their only safe haven may be with each other. Both the lead actors absolutely live these roles, as Akin’s punchy yet astute direction whirls us in their substance-fuelled passions while somehow allowing us the distance to ponder the explosive interaction of socio-cultural circumstances and personal fallibilities. It’ll put a lump in your throat and a knot in your stomach. This is max-strength film-making you can’t afford to miss.

Author: TJ

Time Out London Issue 1800: February 16-23 2005


User reviews of this film

  • m said...
    Posted on Oct 22 2010 22:01 Like Wild at Heart but twice as heartbreaking. Powerful performances from BOTH leads in an intensely involving story.
    Report as inappropriate
  • Dan said...
    Posted on May 18 2009 19:18 Birol Unal shines as much as Sibel Kekili doesn't. Sometimes her acting is all right but mostly, it is disturbingly bad. She is brave with all the difficult scenes but not as brave as Unal who is wonderfully convincing. That's what I call a true actor. Kekili distracted me more with her horrible acting than anything else.
    Report as inappropriate
  • e said...
    Posted on Nov 14 2008 02:06 not a good film with a weak sibel kekili throughout most of the scenes.
    Report as inappropriate

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields




Most popular on this site


Top Stories

Has David Cronenberg turned tame?

Has David Cronenberg turned tame?

Has director David Cronenberg veered too far from his radical and bloody roots with new film 'A Dangerous Method'?

The 10 worst date movies

The 10 worst date movies

Just in time for Valentine's Day, we present ten of the least romantic films ever made

Where to watch this year's Oscar-nominated films

Where to watch this year's Oscar-nominated films

Find out where to watch 2012's Oscar-nominated films in London cinemas

10 unlikely badboy biopics

10 unlikely badboy biopics

Featuring Phil Collins, Jeremy Clarkson, Nick Clegg, David Starkey and a host of other unlikely subjects

Interview: Sean Durkin on 'Martha Marcy May Marlene'

Interview: Sean Durkin on 'Martha Marcy May Marlene'

The first-time director of the brilliant new thriller discusses religious cults and robot boxing

Pop-up cinema for Valentine's Day

Pop-up cinema for Valentine's Day

Side-step romantic clichés with some alternative Valentine’s viewing