Film
What's on at the cinema plus reviews of the latest movie and DVD releases
Last Year at Marienbad (1961)
Director: Alain Resnais
Movie review
From Time Out London
Is it possible to gain any satisfaction from playing a game you know you’re going to lose? That question is the brainteasing idea behind Alain Resnais’s 1961 baroque exercise in formal, temporal and spatial deception, based on an experimental nouveau roman by Alain Robbe-Grillet and restored to head a BFI retrospective of the leftbank maestro’s work in film. Statuesque figures in tuxedos and ball gowns loiter in the corridors of an opulently-decorated hotel in Marienbad. A man (Giorgio Albertazzi, pictured) spots a woman (Delphine Seyrig, pictured) with whom he’s convinced he shared a romantic clinch the year before, but she claims to have no recollection. Is it a bluff? Or is he telling a yarn? The film never reveals its hand. On a technical level, it still stands on its own, as Sacha Vierny’s camera glides past the ghostly figures with locked eyelines and jarring edits flip us back and forth in time. Kubrick was a fan, and you can see the influence in ‘The Shining’ and ‘2001’. It’s one of a kind, but there is something airless and academic about it, like there’s extra brain where the soul should be.Author: David Jenkins
Time Out London Issue 2133: July 7 - 13, 2011
Cast & crew
Director: Alain Resnais
Cast: Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoeff, Françoise Bertin full cast
Genre(s): Drama
Rated: U
Duration: 90 mins
UK Release: Jul 8 2011
US Release: Mar 7 1962
Most popular on this site
Top Stories
The 10 worst date movies
Just in time for Valentine's Day, we present ten of the least romantic films ever made
Where to watch this year's Oscar-nominated films
Find out where to watch 2012's Oscar-nominated films in London cinemas
10 unlikely badboy biopics
Featuring Phil Collins, Jeremy Clarkson, Nick Clegg, David Starkey and a host of other unlikely subjects
Interview: Sean Durkin on 'Martha Marcy May Marlene'
The first-time director of the brilliant new thriller discusses religious cults and robot boxing
Has David Cronenberg turned tame?
Has director David Cronenberg veered too far from his radical and bloody roots with new film 'A Dangerous Method'?
Pop-up cinema for Valentine's Day
Side-step romantic clichés with some alternative Valentine’s viewing







What do you think?
Post your review now