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Rudo y Cursi (2008)

Director: Carlos Cuarón

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From Time Out London

Gael García Bernal and Diego Luna together again in a film written by Carlos Cuarón and co-produced by Alfonso Cuarón (with Guillermo del Toro and Alejandro González Iñárritu)… Though the younger Cuarón brother’s directorial feature debut may sound like a belated sequel to ‘Y Tu Mamá Tambien’, this cinematic reunion confounds any such expectations, succeeding perfectly well in its own right.

Brothers Beto (Luna) and Tato (García Bernal) toil away on a banana plantation to support their mother and (in the former’s case) a wife and kids, regularly letting off steam on the local soccer pitch. Then Batuta (Guillermo Francella), an Argentinian passing through the village and introducing himself as a football scout, sees them play and offers to make one of them a star. So the siblings subject themselves to their first decisive and, as it turns out, very divisive penalty shoot-out.

You need not like football to enjoy this entertainingly sceptical fable of sibling rivalry; not unlike the earlier collaboration between the Cuaróns and their two stars, this uses the ups and downs of a relationship to reflect on contemporary Mexican society, proffering pithy observations on such themes as machismo, celebrity, corruption, crime and so on. If that makes the movie sound too earnest, fear not: Carlos Cuarón, adept at balancing comedy and something darker, knows satire may be more eloquent than sermons. He’s helped by charismatic, pleasingly ambivalent performances by all involved, and while a later penalty sequence is needlessly prolonged, it doesn’t diminish the film’s cumulative effect. Serious fun.

Author: Geoff Andrew

Time Out London Issue 2027, June 25 – July 1, 2009

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User reviews of this film

Paul said...

Posted on Jul 03 2009 22:15 Certainly an exercise in sub-title speed reading which drew my attention away from the images, but once I could master 100wpm white text on sunny backgrounds i was fine.
Not sure what to make of this film, quite entertaining in a Trainspotting way but I much preferred Linha de Passe which was similarly themed.
A predictable ending so a matter of waiting for the script and filming to catch up with the inevitable scenes and cliches.

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