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The Wave (2008)

Director: Dennis Gansel

Time Out rating

Average user rating

2 reviews

Movie review

From Time Out London

Although based on a real-life incident at a California high school in 1967, this story of a classroom experiment assessing the ongoing appeal of fascist ideology gains an extra frisson from being relocated to today’s Germany. When hip teacher Herr Wenger tackles a project on ‘autocracy’ by getting his teenage students to play act in a mini-dictatorship, there’s scepticism at first (‘So the Nazis were bad, we get it,’ chirps one perceptive soul). Yet after Sir breaks up the seating pattern, tightens discipline and insists on an all-white uniform, the kids are rather surprised that a new-found group spirit has expunged previous social divisions. Having given their merry band a new name and a members-only hand signal, after only a few days there’s no telling how far
‘The Wave’ might go…

All this is such an arresting idea for a movie, it’s a bit of a shame it’s not terribly believable. Lacking the no-exit claustrophobia of, say, ‘Das Experiment’ (based on the Stanford Prison Experiment), it struggles to shape the out-of-control logic required to sell us on the insidious allure of unquestioning loyalty and obedience. Peopled with recognisable teen-movie types (predictably, the geeky outsider is the most worryingly enthusiastic participant), it’s a more superficial affair than the heavyweight subject matter might suggest, though Jurgen Vogel’s shaded performance as the grandstanding teacher who realises only too late the beast he’s unleashed certainly stands out. Still, the quicksilver editing and thumping score mean it’s zippily put together, and an undeniable willingness to engage with a youthful audience is admirably inclusive.

Author: Trevor Johnston 2008-09-16 10:29:05

Time Out London Issue 1987, 17-23 Sept, 2008

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User reviews of this film

Geraldine Winkler said...

Posted on Oct 27 2008 18:00 The film is an exploration of the nature of fascism, as well as its psychological causes and effects. It showed its apprarent attractions, as well as its dangers. It had a ponderous self concious style which reflected the polemic and dialectical nature of the film. Although I found the film very powerful in its emotional impact, the style kept my thinking engaged.
I recommend it.

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Paul Norris said...

Posted on Oct 27 2008 08:19 I saw The Wave last night and while I completely applaud its motives, its heavy-handedness negates much of what was good about it. The film offers an Animal Farm-style allegory and it's clear what's going to happen to almost every character from the outset, right down to the last scene.
An important point it missed was its failure to show the way in which fascists have used identifiable minorities to vilify as a means of uniting a disparate group (Nazis and the Jews/gypsies etc) - far more relevant today with the media's attitudes towards Moslems, Poles, asylum seekers et al. I don't think that old-wave fascism is a very likely prospect in the West but I do think that turning us against oppressed minorities is and I wish the film had addressed it.
In spite of all that, a perfectly good film that makes many very good points and whose intentions are totally honourable. Worth seeing.

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