Film

What's on at the cinema plus reviews of the latest movie and DVD releases


Miral (2010)

Director: Julian Schnabel

Time Out rating

Average user rating
4 reviews

Movie review

From Time Out London

Julian Schnabel’s first drama since his exquisite ‘The Diving Bell and the Butterfly’ is an unhappy affair that’s heartfelt in purpose but muddled in execution. The film, shot in Israel and Palestine, is an adaptation of Rula Jebreal’s autobiographical novel  – written by the author herself – and spans a period between 1947 and 1994 that encompasses the founding of Israel, the Six Day War, the First Intifada and the Oslo Agreement. Miral (Freida Pinto) is born in 1970s Jerusalem to a troubled young mother and ends up in an orphanage run by Hind Husseini (Hiam Abbass). Later on, this smart, spirited teenager is politicised amid the tension of 1987 and the flourishings of first love. Miral is both Jebreal’s alter ego and one of several women in the film whose suffering or resilience are symbols of female strength in the face of chaos and repression.

And so ‘Miral’ spans the history of a conflict through several personal stories, rather than the one suggested by the title. And that’s the main problem: there are too many viewpoints and Jebreal and Schnabel are loath to let any detail pass, so that emotions give way to exposition and there’s rarely a clear focus. It’s 25 years – 40 minutes of screen time – before we meet Miral, by which time the film has established a fatal baton-passing style as we move between the stories of Husseini, Miral’s mother Nadia, Nadia’s cellmate Fatima and, finally, Miral. You can’t fault the film’s authentic fabric – not least its locations, which offer a sense of re-enactment – and there’s an appropriate, dreamlike quality to the imagery, but ‘Miral’ doesn’t have the vital, searing sense of autobiography that it should.

Author: Dave Calhoun

Time Out London Issue 2102: 2 – 8 December, 2010


User reviews of this film

  • David said...
    Posted on Mar 26 2011 08:37 Really solid film. There is on 30 second scene where the dialog sounds like it's taken from the preface to a book on the Israel/Palestine conflict, but other than that one moment the film is very well acted. It was really interesting to see what the Israeli checkpoints in the West Bank look like. The actress who plays the head of the school was the outstanding.
    Report as inappropriate
  • Dino said...
    Posted on Mar 18 2011 05:35 I found it enormously imbalanced and contrived. This is a fumbling political statement. Very amateurish indeed!
    Report as inappropriate
  • Carrie said...
    Posted on Mar 15 2011 19:15 The whole movie felt very contrived.
    Report as inappropriate
  • StartlePixie said...
    Posted on Dec 02 2010 16:32 Frida Pinto is such a beauty... But when she finally appears on screen, the whole thing turns into a tv movie. Shame.
    Report as inappropriate
4 comments

What do you think?
Post your review now

clear rating
Min 1 star. Zero stars will be treated as unrated.

*mandatory fields





Top Stories

Ridley Scott interview

Ridley Scott interview

Director Ridley Scott tells Cath Clarke why he's making a science fiction comeback

Cannes Film Festival 2012: half-time report

Cannes Film Festival 2012: half-time report

Dave Calhoun reports on the hits, misses and a shocking new masterpiece from Michael Haneke

Wes Anderson interview

Wes Anderson interview

Cath Clarke talks to the director of Cannes's opening film

Open-air movies in London

Open-air movies in London

Cath Clarke rounds up this summer's crop of outdoor film screenings

The 100 best French films

The 100 best French films

In honour of Cannes, we reveal the best French films of all time

Ken Loach interview

Ken Loach interview

Ken Loach talks to us about his Cannes Film Festival entry 'The Angels' Share'