The screen is a perfect blue throughout as Derek Jarman faces up to AIDS, the loss of loved ones, the breakdown of the body, blindness, his own approaching fall into the void. The film embodies the spiritual transcendence which Cyril Collard sought to convey in the last reel of his anguished melodrama Savage Nights, crucially in the serene contemplation of the screen itself, but also in Jarman's beautiful poetry. Extracts from the film-maker's diary supply an ironic commentary on the 'progress' of his illness so that the movie becomes a juxtaposition between the finite and the infinite, the sublime and the ridiculous. Greatly helped by Simon Fisher Turner's soundtrack. Moving beyond words.