Time Out saysThis expensive, star-heavy retake on the Arthurian legend works well enough as Hollywood Gothic hokum: Connery is his usual reliable self as the renowned first among equals; Ormond is quite excellent as a thoroughly modern maiden torn between love and duty; and Gere's fearless Lancelot may be about as medieval as a roller disco but still has charm and athleticism (less Lancelot du Lac than Lancelot du Lacquer). William Nicholson's script produces a few dud lines, but the big scenes are spaciously put together and the final sequence in which Arthur is launched towards Avalon on a raft ignited by a lone arrow is genuinely touching. There's even a cameo by Gielgud and the semblance of a happy ending to a story that is usually shrouded in mist and tears. No Merlin, no Holy Grail, and no Lady of the Lake. Lots of lovely torches though and some really neat crossbows.