In the Mouth of Madness
Time Out saysIn this lightweight but entertaining horror movie, seasoned genre director Carpenter realises the Lovecraftian weirdness hinted at in the eerie atmospherics of The Fog and the monstrous excesses of The Thing: in short, the idea of an order of beings that exists in a parallel dimension, expelled from this world but waiting patiently to cross back and take control again. There are shades of both HP Lovecraft and Stephen King in the central character, Sutter Cane (Prochnow), a popular horror writer whose works allegedly influence his more susceptible readers, transforming them into homicidal harbingers of global chaos. When Cane vanishes just before his new book is due for delivery, his publishers panic and hire sceptical insurance investigator John Trent (Neill) to track him down. Trent suspects an elaborate publicity stunt; but having entered the writer's hometown of Hobb's End, he too experiences a blurring of the line between reality and fiction. The script by New Line's head of production, Michael (Freddy's Dead) de Luca, does not allow Carpenter free range, nevertheless he manages some neat flourishes of his own, handling the narrative twists and unsettling sfx sequences with customary skill.