Kill List (18)

Film

Thrillers

Kill List

Michael Smiley, left, and Neil Maskell in Kill List

Time Out rating:

<strong>Rating: </strong>5/5

User ratings:

<strong>Rating: </strong>3/5
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Time Out says

Tue Aug 30 2011

Ben Wheatley’s self-funded debut feature ‘Down Terrace’ was an odd beast. It was hard to tell how much of the wordy, ultraviolent gangster comedy’s undeniable power was intentional and how much was derived from its micro-budgeted on-a-wing-and-a-prayer production. Well, here’s the answer: on the strength of ‘Kill List’, Wheatley might be the most idiosyncratic and exciting filmmaker the UK has produced since Shane Meadows.

Much of ‘Kill List’ will be familiar to anyone who caught ‘Down Terrace’ during its brief run last year: the semi-improvised dialogue and naturalistic performances, the close, documentary-style photography and the deep-seated sense of suburban moral decay. But it’s altogether more confident: where the earlier film leavened the darker moments with slapstick and satire, ‘Kill List’ is an unrelentingly grim ride into the bleakest imaginable terrain, its only humour black beyond belief.

It begins in a quiet housing estate, where Jay (cockney shoot-’em-up veteran Neil Maskell) and Shel (MyAnna Buring) are trying to raise their seven-year-old son amid money troubles and a faltering marriage. The arrival of Jay’s foul-mouthed colleague Gal (Michael Smiley) and his paramour Fiona (Emma Fryer) prompts a realisation: these two apparently normal working stiffs are, in fact, hired hitmen, and it’s time for them to get back to work. But who is their enigmatic new client, why does he want them to knock off a priest and what’s his connection to the mysterious Fiona?

For the first 45 minutes, this seems like a fairly standard killer-for-hire set-up. The editing and the audio palette are unusual and unsettling, the performances noticeably superior and the mood unrelentingly claustrophobic, but the plot seems to follow a predictable template. Then something happens – no clues except to say that it involves a hammer – and ‘Kill List’ takes a sharp left-turn into no man’s land.

There will be some who find the resulting series of increasingly brutal and dreamlike events hard to process, and a number of plot points remain unexplained even as the credits roll. But allow the film to take hold and its power is inescapable: the effect is like placing your head in a vice and waiting as it inexorably closes.

It’s hard to remember a British movie as nerve-shreddingly effective since ‘Dead Man’s Shoes’ in 2004. Like that film, ‘Kill List’ may not make the impact it deserves upon initial release. But this is a grower, a film which lingers long in the memory: look for it on ‘Best of British’ lists for a long time to come.
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Release details

Rated:

18

UK release:

Fri Sep 2, 2011

Duration:

95 mins

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Comments & ratings

Rated as: 3/5 (27 ratings)
  • Sorry about my recent review of kill list when i inadvertingly gave it a reveiw of 3 stars , just to warn fellow film bufs this film rates about 0 and could seriously damage your health,sense of huomor and taste

    pulpwickercarter Sun Jan 20
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  • Like most recent British classics, this film resonates long in the memory for its unremitting unoriginal shitness.The only reason i watched it to its sensational end is so i could hate it even more. Repeat or first veiwing not recommended.

    pulpwhickercarter Sat Jan 19
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  • This is not a typical movie. Its not cliched, it doesn't use a worn plot pattern (although parts will echo with other movies) and the style is totally unique. My issue with this film - and its my only issue - is killing of a child that occurs in it. A number of people expressed concern at 'not understanding' it - I don't think you are fully meant to at all here. People are polarised on this film - its real marmite stuff. Personally, I loved it and the film stayed with me a for while afterwards but I get why others object to it. I watch a lot of movies so for me, seeing something this original and challenging was really refreshing.

    Rich H Fri Apr 13 2012
    Rated as: 4/5
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  • There was a point where I considered walking out of the movie and the revulsion brought up by the final scene was strong enought that I immediately wished I had... Having slept on it, Kill List was pretty much what I had hoped for - a movie about something other than what was happening on the screen, Watch it again? Nope.

    dsmith Tue Mar 20 2012
    Rated as: 4/5
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  • Pretencius. Movie has influnce of Eyes wide shut on the end, which is a master piece compare to to this crap. If this is best of todays british cinema, than Hitchkok is turning in his grawe. Its not that is wierd and scary, its just so stupid, riding on the trends, but they have be going wrong for a long time, and this movie took the worst from each of the past decade trends, and blend it evan more badly, while trying to be cool

    militano Sun Mar 18 2012
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  • A strangely compelling film, very well acted/directed and the production values are entirely delibarate, the sound in particular is very effective. The plot cam seem slightly disjointed but it's supposed to be. A typically British film this may not be a classic but it's a very good film and it should be saluted!

    brutaldeluxe09 Wed Feb 22 2012
    Rated as: 4/5
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  • An ambitious film which ultimately takes on too mucn getting lost in the process. There's the `hitmen as buddies` scenario, a gritty, sardonic British version of Pulp Fiction, then there's the psychological analysis element which tries to ground the film in surburban realism . . . . . and then there's The Wicker Man in the final reels, where presumably the film-makers are trying to incorporate diverse philosophical ideas into what is already a head mix. Ths film succeeds in that it poses questions about the nature of good and evil, and about human capacity for love and hate. However the film is gripping and the editing and the soundtrack are intermittently effective. However it's too much of a mish mash to achieve the aesthetic coherence which one would hope for from a four or five star film.

    John Cooper Wed Feb 8 2012
    Rated as: 3/5
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  • Sorry, but I should have paid heed to the word 'cult.' Bad camera shots, average acting and the arguments over trivia yet when the husband and wife were alone she changedcompletely. Couldn't wait for it to end. Embarrased to be British

    Jerry Tue Jan 31 2012
    Rated as: 1/5
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  • It's a well made gritty realistic urban hitman picture, that sudenly turns into a pile of pretentious crap, straight out of the vomit which is The Whicker Man, (and its ilk!) There's no excuse, even by the PTS syndrome studying gazelle... it is, what it is! A half decent plot, well photographed, realistic practical effects, then, for no real reasons, apart from artistic ball locks... it turns into some ridiculous arty farty religious cult that makes no sense at all flick. (Even if you suspense belief that much that no involvement with the police or emergancy services results in people being murdered left, right and centre!!) The extras on the DVD are crap as well, especially the "making of". Which is simply a montage of visuals with a sound track blurting over it. Don't bother with it, unless you suddenly take drugs during the last fifteen minutes!

    Spillage66 Tue Jan 24 2012
    Rated as: 1/5
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  • The comments by others merely illustrate how misunderstood PTS and depression are; or worse how little people are prepared to try and understand. The film is an allegory of the mental decline of Jay due to the aforementioned. It is graphic, unerving and gritty. There is nothing pretty about PTS; it can destroy even the most loved of the sufferer (hence the finale). Jay and Shel's lack of selfawareness and undertsanding of Jay's condition preclude a happy ending. Highly recommended viewing, albeit disturbing at times and inevitably sad. If you like this sort of thing then try Vahalla Rising.

    Robin Tue Jan 24 2012
    Rated as: 5/5
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