Let the Right One In (15)

Film

i3-LET THE RIGHT ONE IN glass.jpg

Time Out rating:

<strong>Rating: </strong>4/5

User ratings:

<strong>Rating: </strong>4/5
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Time Out says

Tue Apr 7 2009

‘Let the Right One In’ borrows its title from a Morrissey song, but don’t let that put you off. It’s an angular and lusty tween horror movie based on John Ajvide Lindqvist’s bestseller in which lonesome, whey-faced 12-year-old Oskar (Kåre Hedebrant) becomes smitten by a young, female vampire named Eli (Lina Leandersson). After initiating an adorable romance in the snow-coated forecourt of their glum housing complex, they soon realise that both of them are baying for blood. He’s privately fantasising about stabbing up his schoolyard tormentors with a pocket knife and she needs to sate an appetite for the red stuff that keeps her from dropping dead… again.

It might sound a little like recent coffee-table vamp style exercise ‘Twilight’, but this is a more sinister and ambiguous work. It runs on similar rails to something like Abel Ferrara’s ‘The Addiction’ in that it retools the themes and metaphors that stem from the vampire myth – craving, hostility, impulsiveness, eroticism – and neatly dovetails them with a cool, sort-of-realist examination of the horrors of adolescence and poverty that triumphantly ditches cliché and overstatement.

Tomas Alfredson’s light, subtle direction, combined with DoP Hoyte Van Hoytema’s crepuscular visuals, makes the courtship elements all the more tender and the staccato scenes of extreme violence all the more disturbing. The bashful, impassive hue of the central performances also gives the film an anything-could-happen edge: feelings of anger and desire don’t provoke hysterical outbursts but remain bewildering within the minds of the juvenile cast.

Where the film falters is in its (arguably) reactionary final scenes. There’s an eye-wateringly vicious romantic gesture that celebrates Oskar’s new-found fondness for violent revenge without ever allowing him to step back and survey the absurd amount of damage that he and the young bullies have wreaked. And for a film that takes time to embrace small, tender details, especially in relation to Oskar’s sexual awakening, it does precious little to flesh out the bleak context of his relationship with Eli, when eccentric side characters (including a cat lover who is brutally mauled by his own cluster) are thrown in as madcap story padding. But these are mere quibbles as this bruised and brilliant fairy tale is one of the year’s true originals.
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Release details

Rated:

15

UK release:

Fri Apr 10 2009

Duration:

114 mins

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Comments & ratings

Rated as: 4/5 (24 ratings)
  • read the book totally addictive loved every minute of it about to watch the film but i say u can never compare a good book to a film as your imagination goes wild while reading this story masterpiece

    danni Fri Nov 5 2010
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  • Bella thank you for speaking to me like an adult unlike an ignorant reader earlier. If you like foregin horror films check out Cold Prey and Switchblade Romance, they are gripping and tense. I just didn't feel this was a horror film at all, but the pool scene at the end was top notch. I was waiting all film for something to happen but it was mostly dialouge. I am a huge horror fan but I didn't think it was in the same league as the two films I mentioned above!

    Thomas Noctor Tue Aug 10 2010
    Rated as: 1/5
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  • I just dont like when a film is boring now, its art all of a sudden

    Thomas Noctor Fri Jul 23 2010
    Rated as: 1/5
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  • Re: Thomas Noctor I am not old but I am not young. I have seen many films and LROI is in the top 5. I am about to get my PhD in fine art and I've seen the film for 5 times now. It is the one of the most outstanding examples of films made in 21st Century and will be studied and talked for years to come for its superb cinematography, engaging narrative, top quality screen play and brilliant execution. So I disagree with most of your comments about this film. And you are loosing out a lot for depriving yourself of a chance of being the true spectator of this masterpiece. If I can make this kind of quality film, I am ready to die without any regrets about my life.

    Bella Wed Jul 21 2010
    Rated as: 5/5
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  • Astrid You scumbag, how dare you insult Me, I'm just giving My opinion, go f##k yourself! This film is crap, half naked kid at the start? Creepy alright! Not art at all, the only decent scene is the pool scene at the end, and thank God it was the end. Not scary and extremely boring. As boring as The Road and Drag Me To Hell!

    Thomas Noctor Thu Jun 10 2010
    Rated as: 1/5
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  • classic !!!!!!!!! Great soundtrack to !

    paul veazey Thu Jun 10 2010
    Rated as: 5/5
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  • I thought this film was very enjoyable. Reading the comments it seems to be love it or hate it. I think it probably depends largely on your own personality, your own outlook, your own psyche, your own vulnerability as to whether you will enjoy this film. I say give it a go. I really enjoyed it personally,

    1PMA Fri Jan 22 2010
    Rated as: 4/5
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  • Did the TO reviewer actually watch this film? Eli feeds on a woman but fails to kill her - thus 'infecting' her victim with vampirism. It was HER not the cats' owner who was brutally mauled by the cats.

    Maria in London Sat Oct 31 2009
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  • Snore zzzzzzzzzzzzzzzzz boring film

    Thomas Noctor Sat Sep 5 2009
    Rated as: 1/5
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  • As a film maker myserlf I first off will say killing scenes are very well done. This is a shockingly boring film more like a teletubbie Romeo and Juliet than a horror. The girl doing the Rubix cube is the best part of this bore, not as bad as Drag Me To Hell though but not far off worst film of the year.

    Thomas Noctor Sat Sep 5 2009
    Rated as: 1/5
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