Once Upon a Time in Anatolia

Film

Drama

Firat Tanis in Once Upon a Time in Anatolia

Time Out rating:

<strong>Rating: </strong>5/5

User ratings:

<strong>Rating: </strong>4/5
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Time Out says

Sat May 21 2011

Murder mysteries rarely run as deep as this long, dark night of the soul from Turkish filmmaker Nuri Bilge Ceylan, director of ‘Uzak’ and ‘Three Monkeys’. Ceylan is a master of brooding stories defined by their wry questioning of human nature and often focused on men in crisis. He has an unflinching eye for the worst in all of us and for the black comedy and absurd banalities of everyday life.

For his sixth film, Ceylan has chosen his bleakest canvas yet: a murder investigation that begins in the dark wilds of the great Anatolian outdoors and ends in the cold light of an autopsy room. In tone, it’s Ceylan’s most epic and talky film yet. But don’t be fooled – it’s also his most mysterious and meditative.We meet a group of a dozen policemen, soldiers and others as they drive about on the steppes one night in search of a body with the two men suspected of burying it. It’s an ensemble piece, and for much of its 158-minute running time, the film itself feels like a painful, fruitless inquiry as it seeks themes, subjects and characters to latch on to. It’s a police procedural, yes, but you imagine that’s just an excuse to bring together a varied group of men in the face of a terrible event. It’s very far indeed from a traditional whodunnit.

However, the murder allows both Ceylan and us time to stop and consider what life means in the face of it being snatched away. He throws in some haunting, jolting moments to remind us that the answer is beyond our grasp: a flash of lightning illuminates a scary stone carving of a face and an apple mysteriously rolls down a stream with a little too much autonomy. Here, Ceylan’s visual style is less heightened, more down-to-earth than the more stylised ‘Three Monkeys’, but still some of the night-time scenes look like careful paintings, such is the precision of their lighting and composition.

This night feels like it might last forever. A convoy of cars pulls up at one spot, and another, and another… We hear snippets of chat about yoghurt or illnesses. Our focus shifts from a prosecutor to a doctor to the accused, or sometimes Ceylan pulls back and shows us the whole gathering, lit by the moon or headlights. The entourage takes tea at a village where a beautiful young woman serving them awakens new feelings in one of the prisoners and the story begins to take on a more intimate, spiritual dimension as it focuses increasingly on the character of the doctor. He’s a metropolitan outsider in a small town and a man struggling with a fiercely logical approach to life. Just as the woman stirs feelings in the prisoner, so this investigation unsettles the doctor – just as, we imagine, Ceylan hopes to unsettle us as he takes us with him on this compelling, masterly journey.
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Release details

UK release:

Fri Mar 16 2012

Duration:

157 mins

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Comments & ratings

Rated as: 4/5 (20 ratings)
  • Very powerful movie of NBC, yet not his best. There are so many layers to this film, it communicates on so many levels. If you are stuck on the very first layer you will not enjoy it. Depth is not for everyone, some can only swim on the surface. The film is about not being able to communicate, almost every level on society from, a common NBC film generality. It is a murder story, yet it also is a slice of real life from the bitter but beautiful Anatolia. A society that hangs on their tribal,religious fear ridden ways of living with hopeless and inadequate state intervention to change that. This is not a simple murder story, even if you take the murder part of the story; it is unsolved from the beginning to the very end, and non-communicative will never understand the plot of the murder. Kenan is the real father of the victim's child. But is this the reason of the murder? No. There is a much sinister reason for this murder. The one's who really watch this film, remember Kenan's brother tells that he is the one who killed Yasar. Remember film starts with a scene, these three man drinking. Also, Yasar had no underwear when he was found dead and his trousers were down too, in the morgue a joke were mentioned as he was ready for action when he was found dead. Another point, Commisar Naci mentions that Yasar lived like a rat and died like one, he says "Don't get me started..." to talk about Yasar. Yasar has a bad name. Yasar has a young beautiful wife, but he did not get her pregnant. Somebody else did, his friend Kenan. Yasar is a homosexual, and he probably wanted to rape Kenan's poor brother. Also Kenan probably worried that he will do this to his son. This was a sort of an honour killing. Anatolian style. The doctor had to turn a blind eye. He probably thought this was the best for the one's left behind. No one there in that team of policeman, prosecutor etc. not aware of any of this, they do not communicate. They can't. This is a society all wrapped up in the inabilities, deficiencies, ugliness and all sorts. They can not look forward and see some sense. In all these ugliness, there is beauty, Anatolian landscape with its untouched, innocent, virginity and the Anatolian women. When those man see this beauty they can only cry.

    nima Sat Feb 16
    Rated as: 5/5
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  • Masterpiece. I think the prosecutor is at least as important as the doctor, and, indeed, helps form and shape the latter's character, in as much as some 20 hours of intermittent conversations can do to an adult. Most other conversations, and characters, and even the 'police procedural' itself, are almost as supporting characters to their drama. I think, more than any single film director, the Russian writer, Anton Chekhov, is the single most important influence on the drama that unfolds.

    Jim Wed Feb 6
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  • This was by far the most boring movie I have ever seen. I cannot believe I wasted 2.5 hours on it! Thanks to you photography aficionados for rating this so highly... I could really care less about the photography. This movie has no storyline and watching it was a test of endurance. Excruciatingly SLOW and BORING!

    Nick Sun Feb 3
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  • Intriguing and thought provoking; notwithstanding about an hour too long.

    Nicko Wed Jun 20 2012
    Rated as: 4/5
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  • I am not surprised this film divides opinion as it is clearly not everyone's cup of tea. I really enjoyed it ( l think it makes sense the begin at that point rather than say its good or bad) and l can say why- although for me a little long. There is a lot to enjoy in the gradual unfurling of events and character but it is an extremely morbid film. In large part it is a meditation on attitudes towards life and death including its (as with everything else in life) inevitable bureaucratisation. There is plenty of dark humour shot through the proceedings but the real darkness is in the back stories of the main protagonists lives. As others have mentioned the cinematography is stunning, the characters engaging and believable, the camera shots varied and interesting, There are many memorable scenes not least of which when the death fixated (and lonely) doctor looks longingly at the departing widow of the murderd man, a small part of her dead husbands blood unnoticed to him, on his cheek. A man who sees death everywhere, drawn to life yet unable to connect. Great stuff.

    Jon Talbot Wed May 23 2012
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  • One of the favourite investigation movies I have ever seen. Superb cinematography and Brilliant casting.

    Murali Dharan Tue May 15 2012
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  • Stunning: like tarkovsky's films, fascinating, beautiful, moving, intelligent, simple

    polychenko Sat May 12 2012
    Rated as: 5/5
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  • Fantastic, like a Russian play or novel (signalled by the doctor) with all the depth and subtlety you would find therein.

    Ian Thu Apr 19 2012
    Rated as: 5/5
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  • Didn't like it. Trying to be a Tarkovsky without the soul or intellect.

    James Fri Apr 13 2012
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  • Glad I don't have to go to the cinema with YOU Ed! Every wonderful film will not appeal to everyone and you are obviously one of those people who needs to be told what is going on, minute by minute. This film is about the fact that there are NO answers, no black and white, no stark 'good' and 'bad'. If you have gone through life looking for such certainties , you must be very tired by now!

    Daisy Tue Apr 10 2012
    Rated as: 5/5
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