Time Out saysShrek is the sort of 'new' ogre the world's been waiting for - he's house-proud, a keen chef, mild-mannered (unless provoked), and a heart beats under his thick green skin, if only someone could break through his gruff isolation. Princess Fiona reckons she's the one; but the trouble with princesses who've spent too long cooped up in castles is that they tend to have a shaky grasp of reality. When Shrek comes a-rescuin' her from the dragon that's been gobbling her suitors, she takes a while to comprehend that her real claimant is Lord Farquaad, a tyrant of limited personal stature, who has contracted out her deliverance in return for ridding Shrek of the various pesky fairytale characters milling around his manor. DreamWorks is clearly picking up the pace with its animated features. Technically, the film's a triumph. Gag by gag - and there's a stream - it's merrily irreverent, visually and vocally. The bigger picture, though, is rather more conventional. The play with fairytale clichés merely freshens them up for re-use; and the moral comes served with earnest sentimentality. Not sure about the 'hip' soundtrack playlist, either.