As Cox has been at pains to point out, this is not the story of the Sex Pistols but a love story pure and simple. And since love is never simple and rarely pure, Cox follows his emetic pair, Sid Vicious and Nancy Spungen, on their long downhill slide. From the coarse idiocies of the punk movement, through the permanent scrabble for any mind-frying drug, through the screeching knock-down rows to the final abandonment far from home in the Chelsea Hotel, New York, it's a long hard ride down a tunnel filthy with every kind of degradation. Why then should anyone of sane disposition wish to see the film? Because it is still a love story, and a very touching one at that; whether waiting for her in the rain, or ripping her stockings so he can suck on her toes, or simply kissing in an alley with garbage falling all around them, there never seems to be any doubt that Sid loves Nancy OK. Quite why is hard to explain; but the movie (like Sid, as portrayed by Oldman, not without a sense of humour) is shot through with an oblique feeling for the blacker absurdities of life. Not the least of which is that, nowadays, love is not stronger than death. CPea.
Cast and crew
|Screenwriter:||Abbe Wool, Alex Cox|
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