The Last Metro (PG)

Film

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<strong>Rating: </strong>4/5
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Time Out says

Once the Prince Charming of the French cinema, Truffaut latterly carried his talent for crowd-pleasing to the brink of turning into an Ugly Sister. Watching this smugly hermetic tale of the artistic pangs suffered by a French theatre company under the German Occupation in World War II, you would never guess that films like The Sorrow and the Pity and Lacombe Lucien had irretrievably lifted the lid off those years. Playing for cute nostalgia, Truffaut lets the realities go to hell.
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Rated as: 4/5 (2 ratings)
  • That's not just the best asnwer. It's the bestest answer!

    That&#039;s not just the best Wed Jun 1 2011
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  • It was dark when I woke. This is a ray of ssunnhie.

    It was dark when I woke. Wed Jun 1 2011
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  • Agree with John not your reviewer whose review will put people off watching a film that stands the test of time and make its point clearer by making it in an understated way

    Jean Gaffin Mon Dec 27 2010
    Rated as: 4/5
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  • Agree with John and not your review who is putting people off seeing a film which makes it point all the more for being understated

    Jean Mon Dec 27 2010
    Rated as: 4/5
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  • This review is too dismissive. The all-star cast is a pleasure to watch, everyone playing with a light touch. Truffaut’s mis en scene is beautifully constructed, his restless camera work, artful. True, Truffaut on French experience doesn’t compare with Fassbinder on German experience. No Gestapo horrors, no revelatory culpability, no ghastly retribution. It’s well know that the French cultural establishment sometimes collaborated with the Germans during the war and afterwards were silent or unrepentant about it. ‘Hermetic’ it is, but thirty years on, the film stands up well and at the least is an engaging star-vehicle ― and perhaps its hermeticism is more historically accurate than people would like to admit.

    John Sat Dec 25 2010
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