Tinker, Tailor, Soldier, Spy

Film

Thrillers

Gary Oldman in Tinker Tailor Soldier Spy

Gary Oldman in Tinker Tailor Soldier Spy

Time Out rating:

<strong>Rating: </strong>4/5

User ratings:

<strong>Rating: </strong>3/5
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Time Out says

Mon Sep 5 2011

Any film of John Le Carré’s 1974 Cold War spy novel ‘Tinker Tailor Solider Spy’ has the twin shadows of the book and TV series hanging over it. How to match or surpass the 1979 five-hour version starring Alec Guinness as George Smiley – now played by Gary Oldman, lately much-missed by serious cinema – a British spy so colourless and dissimilar to James Bond that he would fit more comfortably in the tea rooms of a provincial railway station than on a tropical beach or in a Caribbean country club?
 
Moreover, how to cram so much information about retired, ex-MI6 luminary Smiley’s quiet, mechanical campaign to uncover ‘a mole right at the heart of the Circus’ into a feature-length version while keeping Le Carré’s ample fruity characterisations and wry comments about a changing Britain?
 
The tale is more or less as Le Carré had it, give or take the odd tweak– Hong Kong becomes Istanbul, for one, and Czechoslovakia is now Hungary. But the gist is still the same. A well-connected civil servant, hushed, conspiratorial Oliver Lacon (Simon McBurney, naturally), recruits Smiley and an assistant, the younger spy Peter Guillam (Benedict Cumberbatch, playing Watson to Smiley’s Sherlock), to decipher which of his ex-colleagues is a high-level spy passing secrets to the Russians. Others are starting to believe what Smiley’s old boss Control (John Hurt) had long suspected before his ousting from the service following a bungled operation by taciturn, hard-as-nails spy Jim Prideaux (Mark Strong) in Budapest: there’s a ‘rotten apple’ at the top of the service.
 
Is it dilettantish peacock Bill Haydon (Colin Firth), sour Scot Percy Alleline (Toby Jones), gruff, unremarkable Roy Bland (Ciarán Hinds) or Hungarian émigré Toby Esterhase (David Dencik)? The catalyst for Smiley’s operation is new information revealed by renegade agent Ricki Tarr, played by a brilliantly wily and rakish Tom Hardy. The only woman briefly to steal the show is Kathy Burke, filling the tough old boots of Beryl Reid as Smiley’s old pal and colleague Connie Sachs, although it’s hard to imagine Reid delivering the line, ‘I feel seriously underfucked,’ as she does so deliciously to Oldman: ‘George… wicked, wicked George.’
 
Swedish director Tomas Alfredson (‘Let the Right One In’) blows a fresh air of continental style into Le Carré’s story without harming the 1970s British period feel of his source material. There’s a touch of ‘The Ipcress File’ to his ‘Tinker Tailor Soldier Spy’ in the way he industrialises the Circus – the service’s Cambridge Circus HQ – by turning interior Portacabin-like structures into soundproof meeting rooms. He does the same by moving Smiley’s Paddington base to what looks like a converted warehouse near Liverpool Street. It all feels a touch more urban. There’s also a dash of Scorsese in the way Alfredson’s camera glides through the story and in some of the striking image and music matches that he chooses, such as cutting a thrilling, concise final montage to Charles Trenet’s ‘La Mer’, sung by Julio Iglesias.
 
But still this is a world of dusty files, clapped-out caravans and remote prep schools. Oldman’s Smiley – more haggard, sinister and silent than Guinness but with enough of a hint of the great man’s voice to honour his memory – evens pops a Trebor mint into his mouth in the run-up to the film’s big reveal. The new script by Peter Straughan and his late wife Bridget O’Connor (to whom the film is dedicated) is a marvel of wise and respectful adaptation. At times you need your wits about you to keep up with a tangled web of a plot, and prior knowledge of the book or TV series certainly smooths the ride.
 
Naturally, some episodes from the book and TV series don’t make it into the film, but it’s remarkable how much remains, often secured by a sly glance here or quick image there. Anyone not familiar with the book or series might find the final uncovering of the mole – a door swings open and there he is – underwhelming. But that’s exactly as Le Carré had it. This spy story is all about the journey – the process – and the byways of the route, not the grand finale. This film’s superb cast, script and direction threaten to make that journey equally as thrilling as Le Carré’s book.
92

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Release details

UK release:

Fri Sep 16 2011

Duration:

127 mins

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Comments & ratings

Rated as: 3/5 (58 ratings)
  • Really awesome review. Just the right kind of praise for a film like this. Le Carre's book was awesome and Tomas Alfredson did a fantastic job of bringing it on the screen. Li particularly loved the acting, the deliberately slow pacing and the authentic feel that the film had to it. I liked TimeOut for highlighting the Scorsese-like feel to the film. There were some great long shots and awesome music to compliment the mood as well...The climax was good but a bit hurried and somethings could have been explained but nevertheless I would give it 4 stars on 5.

    Zoeb Mon Nov 12 2012
    Rated as: 4/5
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  • The finest thing I'be seen in years.

    John Harold Olson Sun Apr 8 2012
    Rated as: 5/5
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  • CourtneyYay! Oh my gnosoeds- I am at work and I just squeaked out "Yay!" out loud and I am sure that everyone here thinks I am crazy. Soo excited! I would like the letter "A" for AceMan. And now I am going to have to go out and buy some pink and purple and green fabric and try to make one for Emerson because I am sure she will want one too! Thanks so much Paige!

    CourtneyYay! Oh my gnosoe Wed Feb 29 2012
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  • I just sold my copy today. This is the last Blu-ray I buy like this as a blind buy. I must admit to being ttolaly compelled throughout this movie until the very END and was I EVER disappointed in the ending. My wife was pissed and I just was so bummed. I mean the movie held my attention throughout, including Marisa, and then this ending came and ruined it all. I thought long and hard until I came to the realization that because of this ending I will never watch it again. I was fortunate enough to get $20 back on this! There is no way this film should have made the Oscar race and The Dark Knight did not. At least TDK had some kind of resolution to it. Sorry to be a buzz kill Joe. I agree with EVERYTHING else in your review. It was almost like I was watching the episode of The Office the way they employed all those hand held behind the back camera shots.

    I just sold my copy today Mon Feb 27 2012
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  • Hi Costa! just leitensd to your Eccentric Banjo piece. i love music but i'm by no means any kind of expert. if i didn't kno better it sounded much like the sitarr! very nice! Must admit at this time that Yes I am also a friend of Calebs' tho sadly i'v never met him! interested in music & animales Espcially dogs! Keep up all of the great work!

    Hi Costa! just leitensd Mon Feb 27 2012
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  • NOT QUITE GUINNESSA solid atemtpt at a very complex story. Unfortunately 2 hours can?t contain that complexity. The feel is good but the devil is in the detail?.and there?s just not enough of it. What made the Mole a Mole ? There?s no really adequate explanation. He didn?t just wake up one sunny morning and decide to betray everyone and everything. His speech towards the end of the movie doesn?t offer much and the whole atemtpt sags because of similar shallow motivations for other characters with the exception of Smiley and, to a degree, Toby Esterhase.Tarr is a thug and an assassin largely motivated by personal survival, not love.Bland clawed his way up from a deprived background. Here he is virtually nondescript.Guillam is a womaniser, not a man with a secret in his closet.SUMMARY It's good but doesn't stand comparison with the TV version. Oscar for the sets though. It really is like looking at the seventies, right down to the dreadful wallpaper. And when John Hurt is coughing his way through his role as Control you can virtually smell the stale tobacco and sweat coming off his suit.Worth seeing.

    NOT QUITE GUINNESSA solid Mon Feb 27 2012
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  • Great film!!!! great cast and great acting!!! dunno y peoplr day it' boring/difficult to follow etc. if you have read the book first then it wuld have been clear to you what is happening!!!! Tinker tailor soldier spy is a great book to read and great television series and movie to see :-)

    reb Sat Feb 25 2012
    Rated as: 5/5
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  • While some of the acting was very good, the film was confusing, hard to follow, and it dragged. The background music was overdone. George Smiley's movements and responses were too zombie-like.

    Eloise Fri Feb 24 2012
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  • The film was never going to match the TV series, but was not bad in its own terms, as a film. A few flaws though - Casting was poor for Alleline, and Esterhaze (Bernard Hepton as Esaterhaze in TV series almost as difficult an act to follow as Guinness as Siley) and Mark Strong not able to balance toughness with tenderness essential to the Jim Prideaux character. Why was Guillam gay? (is there some sort of quota system in operation?) The ‘burning’ of Estahaze sequence is completely wrong and out of keeping with the tenor of the source material as is the last view if the relationship between Prideaux and schoolboy Bill Roache. In the book (and TV series) there is a redemption for Prideaux in this relationship. It is sour in the film. This is not a mere detail as this redemption is the linchpin of the whole book. The settings and filming were good, but the Circus should have been more claustrophobic. Hurt, brilliant as Control. Oldman as Smiley, very brave, but no Alec Guiness (even LeCarre saw Guinness as Smiley when writing ‘Smiley’s People’ later). All in all a good landing but in the wrong airport

    Patrick Nugent Fri Feb 24 2012
    Rated as: 3/5
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  • Mind numbing. Confusing. Frustrating. Would rather have walked out of the cinema and stared at a brick wall.

    GG Fri Feb 24 2012
    Rated as: 1/5
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