Haim – 'Days Are Gone' album review

The Haim sisters wanted to make a great pop record – and they've succeeded

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Time Out Ratings :

<strong>Rating: </strong>4/5


Californian sisters Este, Danielle and Alana Haim appear on their album cover sitting in deck chairs, wearing sunglasses. They’re taking it easy: something they do a lot of. Even their most bitterly romantic songs like ‘Better Off’ and ‘Forever’ are funkified to the point where the nights spent crying that inspired them are distant memories – or at least have been repressed by piña coladas.

This lightness of tone is a large part of the appeal of ‘Days Are Gone’, the band’s debut album. Haim’s rock-pop sound (think ‘Tango In The Night’-era Fleetwood Mac) is bright and breezy – just like the girls themselves, who’ve managed to keep laughing and joking through the exponentially building hype. They’re a band that actively want to make great pop record, without getting all Kanye West about it.

In this, they’ve been pretty damn successful. ‘Days Are Gone’ is great. Not only does it contain a handful of the most radio-friendly songs of the last few years (‘Forever’, ‘Falling’) it packs in some fantastically crunchy R&B bangers as well. ‘My Song 5’ is the sort of in-your-face female empowerment anthem Beyoncé would go jogging to. More than that, the title track sounds like Des’ree’s ‘You Gotta Be’ if it had been produced by Rick James – catchy as hell, in other words.

The two closing numbers, ‘Let Me Go’ and ‘Running If You Call My Name’, allow the darkness that otherwise lurks the background of the album to come to the fore, and fail to hit the same pitch-perfect pop notes as a result. The other mild disappointment is that the record’s three producers (include Simian Mobile Disco’s James Ford) have largely gone for sparklingly clean edits of the songs, sacrificing the enjoyable roughness of earlier, more riotous takes. An early release of ‘The Wire’, for example, sounded like it could have been cut in the ’70s, whereas the new, ultra-modern mix simply purloins Joan Jett’s glam-rock stomp.

Still, its hard to celebrate the album’s listenability and also complain about it sounding too polished. The purists might think Haim have let the studio sessions rub the edges of their raw talent. The rest of us are just going to kick back in the sun with ‘Days Are Gone’ and some piña coladas.


Buy this album here | Read our Haim interview

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Talented Australians The Preatures use the same winning formula as Haim – funky bass and drums, ’70s rock guitar and slinky R&B vocals – and

  1. Dingwalls (Lock 17) Camden Lock, Chalk Farm Road, Camden Town, NW1 8AB
  2. Thu Mar 12
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