The 25 best Shakespeare-to-screen adaptations
To film, or not to film, that is the question. We rank the answers.
Thu Oct 20 2011
25. JULIUS CAESAR (1953)
Et tu Brando? Many thought that Marlon the mumbler would try to methodize Joseph L. Mankiewicz's adaptation of Shakespeare's historical drama. But the star's played-straight Mark Antony single-handedly injects passion and anger into this prestige project, blowing away cast members such as James Mason and John Gielgud.—DF
24. TWELFTH NIGHT (1996)
Shakespearean comedy being a tough sell, director Trevor Nunn's wintry, bittersweet adaptation of the Bard's cross-dressing romp doesn't strain for laughs—it earns them quietly. A lot of what's delicious about this somber-paletted treatment comes from pitch-perfect casting: Nigel Hawthorne's snobby Malvolio, Helena Bonham Carter's sultry Olivia and Ben Kingsley's touchingly dour clown.—DC
23. KING LEAR (1971)
Craggy, leonine Paul Scofield reprises his haunting onstage turn as the grief-maddened monarch in Peter Brook's film version (modeled after his groundbreaking 1962 Royal Shakespeare Company rendition). Shot starkly in black and white, minimally scored and imbued with an almost Beckettian gloom, the work has a raw, rough-hewn medievalism perfectly suited to the tragedy.—DC
22. THE TEMPEST (1979)
As was his nature, director Derek Jarman departed radically from the text—Shakespeare, you might recall, didn't write a musical number set to "Stormy Weather" involving a bunch of sailors—but the end result is full of feeling and true to the play's spirit of unruly magic.—JR
21. THE MERCHANT OF VENICE (2004)
The painterly lushness of Michael Radford's location cinematography and Renaissance costumes add heft to this carefully judged take on Shakespeare's Jewish-problem play. Al Pacino's Shylock is no stock blood-libel villain, but a tragic antihero driven by rage and hurt to become the monster that his Christian neighbors already believe him to be.—AF






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