The 25 best Shakespeare-to-screen adaptations
To film, or not to film, that is the question. We rank the answers.
Thu Oct 20 2011
20. A MIDSUMMER NIGHT'S DREAM (1935)
Shakespeare's tale of actors and other wild creatures got the suitably out-there film version it deserved in this giddy golden-age spectacle. Everything from codirector Max Reinhardt's emphasis on surreal set design (lifted from his 1934 Hollywood Bowl production) to the left-of-center casting choices (James Cagney as Bottom; Mickey Rooney as Puck) gives this comedy the proper topsy-turvy spin.—DF
19. HAMLET (1996)
Given all the deep editing these texts often get for the screen, hats off to Kenneth Branagh for filming all four hours of the melancholy Dane. This reverential epic was shot in England's glorious Blenheim Palace and stuffed with star cameos (Gielgud, Heston, Crystal, Williams). The gilded ballrooms and mirrored walls conjure up a Continental candy box—albeit one filled with poison sweets.—DC
18. HENRY V (1944)
From its theatrical meta-opening to the colorful pageantry of its battle scenes, Laurence Olivier's first foray into film directing set the standard for adapting Shakespeare. His ability to be reverent to the text while cinematically opening the play up became a template for tackling the Bard, and his Saint Crispin's Day speech—addressed to a Britain still reeling from the Blitz—remains a showstopper.—DF
17. ROMEO + JULIET (1996)
Baz Lurhmann's modern-dress take on those feuding Capulets and Montagues may be a whirlwind of stylistic sound and fury. But his ADD-afflicted aesthetic only heightens the breathless, fluttering teen romance that lies at the heart of this tale of star-crossed lovers, dreamily played by Leonardo DiCaprio and Claire Danes.—DF
16. PROSPERO'S BOOKS (1991)
Less an adaptation of The Tempest than a hallucination inspired by it, Peter Greenaway's unabashed art film is a baroque catalog of images, music, modern dance and naked flesh. Incanted by an elderly John Gielgud, the text offsets a sensual fantasia that borrows more than one page from Hieronymus Bosch.—AF






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