1 Love It

The best and worst James Bond movies: a ranked list

In celebration of the new Skyfall, we return to all 22 official James Bond films in search of the perfect spy cocktail, rating the best and worst Bond girls, 007 theme songs and leading actors with the licence to kill.

It’s been 50 years of James Bond: five decades of gadgets, glamour and the coolness of a concept that shows no signs of dying. But does one installment tower over them all? Time Out’s film critics have revisited childhood memories and six swarthy, eyebrow-arching actors—from Sean Connery’s iconic pioneer to Daniel Craig’s tough remodel—to consider all 22 of the official Eon entries (we’re omitting 1967’s intentionally silly Casino Royale and 1983’s independently made Never Say Never Again, a semiremake of Thunderball). How do all the Bond girls stack up? How about those syrupy theme songs? (Delve into our Spotify playlist for an aural taste.) We give these components a shaken-not-stirred “Martini rating,” as well as an overall ranking for the movie itself. Join us as we count backward toward number one with a bullet. And if your favorite spy hasn’t gotten enough love, tell us in the comments.

Die Another Day (2002)

Pierce Brosnan bids farewell to Bond with a stinker that can fairly be called the franchise’s Batman & Robin. There’s a kernel of an interesting idea in the plot, about a North Korean general—who remakes himself through surgery as a white Anglo businessman—with plans to harness the sun’s rays for a destructive laser. Actually, no: There’s nothing not ridiculous about that, whatsoever. Ceaseless digital spectacle (parasailing on a tidal wave is a series nadir), barrel-scraping gadgets (an invisible car?) and quite possibly the worst Bond girl ever make this a cringingly tough sit. When Madonna is your most likable performer (she cameos as a fencing instructor), you know something is majorly off.

Theme song: A few eye-rolling lyrics aside (“I’m gonna avoid the cliché”—more like milk it, hon), Madonna’s blood-pumping title tune is one of the film’s few saving graces.
Martini rating:

The Bond girl: Halle Berry’s Jinx, a sassy NSA agent, is 100 percent arch line readings and calculatedly sensuous poses without a shred of genuine allure.
Martini rating:

The killer moment: Moneypenny consummates her flirtatious relationship with our polyamorous secret agent using Q’s virtual-reality simulator.—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Tomorrow Never Dies (1997)

The second Brosnan Bond was a troubled production, with numerous script rewrites, openly unhappy performers (Teri Hatcher took her frustrations to the press) and the absence of hands-on producer Albert R. Broccoli, who’d recently passed away. So it’s kind of a miracle the movie is as watchable as it is, even though it’s still a pale shadow of Brosnan’s inaugural GoldenEye. Monomaniacal media mogul Jonathan Pryce is a splendid villain—an unholy amalgam of Rupert Murdoch and Bill Gates—who’s out to use his headline-blaring influence to start a war between Britain and China. And there’s a terrific central action scene, just the right mix of comedy and thrills, involving a motorcycle-helicopter chase through Saigon’s slums.

Theme song: A bizarre mix of torch song, soaring ballad and coffeehouse improvisation, the lackluster title tune by Sheryl Crow immediately dies, and not tomorrow either.
Martini rating:

The Bond girl: Hong Kong martial-arts superstar Michelle Yeoh is more equally matched with her male counterpart in terms of brain and brawn than past heroines, and she’s got a hell of a roundhouse kick.
Martini rating:

The killer moment: Bond and his leading lady descend the outside of a skyscraper with the aid of a behemoth billboard of Pryce’s baddie.—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

A View to a Kill (1985)

How do you screw up a Bond film in which both Christopher Walken and Grace Jones plot to flood Silicon Valley by blowing up the San Andreas Fault? Here’s your blueprint. The constant quips of 58-year-old Roger Moore come off like ossified shtick, and his chemistry with Bond girl Tanya Roberts is nonexistent. Then there’s Walken’s bleach-blond Nazi superman, Max Zorin, who’s more of a petulant child than a terrifying psychopath. Aside from a vertigo-inducing climax involving a zeppelin and the Golden Gate Bridge, the action scenes are a mishmash of shoddy stunt-doubling and eyesore rear projection. Not the best note to go out on, Rog.

Theme song: The only Bond theme to go No. 1 on the Billboard Hot 100, Duran Duran’s “A View to a Kill” is a glammy, delirious piece of ’80s cheese.
Martini rating:

The Bond girl: Roberts’s bland geologist pales next to the snarling, statuesque Jones, who can kill with a camptastic glare as much as a poisoned fishing rod.
Martini rating for Jones:

The killer moment: Bond snowboards down a mountain to the Beach Boys’ “California Girls”—a cheeky summation of the Moore era if ever there was one.—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Live and Let Die (1973)

Roger Moore started playing secret agent Simon Templar on TV’s The Saint in 1962, the same year that Connery ordered his first onscreen shaken-not-stirred martini. In fact, Moore had been suggested as a potential Bond from the get-go. So the London-born actor would seem like a wise choice to take over the reins—a notion that his disastrous first Bond film was apparently hell-bent on disproving from start to finish. Moore’s interpretation of 007 as a mobile cardboard cutout isn’t helped by the fact that the producers decided to turn his inaugural entry into a blaxploitation movie, spiced with offensive ooga-booga voodoo scenes and cringeworthy comic relief. We’d have been happy to let this one die, frankly.

Theme song: It’s ironic that one of the worst Bond films has one of the franchise’s best theme songs, courtesy of Paul McCartney and Wings in full pop-genius mode.
Martini rating:

The Bond girl: Could Jane Seymour’s psychic tarot-card-reader Solitaire be any sexier? No. Could she be a little less bland overall? Definitely.
Martini rating:

The killer moment: A fellow agent encounters a parade of New Orleans mourners: “Whose funeral is it?” “Yours!”—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

The World Is Not Enough (1999)

Having exhausted the novelty factor of a new 007 by this point, you can feel the producers straining to come up with ways to keep viewers interested in Bond 19: Here’s an even more extreme version of a ski chase, one with helicopters, too. Our oil-pipeline plot is torn straight from today’s headlines. Look, there’s a new Q, and it’s John Cleese. Pierce Brosnan brings a feline grace to the role, but even with Robert Carlyle playing an unfeeling terrorist—literally, as the bullet in his head means he can’t experience pain—this is a Bond film on autopilot. An above-average entry would have been enough.

Theme song: Garbage’s alt-rock take on what otherwise sounds like a typical Bond theme is passable but wanting.
Martini rating:

The Bond girl: Sophie Marceau’s bad girl brings the right mix of exotic beauty and predatory danger; the less said about Denise Richards’s nuclear physicist (?!?), the better.
Martini rating:

The killer moment: The precredits set piece has Bond chasing down a comely assassin via speedboats and an explosive hot-air balloon.—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

The Living Daylights (1987)

Roger Moore recedes into a mild, safari-suited haze; Timothy Dalton arrives to fill the tux. There’s no denying the vigor Dalton brings to the action sequences (he did many of these stunts himself), and an aging franchise suddenly feels high-octane. But couldn’t the dour actor have found his way to a little charm? No one leaves the theater shaken or stirred. Real-life world events have since transpired to make this movie’s endgame laughable: Bond joins with heroic mujahideen forces in the Afghanistan desert (pay no attention to those long beards and terrorist intentions) to foil a Soviet counteragent.

Theme song: After the global success of Duran Duran’s “A View to a Kill,” producers thought it wise to go with Norwegian pretty boys A-ha, but the resulting title number (composed with John Barry in a reportedly spiteful collaboration) sounds thin.
Martini rating:

The Bond girl: Bobbleheaded Maryam d’Abo, playing a Czech cellist and bedroom pawn, never seems comfortable with Dalton’s hard-ass 007 (is it even possible?), plus she’s especially helpless during the chase sequences.
Martini rating:

The killer moment: Bond and an evil henchman hang off the back of a cargo plane’s open hatch while soaring thousands of feet over the desert. Oh, and there’s a bomb onboard.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Octopussy (1983)

Merely the idea of a movie named Octopussy proved more suggestive than watching the final product, a formative sexual disappointment for many ’80s teens. This was the vehicle that put Roger Moore’s Bond in a clown costume (redundant?) and also had him running around India searching for priceless Fabergé eggs and the jewel thief who might precipitate a nuclear war. Tennis pro Vijay Amritraj makes for an inert sidekick, while Gigi’s Louis Jordan brings such a swishy suavity to his villain that the whole movie threatens to cave in on its own masculinity. For the first time in franchise history, Bond seemed thoroughly exhausted on every front.

Theme song: Adult-contemporary crooner Rita Coolidge moans her way through series embarrassment “All Time High,” a song with lyrics so awful, Broadway legend Tim Rice should have returned one of his Tony Awards in shame.
Martini rating:

The Bond girl: It’s a tribute to Maud Adams’s timeless glamour and good nature that this was her second Bond film, almost a decade after The Man with the Golden Gun. Still, her character is a relic of diaphanous female intrigue.
Martini rating:

The killer moment: Undeniably, thrills arrive with Bond’s daring escape via personal mini-jet; he pilots it through an open hangar at 150 miles per hour.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Moonraker (1979)

Cashing in on the Star Wars craze, Bond heads to outer space to foil the plans of an apocalyptic industrialist (Michael Lonsdale) who wants to repopulate the world with Barbie and Ken dolls. Dozens of jumpsuited bad guys dangle from zero-gravity wires, yet the movie rarely gets off the ground—here’s where Roger Moore’s arched eyebrow becomes campier than a pitched tent. Still, the movie inspires awe in its massive metal sets, designed to be exploded (why have merely one space shuttle launching from a secret Brazilian hangar when you can have six?), while composer John Barry unleashes some of his grandest orchestral swells.

Theme song: After Kate Bush declined the gig (damn you, cruel world), Shirley Bassey returned to the franchise for her third outing, following Goldfinger and Diamonds Are Forever. Alas, she never gets the chance to truly vamp.
Martini rating:

The Bond girl: Lois Chiles, playing an undercover CIA agent, benefits from a flinty demeanor and some women’s-lib speechifying, yet she’s seriously undermined by her character’s name, Holly Goodhead.
Martini rating:

The killer moment: High above Rio de Janeiro’s Sugarloaf Mountain, Bond and returning baddie Jaws (Richard Kiel) grapple while hanging from some shoddy-looking cable cars.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Quantum of Solace

Daniel Craig’s second go as a more bruised and battered Bond suffers from being intricately connected to Casino Royale: Even though it’s a strict continuation, the movie is simply not as fresh. Out to avenge his beloved Vesper Lynd, Bond follows the trail to evil environmentalist Dominic Greene (Mathieu Amalric). Unlike the clean, cohesive Casino, the action sequences here look like jumbled rejects from one of Paul Greengrass’s Bourne movies (don’t get us started on that phony-looking parachute drop). And the aching emotional undercurrents that Craig brought to the role his first time out are almost entirely absent—the better, we suppose, for the character to laughably seduce the head-slappingly-named Strawberry Fields (Gemma Arterton).

Theme song: The individual elements of the Jack White–Alicia Keys duet “Another Way to Die” are catchy (throbbing drums, fluttering piano, pounding guitar), but make for strangely unharmonic bedfellows.
Martini rating:

The Bond girl: Olga Kurylenko’s score-evening Bolivian operative looks great next to Craig’s brooding Bond, but arm candy is as far as she goes.
Martini rating:

The killer moment: Judi Dench’s M: “Bond, I need you back.” Bond: “I never left.”—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

For Your Eyes Only (1981)

The ass-cheek-laden poster was more memorable that the movie itself (those are a pair of panties worn backwards, actually). Still, after the space-junky Moonraker, there’s relief in this film’s return to the basics. Roger Moore’s Bond searches for a nuclear sub’s tracking device, lost in a wreck at sea. En route to reclaiming what looks like a portable Blaupunkt stereo, he skis over some innocent Italians’ picnic lunch, takes out thugs in a hockey rink and scales a mountainside in a windy suspense sequence. Few of the Bond movies approach this film’s sunny Mediterranean allure, with beautiful location work in Greece (plus Fiddler on the Roof’s Topol as a robust, pistachio-loving comrade).

Theme song: Equal parts synth cool and romantic gush, Sheena Easton’s title number fits the mold perfectly, subtly modernizing the gig for future New Wavers.
Martini rating:

The Bond girl: Fashion model Carole Bouquet is almost certainly the only Bond girl to have worked with Luis Buñuel. Moreover, she has a real character to play: a nostril-flaring hottie avenging the murder of her parents via her wicked crossbow skills.
Martini rating:

The killer moment: In a pre-plot amuse-bouche, the opening sequence has Bond dropping wheelchair-bound villain Blofeld from a helicopter into a factory’s smokestack.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Licence to Kill (1989)

Timothy Dalton came into his own with his second and final take on Bond. Licence follows our determined operative as he goes rogue, hunting down a Latin American drug lord (Robert Davi) who literally fed Bond’s FBI confidant to the sharks. Dalton’s agonized performance (fueled by the character’s undying loyalty to his friend) anticipates the darker turn the series would take with Daniel Craig; this is one of the few entries where Bond seems truly physically and emotionally vulnerable as opposed to a pun-toting cipher. Almost every action scene—from the opening skydiving sequence to the finale’s gobsmacking truck-convoy assault—is cream of the crop. And a young Benicio Del Toro (playing a henchman) too? It’s a sorely underrated entry.

Theme song: The Empress of Soul, Gladys Knight, goes straight for our hearts with this soaringly goofy title ballad. Her attempt to out-Bassey Bassey is a sheer guilty pleasure.
Martini rating:

The Bond girl: Though hotly pursued by the drug lord’s concubine, Bond only has eyes for CIA informant and pilot Carey Lowell, whose salty vocabulary and way with a gun are her most distinctive traits.
Martini rating:

The killer moment: A slimy henchman meets a head-popping end in a ship’s decompression chamber.—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

GoldenEye (1995)

Pierce Brosnan was originally set to take over 007 duties when Roger Moore was hanging up his Walther PPK in the ’80s, but he was unable to get out of his Remington Steele contract. When he finally did step into the role with this 1995 entry, the Irish actor immediately established himself as the perfect bridge between the old and the new: sophisticated enough to sell the franchise’s vintage martini-and-tuxedo concept of style, yet sleek and savvy enough for the cyberespionage age. Even the creaky plot involving rogue agents, Cold-War rejects and a remote-controlled satellite seems thrilling and fresh with Brosnan at the helm.

Theme song: Tina Turner does her best Shirley Bassey impersonation, but her contribution (cowritten by Bono and the Edge) is less than golden.
Martini rating:

The Bond girl: Never mind Izabella Scorupco’s mousy computer analyst; we’re all about Famke Janssen’s Xenia Onatopp and her killer thighs.
Martini rating:

The killer moment: Bond deftly avoids a ricocheting bullet without batting an eye—a single gesture that sums up Brosnan’s cool.—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Thunderball (1965)

Following up Goldfinger was no picnic, but Sean Connery’s fourth outing demonstrated the series’ durability, cementing a brash, Playboy-era formula that yielded huge box office (it’s still the highest-grossing Bond, adjusting for inflation). Return to it now, and the effort is painfully obvious: Yes, we love spooky underwater sequences involving the conveyance of stolen A-bombs, but must there be endless minutes of them? Regardless, you’ve got some essential stuff here: the electric chair that incinerates an underperforming villain at a meeting, the swimming pool with sharks, the widescreen luxury.

Theme song: Tom Jones, already riding high in 1965 with his theme for What’s New Pussycat?, croons an electrifying if schlocky spy song, heavy on John Barry’s brass and ominousness.
Martini rating:

The Bond girl: Stronger and more sun-kissed than most of her kin, Claudine Auger’s Domino represents an early evolution of the archetype, handy with a harpoon gun and a playful match with Connery.
Martini rating:

The killer moment: The effect is largely achieved via rear projection, but why do we watch Bond films if not for jet packs? This one launches our hero off a chateau, landing him only feet away from his Aston Martin.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

The Man with the Golden Gun (1974)

We don’t want to say that the Bond films were experiencing franchise fatigue by the time this ninth entry hit theaters. But given its concessions to in-vogue film fads—notably a martial-arts academy sequence lifted from Enter the Dragon—and the return of Clifton James’s embarrassing redneck from Live and Let Die, it’s clear that the series was beginning to show its age. The campiness that characterized much of the Moore era here becomes a fixture, slowed only by the presence of Christopher Lee as Scaramanga, the world’s deadliest assassin. He brings a sense of malevolence to his killer-for-hire that almost makes up for the film’s overall softness.

Theme song: When was the last time you started humming Lulu’s manic theme song? Our point exactly.
Martini rating:

The Bond girl: Maud Adams would deliver a better Bond-girl performance in Octopussy nine years later; thankfully, Britt Ekland’s Girl Friday picks up the slack.
Martini rating:

The killer moment: A final showdown in Scaramanga’s trippy funhouse ends its cat-and-mouse game with a Bond “mannequin” that springs to life.—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Diamonds Are Forever (1971)

With the promise of a 1.25-million-pound payday, Sean Connery returned for another go at the character he had helped turn into a cinema icon. He slips back into the role with ease, a little older but still effortlessly charismatic, even as many of the characters and incidents around him are too camp for comfort. Rocky Horror legend Charles Gray is perfectly, primly malicious as our agent’s recurring nemesis Blofeld (this time with a few carbon-copy doubles in tow), though queer-coded assassins Mr. Wint (Bruce Glover) and Mr. Kidd (Putter Smith) are shamelessly perverse.

Theme song: Series staple Shirley Bassey belts out this defiant title song like a ravenous tigress who had Goldfinger for breakfast.
Martini rating:

The Bond girl: Gem smuggler Tiffany Case (Jill St. John) is as blandly interchangeable as her many multicolored wigs; she should go straight to the bottom of the pool.
Martini rating:

The killer moment: Our secret agent meets his match at the dextrous appendages of acrobatic femme fatales Bambi (Lola Larson) and Thumper (Trina Parks), the original Fembots.—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

On Her Majesty’s Secret Service (1969)

Don’t feel bad for odd-Bond-out George Lazenby (the unknown Australian was drafted when Connery got cold feet); his sole 007 film is actually one of the series’ finest. Darkly adventurous and romantic, the plot swirls with classic elements: Telly Savalas as the murderous Blofeld, brainwashed babes waging biowarfare, an amazing ski sequence and—most notably—the first sign of our hero’s emotional vulnerability (for the right woman). Also bar none, this is signature composer John Barry’s most extraordinary Bond score, bursting with psychedelic rock and lush, orchestral menace.

Theme song: “We Have All the Time in the World” has become a standard for its lovely simplicity; it was the last vocal Louis Armstrong recorded before his death.
Martini rating:

The Bond girl: Already a well-regarded toughie on British TV in The Avengers, classy Diana Rigg was more substantial than any previous Bond counterpart—and set a standard that’s rarely been met.
Martini rating:

The killer moment: After heroically saving Rigg from drowning—and then fighting off goons—only to have her tear off in her car, Lazenby jokes directly to camera, “This never happened to the other fellow.”—Joshua Rothkopf

 Watch now on iTunes    Buy on Amazon

Read more

Dr. No (1962)

Series producers “Cubby” Broccoli and Harry Saltzman were still working out the kinks of translating Ian Fleming’s books to the big screen when they launched this first entry. Yet from the moment Sean Connery first utters the words “Bond…James Bond,” we know we’ve entered a world of glamorous women, grandiose danger and globe-trotting derring-do. This is where everything starts, from that signature spy-a-go-go theme to Maurice Binder’s mind-blowing credits sequences. Also introduced here are centerfold-ready romantic interests and colorful megalomaniacs (Joseph Wiseman’s titular villain deserves more than two scenes). These elements would get refined over the years, but you couldn’t ask for a better introduction to Fleming’s international man of mystery.

Theme song: The memorable tunes wouldn’t start for a while, so we have to make due with a so-so calypso ditty, “Underneath the Mango Tree.”
Martini rating:

The Bond girl: You can actually hear the sound of male hormones surging when Ursula Andress’s Honey Ryder walks out of the sea in that white bikini.
Martini rating:

The killer moment: Bond cold-bloodedly confronts a friend who’s betrayed him: “That’s a Smith & Wesson. And you’ve had your six,” says 007, before reminding us he has a license to kill.—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

The Spy Who Loved Me (1977)

Roger Moore’s glib brand of Bond is routinely slagged these days, but if the guy had a high point, it’s right here. Set to the disco-fied strains of a Marvin Hamlisch score, Moore’s white-funky superspy outwits pursuers in a Lotus that turns into a submarine, travels to Egypt to wrestle with metal-toothed Jaws (Richard Kiel) and battles with a nuke-crazy nut who hopes to survive the fallout underwater. Most impressively, here’s money: tons of it spent on cavernous sets (an entire new soundstage was built for this movie) and an amazing spiderlike hideout that rises from the ocean.

Theme song: Carly Simon’s California cool was an uncanny match for Hamlisch’s “Nobody Does It Better” (with lyrics by Carole Bayer Sager), a staggeringly sexy torch song. Don’t take our word for it—here’s Radiohead.
Martini rating:

The Bond girl: Barbara Bach looks exotic enough to play Soviet agent “Triple X” (that’s the humor, folks), but her role is largely one of adornment.
Martini rating:

The killer moment: Maybe the best one of the whole franchise: Bond (legendary stuntman Rick Sylvester) skis off a mountain, falling for an uncomfortably long time, until—surprise!—the ripcord is pulled and his parachute sports the Union Jack.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

You Only Live Twice (1967)

Bond heads to Japan in a witty screenplay by Charlie and the Chocolate Factory’s Roald Dahl. The space race is afoot (capsules go missing) and tensions run high between superpowers. Why not tip the balance into chaos? Finally, kitty-lapped supervillain Blofeld gets his close-up: the cosmetically scarred scowl of Donald Pleasence. (If one Bond film has inspired the Austin Powers series the most, it’s this installment.) Meanwhile, during his semi-off-hours, Connery’s Bond learns about docile Japanese women, drinks sake at the correct temperature and discovers a giant fake volcano.

Theme song: Recently used in the season finale of Mad Men, Nancy Sinatra’s voluptuous ballad is the singer’s most persuasive effort, boasting gorgeous support from John Barry’s strings.
Martini rating:

The Bond girl: Mie Hama is spunky enough as Kissy Suzuki; don’t blame her for the sexism that has her walking around in almost nothing.
Martini rating:

The killer moment: Quietly, Bond strolls the streets of Tokyo; neon signs glint, the orchestral score blooms and a movie does double duty as eye-opening travelogue.—Joshua Rothkopf

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

From Russia with Love (1963)

The first of many sequels drops the MI6 operative into a tried-and-true plot: A decoding device is stolen, and only Bond can retrieve it—which is what the cat-stroking Blofeld and his SPECTRE comrades are counting on. Though the movie is best known for giving us Robert Shaw’s juggernaut villain and Lotte Lenya’s shoe-knifing henchwoman, this is one of the franchise’s purest espionage entries—it suggests an alternate universe in which Bond was closer to a John le Carré spook than a gadget-wielding action hero. We love that latter version, of course, but Russia proved that a straightforward spy thriller equally suited the secret agent.

Theme song: The number shows up briefly sans lyrics in the credits and as background noise later—which, given Matt Monro’s faux-Sinatra crooning, is probably a good thing.
Martini rating:

The Bond girl: A former Miss Rome, Italian starlet Daniela Bianchi makes for a convincing Russian ballerina-turned-mole—though she’s drop-dead gorgeous in any language.
Martini rating:

The killer moment: The fight between Shaw’s blond superthug and Bond in a tiny train compartment is one of the most brutal set pieces in the entire series.—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Goldfinger (1964)

The Bond series already had two films under its belt by the time 007 matched wits with Gert Fröbe’s precious-metal obsessive, but the third time was the charm. This was the movie that perfected the template for what we consider a proper Bond movie: tricked-out sports cars and spy gadgets, eccentric supervillains and quirky sidekicks (the hat-throwing Oddjob), a name-dropping opening song and a fun, flirty, tongue-in-cheek version of Fleming’s hero. The earlier movies established Bond as Her Majesty’s most resourceful secret agent, a lover and a fighter. Goldfinger, however, made him a pop-culture icon that’s endured for decades.

Theme song: It simply doesn’t get any better than Shirley Bassey’s window-rattling tribute to the “man with the Midas touch,” punctuated by those slinky horn blasts.
Martini rating:

The Bond girl: Honor Blackman’s rough-and-tumble romantic interest made a good match for Connery’s Bond and had a name that launched a thousand playground jokes: Pussy Galore.
Martini rating:

The killer moment: Strapped to the laser table: “Do you expect me to talk?” “No, Mr. Bond, I expect you to die!”—David Fear

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

Casino Royale (2006)

There were plenty of howls of protest after Daniel Craig was announced as the newest Bond (“The name’s Bland, James Bland” blared the London Daily Mirror). But he quickly put the naysayers to rest with his enthrallingly feral take on the secret agent. This is a Bond for the modern era, even more deliciously drool-worthy than his leading ladies (he’s the lust object rising from the sea in a cheeky homage to Dr. No’s Ursula Andress) and emotionally jagged in ways that none of his predecessors ever approached. Several peak action scenes (a wowzer of an opening parkour foot chase), a terrific villain in Mads Mikkelsen’s terrorist banker Le Chiffre and poker games as suspenseful as any explosive set piece easily make this our overall favorite.

Theme song: The best Bond film unfortunately has one of the franchise’s more unmemorable theme songs, “You Know My Name,” sung by Soundgarden’s Chris Cornell­—a hard-rock shoutfest that inspires shoulder shrugging as opposed to head banging.
Martini rating:

The Bond girl: Intelligent, feisty Treasury agent Vesper Lynd (Eva Green) melts Bond’s cold heart, only to shatter his fragile soul.
Martini rating:

The killer moment: Bond orders a vodka martini. “Shaken or stirred?” His cool reply: “Do I look like I give a damn?”—Keith Uhlich

 Watch now on iTunes    Watch now at Amazon Instant Video

Read more

007 Theme Songs on Spotify

Comments

36 comments
Dorian G
Dorian G

What a shitty list is this..

Robert G
Robert G

What happened to Never Say Never?

Jim A
Jim A

Goldfinger should be ranked no. 1.      

Paul S
Paul S

For those who love camp movies, all the Bond series would please. However, as a film that could be taken with a smaller pinch of salt From Russia with Love is the best available.

Manuel
Manuel

What a bullschid ranking, the author must be a star wars fan o0!

Jay
Jay

Casino Royale best Bond of all time ? L M F A O !!!

Illilleromemy
Illilleromemy

It is typically applied thoroughly during meal market becoming an component to provide a fruity odor. Phentramin-d can reduce down your chances of obtaining diabetes, cancer, higher blood force, stroke and coronary heart disease too. A new weight loss pill was authorized by the Fda right now creating this the initially eating plan tablet in 13 many years to get the eco-friendly mild from this governing administration agency. It has turn out to be amazingly well known in the modern previous and fairly a couple of amongst individuals who have utilised it swear by it. Drink eight eight ounce eyeglasses of h2o each working day. I'm heading to present a Capsiplex review without the need of the unwanted hoopla, in purchase to enable you make an knowledgeable and smart determination if this solution is for you right before you invest in Capsiplex. Reports on Capsiplex have irrevocably established its performance in excess weight reduction. Also, include fish and seafood into the mix. Capsiplex is safe for the reason that it is created of nothing at all but pure components. Some all-pure sugars may very well burn off off utility speedier do, would like your bars to make guaranteed they are "excellent" carbs. Consequently hazard of heart ailment is enormously alleviated by Capsiplex use. The same post states that the mango can support velocity the breakdown of fats in the entire body and reduce the advancement of fats cells. It can be both equally bodily and psychologically distressing to have excessive body weight you want to get rid of. Use extra virgin olive oil and flax-seed oil in cooking. Switching all of a unexpected to these types of a very low calorie diet could possibly lead to nausea, vomiting and gastrointestinal difficulties initially. But the moment you convert your interest to the people today of Europe, the Mediterranean area in unique, you will see that citizens in this spot appear to be to reside a wholesome life style with rarely any work. She managed to get rid of roughly 4 stone in body weight adhering to her being pregnant many thanks to Capsiplex. Dark colored fruits and leafy inexperienced veggies are specifically great fibroid shrinking foodstuff but in basic, if you purpose to take in a "rainbow" (ie as many colour variants as achievable) you will be getting the beneficial nutrients on offer you. Capsiplex aids you control your appetite and improve your fat burning capacity,which in change translate in minimized overall body unwanted fat and greater calorie burning, culminating with excess weight reduction. Allergic reactions as effectively as a hypersensitivity that some men and women establish in the direction of gluten protein disturb the method of foods absorption main to gradual excess weight loss. And, vitamin C assists the expectant mother's human body take up iron. These are diseases your medical professional may possibly have forgotten when screening you. Our appetites all suffer at some position during our 7 days depending on our moods. All of the elements that are involved in Capsiplex are just one hundred % normal. If you are diabetics, you need to have to manage your meal program by preserving your blood sugar nicely in concentrate on array, when at the similar time permitting you to love your preferred meals.

Vincent
Vincent

I disagree with this horrible list on every level, How do u rate quantum of solace above octopussy????? Tht. Was actually 1 of my favorites, and tomorrow nvr dies was actually decent

Vincent
Vincent

I disagree with this horrible list on every level, How do u rate quantum of solace above octopussy????? Tht. Was actually 1 of my favorites, and tomorrow nvr dies was actually decent

Mud
Mud

Casino Royale is the best Bond movie with also one of the best lines. While discussing accommodations and their cover stories..... Craig to Green: "Don't worry, you're not my type." Her response, "What, smart?" haha Now that is witty and a Bond girl for the new millennium. Also on the train, listen to how he pronounces his watch brand, Omega. And her response, "Gorgeous."

Cave Canem
Cave Canem

As a Bond fan I actually didn't like that many now that I look at the list. I agree about Casino Royale, it was fantastic from beginning to end. They managed to update fight and chase scenes. LOVED the opening chase scene on foot and the crumbling Venetian palace at the end. Craig was amazing. Quantum of Solace: WHO can be afraid of Bolivian dictators (except the Bolivian population)?? Skyfall could have been really, really good, but too long and with Javier Bardem playing something too close to Hannibal. Then Goldfinger and From Russia With Love and let's also save Dr. No. Incredibly enough, the worst Bond of all -George Lazenby -- came out in a film that was otherwise really good; Diana Rigg saved it. The Brosnan era, frankly none. Don't buy him for one second, I think he wears hair spray. Until Craig, Timothy Dalton was the only one who brought intensity and the pyschopath edge to the role, but the films look too dated. And Roger Moore really took it to clown territory. They should have burnt every copy of Moonraker and Octopussy. I have a fondness for Live and Let Die -- so 70s, great song, and though he was as expressive as a roast beef I guess I saw it young enough so that it stuck -- and same for The Man with a Golden Gun. Great villain, Scaramanga/Christopher Lee. The rest frankly would be at the bottom of the list...But, let's all agree to disagree.

bob
bob

I totally find that casino royale is the best 007 movie!

Pete
Pete

You have to update this list. Skyfall is the best Bond film of all time.... nothing even comes close. Actually, novelty and sentimentality aside, all the D. Craig Bonds are by far the best Bond films, if you are being serious about this (nothing against Connery, who is one of my mentors). QoS was the weakest of the three D. Craigs, but was still an amazing film. I disagree with everything else on this list however, other than Casino Royale. The rest of this list makes little if any sense to me. Has the writer of this article even seen the films? Oh well, different strokes I suppose.

derrick
derrick

The flint moves were better

seyed
seyed

i love this 007 jemes band move andthis site good move good site

Peter Berk
Peter Berk

Okay, for whatever it's worth (not much), here's my ranking of the Bond films on a scale from 000 to 007: Dr. No - 004 - before the series hit its stride, but a great beginning. FRWL - 005 - even better, but not quite there. Goldfinger - 007 - just about perfect. Thunderball - 005 1/2 - very good but slow in parts. YOLT - 005 1/2 - Yes it's overblown, the plot is basically a series of "Kill Bond now!" scenes and SC looks bored, but the sets, the music and the locale make it a gem. OHMSS - 007 - Yes, GL is no SC, but in a way, he was just right for this particular film, far and away the most emotionally resonant of all 23. DAF - 004 - Routine story, non-threatening take on Blofeld, cheesy Vegas settings...and no mention of what went down in the film before! LALD - 002 - My personal least favorite thanks to bizarre voodoo villains and Smokey and the Bandit set pieces. TMWTGG - 003 - Marginally better. TSWLM - 006 - A near perfect Bond film. Moonraker - 005 - Sure, it's absurd at the end, but most everything leading up to the finale works very well. FYEO - 006 - Another expressionless lead actress, but a very well done back-to-basics entry in the series. Octopussy - 004 - Bland villains and clown suits - need I say more? AVTAK - 004 - Enlivened by a genuinely captivating bad guy but brought down by a weak leading lady and aging leading man. TLD - 005 - TD always made me uncomfortable in the role - too intense, even when trying for a light or romantic moment, but a good film nonetheless. LTK - 003 - A good film, but not a Bond film. Goldeneye - 006 - PB's best, though his always-trying-to-look-cool "Bond face" and heavy breathing delivery sometimes got annoying. TND - 005 1/2 - Solid all around. TWINE - 004 1/2 - Brought down by another centerfold-as-rocket-scientist leading lady (a la Tanya Roberts as a geologist in AVTAK). DAD - 005 - Yes, ridiculous gadgets and the awful CGI scene, but - unlike many of you - I like a dose of fantasy in my Bonds, which leads us to the DC era: CR - 005 1/2 - Exquisitely done (if a bit long), but even after seeing Skyfall the other day, I still can't quite buy DC as JB. He's a terrific actor, of course, and this may be more the storylines he's been given than him, but I've had it with intense, brooding, Batman-ish heroes of late; I miss the fun early Bonds of the past that had villains and sets you could never find in one of today's Jason Bourne movies. QOS - 003 - Instantly forgettable save one or two great scenes. Skyfall - 005 1/2 - Beautifully done and I certainly appreciate (a la OHMSS) any effort to give Bond more dimension such as a family back story, but another heavy, dark and downbeat entry in the series (plus I could have done without the Home Alone ending). Let me know what you think - thanks! Peter

Craig M
Craig M

@Peter Berk  It sounds like that you want Austin Powers. The Villains and Sets of yesteryear could not be put into a modern Bond film and pass muster.

Eelnodrog
Eelnodrog

Lots of negative comments made about Quantum of Solace, and while it wasn't nearly as good as Casino Royale it still beats any of the crap put out with Roger Moore or Pierce Brosnan.

John
John

TO all the tasteless pigs dumping on Casino Royale for "not having any gadgets" or any of the other bull**** trappings that dragged down previous Bond films, I suggest this: Go read the books. Casino Royale was right on the money as far as Bond showing some emotion, as far as the tone, as far was what a good Bond film should be. To the idiot above in the Facebook comments with the Rambo facebook profile pic (Ryan Hoskins) and the tastelessness to think that the Brosnan atrocities are anything but, I suggest this: Run head-first into a wall as fast as you can because you are simply too stupid to live. The end.

popnfresh
popnfresh

Like most people, I would not have ranked these films the same way. Here's my list: 22. Die Another Day - a huge letdown. 21. Live and Let Die - simply awful. 20. License To Kill - Dalton's low point. 19. A View to a Kill - Roger Moore should have retired long before it. 18. The World is Not Enough - pointless. 17. Diamonds Are Forever - Connery should have stayed away. 16. Moonraker - lousy script and even worse special effects. 15. For Your Eyes Only - tepid plot, but gorgeous Bond girl. 14. Tomorrow Never Dies - Michelle Yeoh makes up for much of the film's shortcomings. 13. The Living Daylights - had its moments, but not great, either. 12. You Only Live Twice - passable, but not up to Connery's previous 4 Bonds. 11. The Spy Who Loved Me - fun, but not especially memorable. 10. Octopussy - goofy fun. Worth it if only to see Moore playing Bond playing a clown. 9. Quantum of Solace - revisionist Bond that doesn't entirely work, but has a very creepy villain. 8. On Her Majesty's Secret Service - Diana Rigg was terrific and Lazenby wasn't half bad. 7. The Man With the Golden Gun - Moore's best Bond. Christopher Lee was perfect. 6. Goldfinger - Connery's previous two and the one after it were better. 5. Goldeneye - Brosnan's best Bond, by far. 4. Dr. No - SPECTRE's auspicious debut. 3. Casino Royale - solid Bond. Fabulous location shots. Eva Green was sensational. 2. From Russia With Love - not one, but three awesome villains. Also had a great John Barry score. 1. Thunderball - hit all the marks. This is also Connery's favorite Bond.

Dan
Dan

You selected Casino Royale as the #1 Bond movie???? Seriously???? It felt like I was watching any number of tired Hollywood action movies, not a Bond movie. It lacked sophistication and Craig was no more than a beefcake thug with about as much charisma and smooth charm as Timothy Dalton. Quantum of Solace was poorly edited and photographed... and to top it off... seemed to be copying the "style" of a Bourne movie. One needed a barf bag to get through those ADHD-fests. Connery and Moore were the best, when they were allowed to be at their best with a good script. Brosnan would be third IMHO. A good portion of his films, sans GoldenEye, were stinkers. He knew it too. And OHMSS is quite overrated with a sillier than usual premise, except for the Mrs. Bond subplot.

John Knapp
John Knapp

Good list EXCEPT - move Casino Royale down 15 spots. Come on, an almost non existent cool car, almost no gadgets, below average Bond babe and a sensitive Bond. We can get that in a Jennifer Anniston movie.

Joe
Joe

It would take about 10 martinis for me to think the mousey French lady from Casino Royale deserves a 10 martini rating. Otherwise a fun list.

Joe
Joe

Decent list, dragged down by some glaring errors. The correct answer is: 1. Casino Royale 2. From Russia with Love 3. On Her Majesty's Secret Service 4. Thunderball 5. GoldenEye 6. Dr. No 7. The Living Daylights 8. Tomorrow Never Dies 9. For Your Eyes Only 10. Goldfinger 11. The Man with the Golden Gun 12. The Spy Who Loved Me 13. License to Kill 14. Moonraker 15. The World Is Not Enough 16. Quantum of Solace 17. You Only Live Twice 18. Diamonds Are Forever 19. Live and Let Die 20. Die Another Day 21. A View to a Kill 22. Octopussy

Adam
Adam

A very good list! But I would put Tomorrow Never Dies a lot higher (it has a great villain and Bond girl, not to mention an excellent k.d. lang alternate theme song) and the ultra-campy Diamonds Are Forever a LOT lower (it's ludicrous in almost every way and creepily homophobic).