Eminem 'The Marshall Mathers LP 2' album review

Shady's not back, but Em's in good form as he digs up the past

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Time Out Ratings

<strong>Rating: </strong>3/5

As a general rule, rap sequels aren’t sequels at all—they’re lazily conceived marketing ploys that fall into one of two categories: pathetic attempts to relive past glories or successful attempts to relive past glories. Full credit to Eminem, then, for crafting a sequel that relates to its predecessor in more than just name.

More than 13 years after the release of the diamond-selling The Marshall Mathers LP, this follow-up takes old songs in new directions and new songs in old ones. "Bad Guy" is a prime example of the former, adding a Dido-less chapter to "Stan" in which Matthew, Stan’s little brother, seeks revenge. Elsewhere, Em edits past rhymes—"went to Burger King, they spit on my onion rings, I think my karma’s coming back to me"—and steers old skits into ever-darker territory. For fans old enough to cherish the original MMLP, anachronisms like these are guaranteed highlights. But then there’s that latter category: new songs taken in old directions.

With the notable exception of Slim Shady, The Marshall Mathers LP 2 sees Em’s whole crew of incorrigible split-personas pile into the booth: cynically homophobic Eminem; adolescently angsty Eminem; bleating-on-the-hook-like-a-sheep-in-heat Eminem; angry, possibly mid-poo Eminem. These are the Ems behind Mathers’s mid-career slide into wackness, and they sound worse than ever in the context of a purported return to peak form.

But there are flashes of brilliance here, too. On "Rap God," the 41-year-old cycles through styles—classic Eminem, Houston-inflected, faster-than-Fu-Schnicken—like a one-man playlist. And Kendrick Lamar’s verse on "Love Game," elatedly rapped in the key of Em, forces Mathers to dig deep to play the role of master.

MMLP2 is a legitimate sequel—there are no gimmicks here. But like most sequels, it encounters another problem: it’s just not as good as the first one.

Watch the video for “Berzerk”




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