Eyes Wide Open

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Call it Brokeback Talmud—not just for its taboo-busting depiction of a gay affair between Orthodox Israelis, but because it adopts Ang Lee’s slow-burn seriousness almost to a fault. To his credit, first-time director Tabakman displays more explicit sensuality than Lee’s cowboys, with perhaps the sexiest scenes ever filmed with Hasidic Jews. But that’s strictly between repressed butcher Aaron (Shtrauss, resembling a yarmulked Jake Gyllenhaal) and his wanton apprentice, Ezri (Danker); when Aaron gets home to Rivka (Tinkerbell), the mother of his three kids, their bedroom action has all the excitement of navel lint-picking.

The film strains under a similar perfunctoriness, leaning on a cheerless, Euro-fest mode of long takes and a moody electronic score. But the low-key observational approach does yield payoffs, like when Aaron gets to know Ezri’s nature through his vaguely erotic sketches of men from yeshiva school. There’s a terrific sequence in which Aaron’s peers enlist him to rough up a non-Orthodox man dating an Orthodox girl, as an indirect warning that they’re on to his secret. Eyes Wide Open finally delivers a knockout visual: the lovers meeting seemingly alone, only for a passing car’s window to reveal a dozen men monitoring them. The drama’s moments of inspiration vindicate its desultory proceedings.—Kevin B. Lee

Opens Fri; Cinema Village. Find showtimes

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