Le Mépris (15)
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Time Out says
Fri May 11 2012A film about - among other things - integrity. The basic situation, faithfully adapted from Moravia's novel A Ghost at Noon, concerns a young woman (Bardot) who is gradually possessed by an overwhelming contempt for her husband (Piccoli), a writer beset by doubts when he is called in as script-doctor to a film of The Odyssey, being made by a director (Lang) who wants to capture the reality of Homer's world, and a crass producer (Palance) who just wants more mermaids. Yes, she agrees that the money will be useful; no, she doesn't feel he is selling out since he is interested in the subject; and which ever way he decides to jump is perfectly all right by her. But there still remains that tight knot of contempt which she won't explain and he doesn't understand. Around this Godard weaves subtle parallels with Homer's tale of patient Penelope, the statues of Minerva and Neptune which brood over the modern tragedy, locations which paradoxically set the airy spaces of a flat in Rome against the confines of the Homeric landscapes of Capri, and for good measure a stream of cinematic jokes. Magnificently shot by Raoul Coutard, it's a dazzling fable.