Things to Do
Essential museums, monuments, walks, talks and tours in Barcelona
- Barceloneta prawn route
- 50 top sights and attractions!
- Stellar squares
- Madrid! 20 great things to do
- October's must-see art
What's on in Barcelona
It's not just about Sónar and Primavera Sound. For an unforgettable year of music, art and cultural experiences, follow Time Out's guide to festivals and events. The coming months promise an endless array of events showcasing the best in Catalan and international culture - from hip hop and documentary filmmaking to religious and traditional celebrations. Plan your year here.
This week and beyond
You and Barcelona have a date with architecture this weekend, with open doors at more than 150 buildings of every type, shape and size. You'll get the chance to experience this exceptional architecture, and it's completely free. Open House activities invite everyone to explore and understand the value of a well-built and well-designed space. The event started out in London in 1992 and has since spread to various capitals around the world.
- Rated as: 4/5
An ocean of data ('Hello world!', an installation of 5,000 personal video diaries downloaded from the Internet), a sea of information ('Thingful.net', a system for discovering connected objects around us), rivers of references (basic vocabulary: algorithm, geolocation, prediction, pattern) and graphics ('Submarine Cable Map', marking the fibre-optic system that connects the world) attempt to explain what Big Data means. For some it's the new oil, a source of inexhaustible wealth; for others it's a tool of social control. What is certain is that the metaphor of the cloud, an ethereal place where all our tweets, passwords and photos go, is quite misleading: it's more like a tangle of wires and sensors that could literally encircle the globe, and large containers have been built to preserve the content._Big Bang Data is a dense and complex exhibition, in the amount of material presented. It's a panopticon on the storage of information (in 2009 alone as much data was produced as in the whole history of humankind leading up to then) that leaves us facing the abyss of a big question. We have created a technology ready for archiving information about ourselves and our surroundings, but we haven't been able (yet) to agree on certain uses, to establish rules for our own protection, as citizens and consumers, against the dangers of this creation.
- CCCB. Centre de Cultura Contemporània de Barcelona Montalegre, 5, El Raval, 08001
- Fri May 9 - Sun Oct 26
Openwalls Conference 2014 (OWC14) is an international meeting that addresses the management of autonomous urban interventions in public spaces from two main areas: an international seminar and murals in public spaces in different spaces in Barcelona (CCCB, BAU, Espai Jove Bocanord) and on walls in the city's barrios. To reinforce its practical nature, the murals have the aim of showing an example of what such projects can bring to contemporary cities: a link with the territory they're in, via walls that bear the murals permanently, timely and large-format murals, and workshops that encourage reflection and civic creativity through the visual arts in the public spaces. See the full programming schedule at www.openwallsconference2014.org.
Some three tonnes of clothes are looking for a home in this first edition of the vintage market where clothes are sold by weight, Mercat Vintage a Pes, an initiative organised by the Roba Amiga cooperative. Choose and purchase the kilos of clothes you like for just €10 a kilo. And don't worry, if you happen to grab up more than 10 kilos, you get a 20 percent discount.
- Rated as: 4/5
Kerry James Marshall is an African American artist who's almost unheard of in Spain. But that's about to change now he's exhibiting a new retrospective at Madrid's Reina Sofía as well as his most recent paintings, videos, sculptures, drawings and installations at Barcelona's Tàpies Foundation. By the second half of the 1970s Marshall had a notion, through television series, of the Jewish Holocaust, the extermination of the American Indians, and the journeys of African slaves in America. So much invisible suffering. Then he began to extend the language of political correctness, which included women, sexual choices, and the powerless in the list of verbal amends to be made. Marshall joined the art world around when others were watching 'Holocaust' and 'Roots' on TV. When he went in for figurative painting, he found there was a lot of artists doing portraits of Western white cultures, but nothing to represent his background. His portraits are great composotions, epic narratives, and featuring black subjects, something many hadn't seen before. As a suppressed culture, African Americans don't have historical documents, and there's a lack of self-representation.Marshall has managed to achieve a balance between presence and invisibility with the use of dark backgrounds with no white lines highlighting figures, or with the use of ultraviolet photographs of African Americans, and installations where you have to look through a hole in a wall. But at the same time he creates black super
- Rated as: 4/5
You know how everyone thinks they can coach their favourite football team better than the actual coach? Well, I'm the same with exhibitions at the MACBA. They're now showing the first of a trilogy where they take a look at the works from the museum's collection from the 1980s, and as I walk among the halls, my inner curator is screaming out, 'No! Man-to-man marking, forget zone defence! ... Kippenberger up front? He’s better on the wing! ... Valldosera is still very green, better loan him out for another season, and so on, and so on.Ah, the '80s, the age of disenchantment. After Kennedy and Pope John XXII, it was Reagan, John Paul II and the punks. And after the death of the bogeyman, the dictator Francisco Franco, Spain witnessed the birth of modern artistic and cultural institutions. Artists who had once criticised the system would no longer lift a finger without some kind of subsidy… But the MACBA sees it differently. The collection is the home country, in the form of a handy Kleenex, used in a provocative revision of history. It’s a history with a revolutionary backdrop, in which the working classes armed themselves with dance music, Basque rock, fanzines and appropriation.Organised around familiar themes like 'the sacred and the profane' and 'the body and its inverse', the works on show form the basis of lengthy essays. You can read them or not. And this changes the effect. Carlos Pazos’s installation could be a jumble of references, or a secret semiotic drama, and Hum