'Kafka Was the Rage' by Anatole Broyard
Here, New York Times book critic Broyard details what it was to be an artist in Greenwich Village in the 1940s. Between opening a bookstore and attending the New School, Broyard discovers what sex can be with an artist named Sheri Martinelli, a protégée of Anaïs Nin: 'She made love the way she talked—by breaking down the grammar and the rhythms of sex. Young men tend to make love monotonously, but Sheri took my monotony and developed variations on it, as if she were composing a fugue.' There’s also lots of rewarding talk about underpants.