You might want to keep your hands in your pockets when entering James Capper’s section of this three-man show. Continuing in the same vein as his ‘Nipper Family’ series of claw-like kinetic art, Capper draws parallels between the animal kingdom – in particular reptiles and birds – and industrial tools. But luckily the bark of this London sculptor’s hydraulic creations is worse than their bite. No one wants to lose a digit in the name of art.
Freire Barnes