The 100 best romantic movies: quirky
Experts including Tom Hiddleston, Joan Collins and EL James vote for the best films about love and romance
Now we know which are the 100 best romantic movies of all time. But which are funny and which are heartbreaking? Which depict a dignified romance and which are saucy tales of lust? Which are strictly arthouse and which are simply cheesy? We’ve applied 19 handy labels to the 100 films in our list. Here you’ll find all the films we think deserve the label ‘quirky’.
Got something to add? Tell us what you think in the comments below.
The 100 best romantic movies: quirky
Annie Hall (1977)
Director: Woody Allen
Cast: Diane Keaton, Woody Allen
Best quote: 'Don’t knock masturbation. It’s sex with someone I love.'
Defining moment: Call the lobster squad! Dinner has escaped.
Irrational, crazy and absurd. ‘Annie Hall’ gives us love in its all its messy glory. It’s the anatomy of break-up. ‘Where did it all go wrong?’ asks Woody Allen’s neurotic comedian Alvy Singer after his split from scatterbrain singer Annie (Diane Keaton, enjoying a killer fashion moment in boyish slacks and a fedora).
Allen has said that ‘Annie Hall’ was his first film to go ‘deeper’. And at its heart is the sad message that finding your soulmate doesn’t guarantee a happy ending. Or, as an old woman tells Alvy: ‘Love fades.’ But for all that, ‘Annie Hall’ is hands down the most hilarious film ever made about love, hysterically funny and packed with gags. CC
Read the Time Out review of 'Annie Hall'
Harold and Maude (1971)
Director: Hal Ashby
Cast: Ruth Gordon, Bud Cort
Best quote: 'Oh, Harold, that's wonderful. Go and love some more.'
Defining moment: In a field of daisies overlooking a vast military cemetery, Maude explains her philosophy of life.
Age shall not wither them
The hippy era was full of movies that attempted to confront square society, to shock viewers into some undefined form of action. How many of them are still effective today? But ‘Harold and Maude’, the gentle flipside of the revolutionary dream, is every bit as charming, affecting and surprising as it must have been on its first release.
Partly this is because none of its themes have gone out of date: we still live in a world of empty privilege and rigid hierarchy, petty authority and relentless conformism. So the idea of a teenage boy (Cort) shacking up with a batty old woman (Gordon) is still a challenge to social norms. Best of all, ‘Harold and Maude’ is also still devastatingly romantic: a story of soulmates, in the most literal sense. TH
Read the Time Out review of 'Harold and Maude'
The Apartment (1960)
Director: Billy Wilder
Cast: Jack Lemmon, Shirley MacLaine
Best quote: 'That's the way it crumbles... cookie-wise.'
Defining moment: C.C. Baxter decides to take the advice of his doctor and become a mensch.
When life gives you Lemmon...
Romance-wise, there’s never been anything quite like ‘The Apartment’. Reuniting director Billy Wilder, scriptwriter Iz Diamond and star Jack Lemmon just one year on from the seemingly unbeatable ‘Some Like It Hot’ (1959), Shirley MacLaine’s melancholic heroine Fran Kubelik was the perfect bittersweet counterpoint to Marilyn Monroe’s Sugar Kane, a strong black coffee after dizzying champagne.
Not many romances could get away with a suicide bid by the leading lady in the second act and succeed in turning it all around for a perfectly-pitched ending without feeling phoney, but Wilder pulls it off. It’s no surprise the film continues to influence advocates ranging from ‘Distant Voices, Still Lives’ director Terence Davies to ‘One Day’ author David Nicholls. CB
Read the Time Out review of 'The Apartment'
Eternal Sunshine of the Spotless Mind (2004)
Director: Michel Gondry
Cast: Jim Carrey, Kate Winslet
Best quote: 'I've never felt that before. I'm just exactly where I want to be.'
Defining moment: That final conversation in the hallway, in which the repetition of the simple word ‘okay’ means so much more than just ‘I love you’.
Brainwashing for beginners
You might see this extraordinary film, a joint career peak for Michel Gondry, writer Charlie Kaufman and its improbably but perfectly matched leads, described in generic DVD catalogues as a romantic comedy. It’s a term that seems wholly unequal to its dizzying conceptual acrobatics, not to mention the profound sadness in its absurdist excavation of post-romantic trauma.
But a rich, tragedy-tinged comedy it is: Kaufman has essentially given a scruffy sci-fi makeover to a ‘Philadelphia Story’-style farce of second chances and destiny denied, without letting the film’s beating screwball heart get overly chilled by its wintry New York cool. No longer just the hipster’s choice, it’s become the go-to love story for an entire generation of, to paraphrase Kate Winslet’s Clementine, fucked-up girls – and guys – looking for their own peace of mind. GL
Read the Time Out review of 'Eternal Sunshine of the Spotless Mind'
Punch-Drunk Love (2002)
Director: Paul Thomas Anderson
Cast: Adam Sandler, Emily Watson
Best quote: 'I have a love in my life. It makes me stronger than anything you can imagine.'
Defining moment: When Barry tells Lena that he wants to smash her face with a sledgehammer – in the most charming way imaginable…
Love is strange
How lovely it is to see Anderson’s unsettling, unpredictable, completely unique romantic comedy in the top 10. Descending from the emotionally draining dramatic heights of ‘Magnolia’, Anderson micro-sized his world, zooming down to two characters adrift in a dream of love, escaping reality through one another.
Sandler proves definitively that he can act (he’s since proven that he’d rather not, if he can avoid it) as the frustrated-to-the-point-of-mania white-collar warehouse worker who falls – truly, madly, weirdly – for Watson’s fragile jetsetter. The result is a gloriously unhinged and mesmerising film, a window into another world, where gravity isn’t quite as powerful and the regular rules – about romance, family, work, aggression, competition entries – don’t seem to apply. TH
Read the Time Out review of 'Punch-Drunk Love'
Director: Andrew Stanton
Cast: Ben Burtt, Elissa Knight, Jeff Garlin
Best quote: 'Beep, beep, beep…'
Defining moment: When WALL-E falls in love with Eve, inspired by watching ‘Hello, Dolly!’
Leaves a metallic taste in the mouth
Can a near-silent portrait of a love between two robots, WALL-E and Eve, really be that romantic? Well, Pixar found a way with this daring story of a lonely robot on Earth in 2700, a time when the planet has been abandoned by life and WALL-E has only piles of junk and a copy of Gene Kelly’s ‘Hello, Dolly!’ for company. WALL-E is a creaky, awkward creature and when the more sleek, iPod-like Eve turns up in his life, he naturally falls head over heels for her.
The film’s great achievement (if we forget its more boisterous and less successful second half) is that its silence and calm draw us in and allows us to appreciate small gestures and the little things in life. It’s the most touching robot-on-robot relationship since the bickering bromance between C3PO and R2D2 in ‘Star Wars’. DC
Read the Time Out review of 'WALL-E'
I Know Where I'm Going! (1945)
Directors: Michael Powell, Emeric Pressburger
Cast: Wendy Hillier, Roger Livesey
Best quote: 'Not poor, they just haven't got money.'
Defining moment: Joan tries to cross to the island and gets caught in a storm near a whirlpool.
The high road to romance
Once again, Powell and Pressburger found a sideways, lively and thoroughly modern way of celebrating and exploring simple truths: that money can’t buy love. A young woman about town, Joan (Hillier) knows what she wants: she's heading to the Hebrides to marry a reclusive tycoon. But nature and wise folk conspire to teach Joan a thing or two.
A storm stops her crossing to the island where she's to marry, so she bunks up with Scottish naval officer Torquil (Livesey) and friends while waiting for the weather to improve. The big lesson is that logic and ambition only get us so far, especially in love. Much more attractive are the rewards of chaos and communal experience. DC
Read the Time Out review of 'I Know Where I'm Going!'
Wild at Heart (1990)
Director: David Lynch
Cast: Nicolas Cage, Laura Dern
Best quote: 'The way your head works is God's own private mystery.'
Defining moment: After dancing like a maniac to speed-metal combo Powermad, Sailor Ripley busts into a swoonsome version of Elvis’s ‘Love Me’.
No one does romance quite like David Lynch: just think of Sandy and the robins in ‘Blue Velvet’, or Henry and the radiator lady in ‘Eraserhead’. There are those who write him off as an ironist, but this uniquely intense and unabashed worship of love as an otherworldly, all-consuming and dangerous state of higher consciousness is anything but detached.
Lynch loves love, and he loves lovers, none more so than Sailor and Lula, the star-crossed, whisky-fuelled, sex-crazed, emotionally scarred couple that are the wild heart of his madcap kaleidoscopic road movie. This is all-American love reimagined as a carnival show: brutal and beautiful and completely barmy. TH
Read the Time Out review of 'Wild at Heart'
True Romance (1993)
Director: Tony Scott
Cast: Christian Slater, Patricia Arquette
Best quote: 'And all I could think was, you're so cool!'
Defining moment: To free his hooker wife from bondage, hero Clarence guns down her dreadful, dreadlocked pimp.
There are few more blatant examples of personal wish fulfillment in the movies than Quentin Tarantino’s script for ‘True Romance’. A comic store clerk and exploitation movie nerd (hey, write what you know) meets a gorgeous, sweet-natured hooker who immediately falls madly in love with him. They head off on the run, taking in all the sights from Hollywood directors to bloodthirsty gangsters, all the while exchanging dynamic repartee and having great sex.
It’s thanks to Scott’s unwillingness to indulge the script’s excesses that ‘True Romance’ works as well as it does: avoiding both smugness and sentiment, this is a breeze of a film, coasting on terrific dialogue, charming performances, pacy plotting and sheer, coke-fuelled joie de vivre. Sure, it’s a teensy bit shallow, but damn it’s entertaining. TH
Read the Time Out review of 'True Romance'
Director: Jean Vigo
Cast: Dita Parlo, Jean Dasté, Michel Simon
Best quote: 'Paris, Paris! Oh, infamous, marvellous city!'
Defining moment: Jean leaps into the river and sees a vision of Juliette dancing in the water.
Life is but a dream
The French are famed as a romantic nation, but for those of us raised in a more reserved culture, their occasional tendency towards sweaty-crotched Gitane-smoke-in-the-face Gainsbourg-isms can seem a little, well, aggressive. Not so ‘L’Atalante’: this is a love story with the lightest touch, managing to be spiritual, sensual, serious and strange all at the same time.
Its 29-year-old director famously died before his debut feature was completed, but there’s more in this one film than most directors manage in a lifetime: more meaning, more emotion, more intensity. Perhaps it’s the out-of-the-past setting – a narrowboat plying the canals of rural France – or the weirdly disconnected central couple, or even the presence of Simon’s crusty, irascible Pere Jules. But something in Vigo’s film is not quite of this earth, and to watch it is the closest we may ever come to experiencing someone else’s dreams. TH
Read the Time Out review of 'L’Atalante'
Directors: Pete Docter, Bob Peterson
Cast: Ed Asner, Christopher Plummer
Best quote: 'You don't talk much. I like you!'
Defining moment: It’s all about the opening ten minutes, as we follow Carl and Ellie from childhood, through years of happy marriage ‘til death does them part.
The story of us
It’s remarkable that ‘Up’ has managed to sneak into the all-time top 25 romantic movies on the strength of a single 10-minute sequence, but it’s also testament to the extraordinary power this Pixar classic possesses.
It could’ve been so cutesy, so saccharine: a geeky kid with coke-bottle glasses dreams of being an explorer. The girl down the street wants the same thing. They grow up, fall in love, years pass, and we see the highs and lows of their life together: marriage, family, work, sickness, eventually death – a tapestry of honest emotion and meaning (and this, lest we forget, is a kids’ movie). The rest of ‘Up’ is ‘only’ hilarious and smart – but that opening is romance itself. TH
Read the Time Out review of 'Up'
Before Sunrise (1995)
Director: Richard Linklater
Cast: Julie Delpy, Ethan Hawke
Best quote: 'Isn't everything we do in life a way to be loved a little more?'
Defining moment: It happens off-screen – Linklater purposely doesn’t show us the did-they-or-didn’t-they sexual encounter.
This means something to me
Proof that you don’t need a plot to fall in love, ‘Before Sunrise’ sees strangers on a train Jesse (Ethan Hawke) and Celine (Julie Delphy) meet-cute, disembark in Vienna, and dance a verbal tango into the night as the deadline of Jesse’s flight home looms.
You’d say that Delphy and Hawke have never been better were it not for the 2004 sequel ‘Before Sunset’, which shows us what happens next, and the 2013 instalment ‘Before Midnight’, which revisits the pair as middle age encroaches. A classy antidote to the notion that passion is purely physical, it’s the sporadically articulate philosophising and spiky gender-focused sparring that glues these two chatterboxes together. CB
Read the Time Out review of 'Before Sunrise'
Before Sunset (2004)
Director: Richard Linklater
Cast: Julie Delpy, Ethan Hawke
Best quote: 'You can never replace anyone because everyone is made up of such beautiful specific details.'
Defining moment: Celine’s zero hour Nina Simone impression.
First world problems
Nine years after the tantalisingly open ending of ‘Before Sunrise’, Richard Linklater revisits the couple who crackled with such chemistry in 1995 to see where life has taken the thirty-something versions of Jesse and Celine. This time, actors Ethan Hawke and Julie Delpy not only played but also co-wrote their parts, and the result is that rare sequel that betters the original.
Plausibly seasoned by life’s knocks but unwilling to let go of a deeply ingrained romanticism, this Jesse and Celine are older, wiser and – just maybe – more suited to each other. Will they let go and make that leap into love? The question presses harder as the film’s fleeting 80-minute runtime slips past with a resolution apparently no closer. CB
Read the Time Out review of 'Before Sunset'
Director: Jean-Luc Godard
Cast: Jean-Paul Belmondo, Jean Seberg
Best quote: 'Informers inform, burglars burgle, murderers murder, lovers love.'
Defining moment: The lovers’ ambiguous parting words in the final scene. What do they mean?
A girl and a gun
As love stories go, 'Breathless' ('À Bout de Souffle') is not one for the ages. Jean-Paul Belmondo, playing a Parisian wideboy on the run after shooting a cop, and Jean Seberg as the hipster American newspaper girl who unwittingly shelters him, look impossibly beautiful together, smoking Lucky Strikes and debating existentialist theory in bed. But they seem entirely too cool to be in love.
Yet Godard’s groundbreaking New Wave take on the Hollywood B-movie is romantic almost in spite of itself. Its still-youthful jazz rhythms, its fresh exploration of Paris at its most invitingly chic and its sexy bedroom talk are what so many of us want romance to look and feel like. So we’re more than happy to indulge it, like the cinematic equivalent of a dirty weekend. GL
Read the Time Out review of 'Breathless'
Moonrise Kingdom (2012)
Director: Wes Anderson
Cast: Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray
Best quote: 'It's possible I may wet the bed, by the way.'
Defining moment: Sam and Suzy kiss an awkward kiss on the beach.
Romance isn't the first thing you expect from a Wes Anderson film, but in this delightful 1960s-set tale, the American auteur employs all his usual tricks – hip soundtrack, arch dialogue, super-careful production design – in the service of a story about the chaos and madness of young love.
Sam and Suzy are 12-year-olds on the run. Suzy is precocious and independent; Sam is nerdy and serious. They don't get very far, but a mile's a long way when you're 12, and danger is never far away. What's lovely is how seriously Anderson takes Sam and Suzy's adventure, while also laying on the humour and the irony. By the time the pair steal a smooch on a deserted beach, we're totally smitten. DC
Read the Time Out review of 'Moonrise Kingdom'
Bringing Up Baby (1938)
Director: Howard Hawks
Cast: Cary Grant, Katharine Hepburn
Best quote: 'When a man is wrestling a leopard in the middle of a pond, he's in no position to run.'
Defining moment: The prison scene: enter Swingin’ Door Susie and Jerry the Nipper.
Romance, red in tooth and claw
Like its bumbling protagonist, Hawks’ archetypal screwball classic went from disaster to darling. The tale of a paleontologist (Grant), a society dame (Hepburn), a snappy terrier and a stray Brazilian leopard, ‘Bringing Up Baby’ ran seriously over budget and over schedule thanks to animal misbehaviour coupled with Grant and Hepburn’s inability to stop making each other laugh during takes.
It flopped disastrously on first release: Hawks’ contract with producers RKO was cut short and Hepburn was labeled ‘box office poison’ by a top exec. Two decades later, following a series of successful TV showings, the film was rightly recognised as the pinnacle of the screwball art: no film was ever so fast, so witty and so gorgeously irrational. TH
Read the Time Out review of 'Bringing Up Baby'
Lost in Translation (2003)
Director: Sofia Coppola
Cast: Bill Murray, Scarlett Johansson
Best quote: 'Can you keep a secret? I’m trying to organise a prison break. I’m looking for, like, an accomplice.'
Defining moment: Crooning Roxy’s ‘More Than This’ in a Tokyo karaoke bar.
Two different souls, years apart in age, meet in the same upscale Tokyo hotel in which they’re staying and spend a chaste but intimate few days together sharing feelings and experiences. She (Johansson) is a young New Yorker whose husband is on a photographic assignment; he (Murray) is an actor making a whisky advert in the city.
They know nothing about each other. But they spend a weekend talking, walking and exploring Tokyo together, and it’s all the more romantic because it feels so transient and unlikely. It helps that Johansson is beautiful and has a youthful world-weariness and that Murray gives one of his very best performances, offering an endearing mix of damage and charm. The whole thing feels like a snatched dream. DC
Read the Time Out review of 'Lost in Translation'
Edward Scissorhands (1990)
Director: Tim Burton
Cast: Johnny Depp, Winona Ryder
Best quote: Kim: 'Hold me.' Edward: 'I can’t.'
Defining moment: Kim dances in the ‘snow’ Edward makes from an ice sculpture in sunny California.
Cuts you up
The scariest thing about Burton’s gothic fairy tale is reading the list of actors who were considered for the part of Edward, the man with scissors for hands created by a scientist. The studio insisted Burton meet Tom Cruise (who believed the story needed a ‘happier ending’). Michael Jackson badly wanted the part. Tom Hanks turned it down.
Finally, Burton got his way and cast Johnny Depp, who, like a Camden goth Charlie Chaplin, plays Edward with a dash of slapstick and sad-eyed loneliness (watch Edward’s scissor fingers twitch when he’s nervous). It was the beginning of a beautiful friendship between Depp and Burton, who’ve made seven films together since. Not such a happy ending for Depp and his co-star and then-girlfriend, Ryder. They split in 1993. CC
Read the Time Out review of 'Edward Scissorhands'
(500) Days Of Summer (2009)
Director: Marc Webb
Cast: Joseph Gordon Levitt, Zooey Deschanel
Best quote: 'This is a story of boy meets girl, but you should know upfront, this is not a love story.'
Defining moment: A post-coital Tom struts to work to Hall & Oates’s number ‘You Make My Dreams’.
A post-modern post-mortem of love – or something like it – ‘(500) Days Of Summer’ introduces us to Tom (Joseph Gordon-Levitt) and Summer (Zooey Deschanel), a lady since invoked in countless discussions of that stock indie romcom character, the Manic Pixie Dream Girl.
A trainee architect working as a greetings card writer, Tom falls hard for the kooky charms of his boss’s new secretary, despite the advice of friends who warn him off and Summer herself, who tells him she doesn’t believe in love. Against all the odds, the couple bond over a shared affection for little-known balladeers The Smiths – and the rest is non-linear narrative history. CB
Read the Time Out review of '(500) Days Of Summer'
Director: Steven Shainberg
Cast: Maggie Gyllenhaal, James Spader
Best quote: 'Who's to say that love needs to be soft and gentle?'
Defining moment: Lee reads back a mistyped letter and gets spanked for the first time.
Taking down the particulars
Before there was ‘Fifty Shades Of Grey’, there was E Edward Grey (James Spader), a boss who exercises a penchant for strict discipline on new hire Lee (Maggie Gyllenhaal). In contrast to ‘Fifty Shades…’, which metastasised out of ‘Twilight’ fan fiction, the literary origins of ‘Secretary’ are more respectable: a short story by Mary Gaitskill, whose writings about BDSM go a bit deeper than the recent bonkbusters.
The skewed romance at the heart of ‘Secretary’ is beautifully played; the characters never come off as dabblers trying to spice things up a bit with fluffy-cuffed role-play, but as submissive and dominant to the core of their sexual identities. CB
Read the Time Out review of 'Secretary'
Gregory's Girl (1981)
Director: Bill Forsyth
Cast: John Gordon Sinclair, Dee Hepburn, Clare Grogan
Best quote: 'Hard work being in love, eh?'
Defining moment: Gregory (Sinclair) realises that the women in his life have all ganged up to get him into the ‘wrong’ girl’s clutches.
The beautiful game
Figuring out who we’re in love with is, of course, a key part of the romantic process. Too many films feature lightning-bolt moments, where the rightness of a match is obvious and irrevocable – cue happy ending. So it’s nice that there are a few movies out there saying, well, hang on a minute. Love at first sight is all very well, but isn’t that a rather shallow and reckless way to select a mate?
‘Gregory’s Girl’ starts with the lightning bolt – gangly Glaswegian Gregory spots leggy keepy-uppy expert Dorothy (Hepburn) – then patiently explains why, for someone as irrational and irregular as Gregory, that kind of perfect love probably won’t work. So why not try someone a little closer to home? The result is pragmatic, sure, but that doesn’t make it any less romantic. TH
Read the Time Out review of 'Gregory's Girl'
The Graduate (1967)
Director: Mike Nichols
Cast: Dustin Hoffman, Anne Bancroft, Katharine Ross
Best quote: 'Would you like me to seduce you?'
Defining moment: Dustin Hoffman, Paul Simon, Art Garfunkel, a red Alfa Romeo Spider and the Southern California highway system.
We’d like to help you learn to help yourself
How romantic is ‘The Graduate’, really? Are we talking about the affair between Benjamin Braddock (Hoffman) and Mrs Robinson (Bancroft), in which he’s driven by adolescent lust and gnawing boredom, and she by a desperate desire to revisit her youth, to feel something, anything for a change? Or do we mean the engagement between Benjamin and Mrs Robinson’s daughter Elaine (Ross), in which both characters appear to be marching through some sort of societally mandated courtship routine, without ever really meeting in the middle?
And yet, despite the cynicism and the ironic distance, despite that frankly terrifying closing shot of Ben and Elaine on the bus, miles distant, there’s still something bracing and heartfelt about ‘The Graduate’. Perhaps in showing us all this tragic emptiness, Nichols is encouraging us to confront it. TH
Read the Time Out review of 'The Graduate'
Moulin Rouge! (2001)
Director: Baz Luhrmann
Cast: Nicole Kidman, Ewan McGregor
Best quote: 'Come what may, I will love you until my dying day.'
Defining moment: David Bowie, Elton John, The Beatles and more are pressed into service in one mega-mixed Elephant Love Medley.
Nothing left toulouse
Baz Luhrmann takes the lavish staging of Bollywood, mashes up elements of the Greek myth of Orpheus together with Giuseppe Verdi's opera La Traviata, and throws it all into a kaleidoscopic blender along with some of the catchiest Western pop songs of the 20th century.
As with Luhrmann's inspirations, events are entirely passion-powered, as Ewan McGregor's ‘oh-so-talented, charmingly bohemian, tragically impoverished’ writer Christian conceives an amour fou for Nicole Kidman's courtesan Satine, serenading her with lines like ‘the greatest thing you'll ever learn is just to love and be loved in return’. Of course, given the consumptive Satine is carrying more tuberculosis bacteria than your average badger colony, the greatest thing she's likely to have passed on to poor old Christian is a highly infectious lethal disease. CB
Read the Time Out review of 'Moulin Rouge!'
Director: George Cukor
Cast: Katharine Hepburn, Cary Grant, Doris Nolan
Best quote: 'Compared to the life I lead, the last man in a chain gang thoroughly enjoys himself.'
Defining moment: Grant and Hepburn perform somersaults to announce their anti-establishment credentials.
Pack up your troubles
If you love ‘The Philadelphia Story’ then do catch Hepburn in this previous adaptation of a Philip Barry play as an independent-minded young woman stymied by her conservative family. She senses a kindred spirit in youthful Grant’s Johnny Case, who plans to leave his self-made career behind and travel the big, wide world. The complication is that he’s engaged to her alluring sister Nolan.
Yes, the theatrical origins are only too obvious, but glittering dialogue and sparkling star turns pave the way to a surprisingly affecting ending. Grant is unusually goofy, skillfully masking his character’s contradictions, while Hepburn’s trademark display of determined intelligence remains the key to a film that thrives on the notion of liberating elopement. TJ
Read the Time Out review of 'Holiday'
Director: Jean-Pierre Jeunet
Cast: Audrey Tautou, Mathieu Kassovitz
Best quote: 'It’s better to help people than garden gnomes.'
Defining moment: Amélie’s heart pounds as she spots her true love or the first time.
Le femme excentrique
It’s the movie that launched a thousand mini-breaks to Paris. ‘Amélie’ charmed the world’s socks off in 2001, a surprise international hit. Audrey Tautou is irresistible as lonely waitress Amélie, who discovers her purpose in life: to make other people happy with anonymous acts of kindness.
A whimsical fairytale, it’s filled with playful, funny touches. The best is Amélie standing on a balcony overlooking Montmartre wondering how many people are having an orgasm at this second. The answer is 15 – director Jean-Pierre Jeunet shows them. He originally cast the British actress Emily Watson in the lead. When she quit, he’d all but given up hope of finding his Amélie, until he spotted Tautou on a film poster in the street. Now it’s impossible to imagine any other actress in the role. CC
Read the Time Out review of 'Amélie'
Director: Jason Reitman
Cast: Ellen Page, Michael Cera
Best quote: 'I still have your underwear.' 'I still have your virginity.'
Defining moment: Baby, schmaby: it’s all about Juno declaring her love for geeky Paulie Bleeker.
Que Cera, Cera
On release, first-time scriptwriter Diablo Cody’s Oscar-winning unplanned teen pregnancy comedy ‘Juno’ was all-but obscured by one debate: was it a pro-lifer tract deceptively gussied up in indie clothing?
The film’s abortion issues are still up for debate; leaving that aside for a moment, what’s left is a sweetly funny romantic comedy about relationships both teen- and middle-aged, and love of many kinds: parental, romantic and platonic. And sure, the teen-speak might bear about as much resemblance to real teenage slang as the actors in ‘Grease’ did to actual teenagers, but Ellen Page and Michael Cera’s performances remain pitch perfect. CB
Read the Time Out review of 'Juno'
Say Anything (1989)
Director: Cameron Crowe
Cast: John Cusack, Ione Skye
Best quote: 'I gave her my heart, she gave me a pen.'
Defining moment: Come on, like you don’t know. Window. Trenchcoat. Boombox. Peter Gabriel. Iconic.
Rich and strange
Cameron Crowe’s directorial debut may be remembered for That Scene With the Ghettoblaster, but there’s so much more to it than moody John Cusack and his synth-scored adolescent angst.
For one, there’s Ione Skye as his posh-kid paramour, who may suffer from occasional dream-girl tendencies but shows enough spark to justify John’s obsession. There’s also a terrific supporting cast including Frasier’s Dad John Mahoney, Joan Cusack, Jeremy Piven and a magnificently brash and spiky Lili Taylor.
But it’s the sweet, thoughtful, zinger-studded script which explains why, for one brief moment, we actually believed that Crowe could be the next Woody Allen, only with more New Wave hair and classic rock references. Oh, what might have been… TH
Read the Time Out review of 'Say Anything'
Director: Miguel Gomes
Cast: Ana Moreira, Carloto Cotta
Best quote: 'It was from a dream...'
Defining moment: The heady strains of 'Be My Baby' filtered through colonial Africa.
Passionate exploration becomes possessive colonisation in both an African plantation and a series of romantic relationships in this playful two-act (plus prologue) tragicomedy from former film critic Gomes.
‘Tabu’ insures itself against the risk of coming across as insincere or twee via the cunning expedient of first showing us what will become of its gorgeous leads at the hands of that old inescapable: time. No amount of arch sound design, renegade crocodiles and fish-out-of-water doo-wop bands can offset the foreknowledge of the eventual destinies of steamy star-crossed couple Aurora and Ventura in contemporary Lisbon. CB
Read the Time Out review of 'Tabu'
Let the Right One In (2008)
Director: Tomas Alfredson
Cast: Kåre Hedebrant, Lina Leandersson
Best quote: 'If I wasn't a girl... would you like me anyway?'
Defining moment: Eli crosses the threshold to show Oskar why she needs an invite.
My bloody valentine
Just because a romance is between two twelve year olds, one of whom has been twelve for a really, really long time, doesn't mean it's not a romance. And so what if your new girlfriend a) isn't exactly a girl and b) feasts on the blood of innocents? At least you've got a girlfriend.
Oskar meets Eli at a difficult time in his young life, and quickly learns that the path of true love ne'er did run smooth, nor faint heart win fair maiden. This chilly Scandinavian take on vampire mythology is a pre-teen supernatural romance you can really get your teeth into – and there’s not a sparkly dreamboat in sight. CB
Read the Time Out review of 'Let the Right One In'
Director: Richard Ayoade
Cast: Craig Roberts, Yasmin Paige
Best quote: 'This is the moment where you leave him and come with me.'
Defining moment: A fortnight of atavistic lovemaking is turned into the Super-8 footage of memory.
15-year old Oliver Tate (Roberts) is desperate to lose his virginity to indifferent pyromaniac Jordana Bevan (Paige). He attempts to convince her with three good reasons: 1. You are fatally in love with me. 2. Best to do it before legal. 3. Bound to be disappointing, so why wait?
Writer-director Ayoade does a superb job of taking Joe Dunthorne's darkly comic debut novel and, rather than turning it into the Brit-com one might expect from somebody so integral to shows like ‘The IT Crowd’ and ‘Garth Marenghi's Dark Place’, he creates a lithe and oddly elegant deadpan romance that recalls the French New Wave at least as much as it does its other clear ancestor, the Adrian Mole books. CB
Read the Time Out review of 'Submarine'
The Fly (1986)
Director: David Cronenberg
Cast: Jeff Goldblum, Geena Davis
Best quote: 'Help me be human.'
Defining moment: The climax. Is there anything more romantic than attempting to fuse on a genetic level with your intended?
2 become 1
Wait, isn’t that the one where the guy mutates horrifically into an insect? The origin of the phrase ‘Be afraid, be very afraid?’ What could possibly be romantic about that? Well, kind of everything.
The opening is a flawless meet-cute – ballsy reporter meets mad scientist, love blossoms – helped along by the fact that real-life partners Goldblum and Davis are a screwball couple to rival Grant and Hepburn. Then, when disaster strikes in the form of a teleportation accident, she’s forced to make a choice: stick by the man she’s fallen in love with despite his terrifying, irrational transformation, or flee for the sake of her unborn child. Cronenberg’s masterpiece may be grotesque, but it’s as heartfelt, honest and endearingly human as any film on this list. TH
Read the Time Out review of 'The Fly'
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