Matthew Singer

Great movies were made to be debated. All right, maybe that’s not their primary function, but all art deserves to be argued over. If you’re passionate about something, you’re going to feel compelled to fiercely defend your favourites and shout down whatever you think is undeserving. Inflaming public discussion is one of the reasons we’ve put together this list of the greatest films ever made. It gets you thinking, and, when reasoned and civil enough, perhaps rethinking your own opinion.   It seems like a particularly good time to get the discussion going, too, given that movies are, slowly but surely, inching back toward the center of popular culture. Young people are going to cinemas again, particularly for repertory screenings, and making hits of original movies from fresh filmmakers like Ryan Coogler's Oscar-record-breaking Sinners. Letterboxd is growing in usage, and the Criterion closet is all over social media. New cinephiles are being made every day, and we’ve always thought of this list mostly as an educational tool for burgeoning film buffs. It covers a lot of ground: over 100 years, multiple countries, and just about every genre imaginable. So let’s get talking – and most importantly, watching.   Jump to list: 100-91 |  90-81 | 80-71 | 70-61 | 60-51 | 50-41 | 40-31 | 30-21 | 20-11 | 10-1 How we chose our 100 best movies of all time Admittedly, the process is not an exact science. Mostly, it involves a bunch of arguing, whittling and deal-making amongst Time Out’s mo

Like the old gunslinger returning to town for one last shoot-out, western movies just never seem to stay dead. It’s a curiously resilient artform: a genre that is historically white, conventionally masculine and politically conservative probably should have been buried alongside John Wayne. And indeed, there have been times where the western has seemed like an ancient relic. Yet, it always seems to come back.  But that’s the thing: the western is far less beholden to tradition than it seems. Oscar-winners like Unforgiven and Dances with Wolves interrogated western morality, while standout modern examples such as Jane Campion’s The Power of the Dog, Kelly Reichardt’s Meek’s Cutoff and Netflix’s all-Black The Harder They Fall have subverted them altogether. Even the film we’ve chosen as the best western of all time is largely a deconstruction of the genre itself.  Sure, the tropes are considered tropes for a reason. But even at its most classic, there are few forms as purely cinematic as a well-made western. Here are the 50 best ever made. Recommended: 🔥 The 100 best movies of all time🤯 The best action movies of all time😬 The best thriller movies of all time🆓 The best free movies on YouTube

Updates for 2026: Behold: 30 more of the best romantic comedies ever made! We’ve expanded this list of the all-time greatest romcoms to 100 in order to include recent hits like The Idea of You, Rye Lane and The Worst Person in the World and previously overlooked gems like Crazy, Stupid, Love and How to Lose a Guy in 10 Days. Love hurts. Love scars. Love also makes us act like total imbeciles. Indeed, love can be the most painful of emotions, but it’s also often the funniest. If you’ve ever found yourself in its grip, then you know the strange ways it can make you feel, and the weird things it’ll make you do. And even if you haven’t, well, there’s a whole genre dedicated to letting you know how silly it can be.  No wonder romantic comedy persists as one of the most broadly accessible genres in all of film. So why, then, has Hollywood seemingly stopped making them? At one point in time, romcoms filled cinema calendars. Now, they’re largely relegated to streaming – or, in the case of something like Celine Song’s Materialists, miscategorized. It’s perplexing, because not only are romcoms some of the most you can have with a room full of strangers, but isn’t love one of the most universal human experiences? Of course, not all love stories are the same. Some are farcical, others more sophisticated, some cynical, others straight-up crazy. Love contains multitudes, and so do romantic comedies, and we considered it all when putting together this list of the 100 best romcoms of all tim

Updates for 2026: Indisputably, the two most talked-about movies of 2025 were also among the best of the century. Ryan Coogler’s gangster-vampire-blues-musical-period-piece Sinners proved that original stories can still draw huge audiences, while One Battle After Another confirmed Paul Thomas Anderson as the brightest filmmaking mind of his generation. Movies were born in the 20th century, and the 21st century has nearly killed them. At least, that’s the common narrative. And it hasn’t seemed far from the truth: between internet piracy, the pandemic, the rise of television as the go-to storytelling medium, and ongoing corporate consolidation, the film industry has often felt imperilled throughout the first two decades of the new millennium.  But even among all the doom and gloom – or perhaps even because of it – film itself has continued to thrive. Genres have been mixed, matched and completely exploded. More diverse stories are being told than ever before. Blockbusters have reached unfathomable hugeness, while the smallest, strangest indies have won awards and reached vast audiences. If cinema in the 21st century has been defined by tumult, it’s also exemplified the ability of filmmakers to rise to the moment. These 100 movies represent the best of the last quarter-century so far. Written by David Fear, Joshua Rothkopf, Keith Uhlich, Stephen Garrett, Andrew Grant, Aaron Hillis, Tom Huddleston, Alim Kheraj, Tomris Laffly, Kevin B. Lee, Karina Longworth, Maitland McDonagh, Tro

From winter blockbusters to festival sleepers, these are the movies our critics think define 2025. Expect prestige dramas, horror gems, wild indies and some surprise streaming hits – all watched and ranked by Time Out’s film team. What even was last year in movies? A rollercoaster is the most obvious cliche, full of exhilarating successes, puzzling disappointments and news stories that’ve left us wondering if there’s even going to be much of a movie industry left in the next few years. Artistically, it was a top-heavy 12 months, producing one surefire Best of the Decade candidate, with a few others not far behind, then a vast middle-class of films that max out at ‘very good’. As always, though, if you’re willing to do the work, you’ll find dozens of small and medium-sized gems to fill you with hope for the future of moviemaking as an artform, no matter what happens to the business itself. Here are the movies that made us gasp, swoon and shout the loudest in 2025. Quick Picks: 2025’s best films by genre: 😂 Best comedy: The Naked Gun 😱 Best horror movie: Weapons 🥋 Best action movie: One Battle After Another🎭 Best drama: Nickel Boys🪆 Best family film: Flow

The horror business is booming right now. Over the last few years, it’s become one of the movie industry’s most bankable genres, financially and creatively. Ryan Coogler has already made Oscar-nomination history with a vampire flick of all things, while the combination of Barbarian and Weapons has made director Zach Cregger one of Hollywood’s most exciting new voices – and that’s to say nothing of the huge box-office success of franchise entries like The Conjuring: Last Rites, Final Destination Bloodlines and Five Nights at Freddy’s 2.Only a few months into 2026, and the year in horror is already off to another good start, between 28 Years Later: The Bone Temple, entertaining killer monkey ripper Primate and Sam Raimi’s return-to-form, Send Help. Nothing on the docket for the rest of the year immediately screams ‘blockbuster,’ but that’s the great thing about horror: like a bump in the night, the hits often come from unexpected places. Here’s what has stood out like a bloody knife so far. 📽️ The best movies of 2026 (so far)🔥 The best TV and streaming shows of 2026 (so far)🧟 The 100 greatest horror movies ever made

War has long fascinated filmmakers, no conflict more so than World War II. No wonder: the sheer scale of the destruction, the atrocities associated with it and its place in human history make it a natural framework for stories of resistance, survival and unimaginable loss. So many movies have been made about the war, it’s almost a genre unto itself.  For that reason, choosing the best World War II movies is a challenge. That’s why, along with polling our well-studied Time Out writers, we also called in an outside expert: Quentin Tarantino, a man who knows a thing or two about making a great WW2 film. Among the selections, you’ll find towering epics, intimate character studies, intense documentaries, historical revisions and even a few comedies. War is hell, and World War II was particularly hellish – but at least we have these films to help make some sense of it. Written by Tom Huddleston, Adam Lee Davies, Paul Fairclough, Anna Smith, David Jenkins, Dan Jolin, Phil de Semlyen, Alim Kheraj & Matthew Singer Recommended: ⚔️ The 50 best war movies of all-time🎖️ The best World War I movies, ranked by historical accuracy🇺🇸 The 20 best Memorial Day movies

It’s easy to be a Scrooge about Christmas movies, especially these days. Streaming platforms have shamelessly muscled into the Hallmark market, churning out quick, cheap holiday romcoms with C-list casts every year, hoping to land on something so irresistibly cheesy it briefly becomes a seasonal phenomenon. Put that cynicism aside, however, and most of us can admit that we all have at least one movie we return to every December – the one that allows us to embrace nostalgia unapologetically and lets us know that the most wonderful time of the year has arrived.  It doesn’t have to be schmaltzy and saccharine, either. Maybe it’s a golden era classic like It’s a Wonderful Life or Miracle on 34th Street. Maybe it’s something more modern and goofy, like Elf or Home Alone. Maybe it’s raunchy and rude, like Bad Santa or Christmas Vacation, or just plain dark, like Black Christmas. That full range of yuletide cheer can be found on this list of the best holiday movies ever made. No matter what kind of Christmas movie you prefer, you’ll find one that warms your core like a cup of hot cocoa. RECOMMENDED: 🎅 The best new Christmas movies to stream this year🎶 The 50 best Christmas songs to listen to this month🎄 The best animated Christmas movies for the whole family🧝 The best Christmas movies on Netflix in the UK

And we’re off. In most years, it takes a few months to assemble a list of the best movies of the year so far where the bar for quality isn’t lowered into the Earth’s core. The first quarter of the release calendar is typically where studios toss their tax writeoffs, but to this point, 2026 has outstripped expectations. In how many other years have we gotten a killer horror sequel like 28 Years Later: The Bone Temple, a sharp, gross Sam Raimi return-to-form, a Gus Van Sant thriller and one of the best actor-to-director transitions in recent memory, all before the calendar even flips over to March? And that’s to mention some of the smaller gems that have already popped up. As usual, this post will be updated throughout the year as highlights arrive – and there is bound to be a lot of them, between Project Hail Mary, Steven Spielberg’s Disclosure Day and Christopher Nolan’s The Odyssey, all arriving in the first half of 2026 alone. As you’ll see below, though, we’re already off to a good start. May we say that movies are… so back? 📺 The best TV and streaming shows of 2026 (so far)📕 15 book-to-movie adaptations to get excited about in 2026🔥 The 40 best movies of 2025

Updated for 2026: Welcome to the canon, Uncut Gems! It took a few years to allow the then-united Safdie brothers’ high-stress rollercoaster to truly sink in, but once we stopped hyperventilating, it became clear that it’s one of the all-time great thrillers, even if ‘thriller’ seems, in its case, too weak a word. Will Josh Safdie’s Marty Supreme eventually join it? Time will tell. What makes a great thriller? Well, let’s see. Are your palms sweaty? Your teeth clenched? Is your heart pumping and your leg shaking uncontrollably? If so, the chances are that the movie you’re watching is doing its job. When done right, a thriller provokes a physical response more than any other genre, bar horror. Exactly how it initiates those reactions, however, varies greatly. In the pantheon of the best thrillers ever made, you’ll find murder, political intrigue, espionage, conspiracy, manipulation, gaslighting, and, of course, lots and lots of crime. But as a category of movie, the thriller is also loosely defined – within the genre, you’ll find examples of science fiction, horror, heists, action, even comedy, along with the ever-nebulous ‘psychological thriller’ subdivision. In other words, the thriller contains multitudes. But the best of them will always draw you in, make you sweat and leave you breathless. Here are the 100 greatest thrillers ever made. Written by Abbey Bender, Joshua Rothkopf, Yu An Su, Phil de Semlyen, Tom Huddleston, Andy Kryza, Tomris Laffly & Matthew Singer RECOMMENDED

Updated for 2025: After a banner few years for the horror genre, several recent films have managed to claw their way into our latest update: 2023’s Talk To Me, which remixes genre tropes into something fresh, frightening and zeitgeisty; 2024’s The Substance, easily the most disgusting movie ever nominated for a Best Picture Oscar; and 2025’s Sinners, a blockbuster smash that’s far from being just a ‘vampire movie’, while being an extremely awesome vampire movie at the same time. We have also moved Ari Aster's disturbing supernatural drama Hereditary into the top 12, owing to the influence it has exerted on several films to come after exploring grief and buried family secrets. Cinemagoers love a good scare. That much is evident these days from the commercial and critical success of the horror genre: in 2025 alone, the latest instalments of The Conjuring, Final Destination and The Black Phone franchises are among the highest-grossing movies of the year, while wholly original stories like Sinners and Weapons are legitimate box-office phenoms. And that’s not even to mention leftfield Halloween-friendly smashes over the last decade, like A Quiet Place, Hereditary and basically everything Jordan Peele has done.   It’s crazy to think, then, that not long ago, horror was thought of as a euphemism for ‘schlock’. If you were alive at the height of the VHS era, you know it wasn’t totally unfounded. Churning out formulaic slashers and monster movies became a way for hacks and hucksters t

Updated for 2026: Whatever you think of Netflix’s theatrical strategy, it continues to produce some of television’s most formally daring works, including Adolescence, a hard-to-watch but impossible to ignore limited series about an unimaginable crime. On the other end of the spectrum, there’s HBO’s hilariously profane The Righteous Gemstones, which stuck the landing in 2025 with its final season. In addition, we have moved Andor into the top 20 after its astounding second and final season.  Television used to be considered one of the lowest forms of entertainment. It was derided as ‘the idiot box’ and ‘the boob tube’. Edward R Murrow referred to it as ‘the opiate of the masses’, and the phrase ‘I don’t even own a TV’ was considered a major bragging right.  A lot has changed. Television is now the dominant medium in basically all of entertainment. The shift in perception is widely credited to the arrival of The Sopranos, which completely reinvented the notion of what a TV show could do. But that doesn’t mean everything that came before is primordial slurry. While this list of the greatest TV shows ever is dominated by 21st century programs, from The Wire to Succession to Adolescence, there are many shows that deserve credit for laying the groundwork for this current golden age.  Chiseling them down to a neat top 100 is difficult, so we elected to leave off talk shows, variety shows and sketch comedy, focusing on scripted, episodic dramas, comedies and miniseries. So don’t touc

Strange, ravishing and rhapsodic, there aren’t many movies like Mona Fastvold’s The Testament of Ann Lee, unless you can think of another historical folk musical about a nearly-vanished religious movement that turns its followers’ convulsive expressions of devotion into Busby Berkeley-style dance numbers. A cradle-to-grave portrait of Ann Lee, the founder of the Christian sect known as the Shakers, the film is, at turns, completely stunning and utterly baffling. At its most successful, though, it doesn’t just depict ecclesiastical fervor – it sweeps you up in it. In that way, the movie is really a testament to the performance of Amanda Seyfried. As Lee, she fills her large, expressive eyes with a sense of unwavering belief — appropriate for a woman who came to see herself as the reincarnation of Christ himself.  The movie is a testament to the performance of Amanda Seyfried Informed by an impoverished childhood and staggering personal losses as an adult, the 18th century Mancunian preached a utopian vision of society based in broad egalitarianism and a strict adherence to celibacy. Naturally, that led to persecution at home from the ruling evangelical order, prompting her eventual escape, along with her latent-homosexual brother (Lewis Pullman), bewildered husband (Christopher Abbott) and small flock of disciples, to the alleged promised land of America. Illustrating her life in the tones of a Dutch oil painting, Fastvold treats Lee’s faith with sincerity and respect, and Se

March is all about returns on Netflix, whether it’s old shows dropping with new seasons, old names making new series, exiled gangsters stepping back into the game, superstar K-pop groups staging a comeback or dinosaurs coming back from extinction. What’s the highlight? It might depend on your age. For alphas and zoomers, the live concert from reinvigorated Korean boy band BTS is possibly the event of the whole year. Millennials? Probably the long-awaited Peaky Blinders movie. Boomers? A new season of Virgin River is here – not to mention an age-gap dating show pairing sexagenarians with twentysomethings. Here are the 10 must-watch movies, shows and live events of the month. What’s new on Netflix February 2026 at a glance: 📍Movies: Peaky Blinders: The Immortal Man (March 20), War Machine (March 6)📍Shows: One Piece season 2 (March 10), Virgin River season 7 (March 12), Something Very Bad is Going to Happen (March 26) 📍Limited Series: The Dinosaurs (March 6)📍Documentaries: Louis Theroux: Inside the Manosphere (March 11), The Plastic Detox (March 16)  📍Live events: BTS: The Comeback Live (March 21) Recommended: 🇳 The best movies on Netflix💻 The best Netflix original series to binge📺 The best TV and streaming shows of 2025 The Dinosaurs  Steven Spielberg and dinosaurs go back like Jeff Goldblum and sexily unbuttoned shirts. He executive produced this computer-animated four-episode docuseries imagining the absolute horror of living in the Mesozoic Era, with Morgan Freeman

Streaming ain’t easy. Sure, if you’re a cinephile, practically every movie you could ever want to watch is at your fingertips. But therein lies the problem: knowing what’s out there, and where to find it, can become overwhelming. Here, we’re doing the hard work for you, by cutting through the clutter and getting straight to the best new movies available to watch right now. Here are the four must-watch movies hitting streaming services this weekend.  Recommended: 🏆 The best movies of 2026 (so far)🗓️ The most anticipated movies of 2026🆕 What’s new on Netflix in February 2026 1. The Secret Agent  Set during Brazil’s military dictatorship of the 1970s, Kleber Mendonça Filho’s conspiracy thriller has all the paranoia of The Parallax View or Zabriskie Point, but also a dead shark, a two-faced cat and a severed leg that comes to life and goes on a kicking spree. Starring Oscar-nominated Wagner Moura as an academic who pisses off the wrong bureaucrat, the story unfurls slowly, with Filho folding touches of playful absurdism into the rich period details. Watch The Secret Agent on Hulu/Disney+ starting March 1 2. It Was Just an Accident Drawn partly from his own persecution at the hands of the Islamic Republic, Iranian filmmaker Jafar Panahi’s Palm d’Or winner is his version of a genre movie — a revenge thriller filtered through Waiting for Godot. A onetime political prisoner (Vahid Mobasseri, somehow a first-time actor) kidnaps the guard he believes tortured him for m

Os amantes de livros têm um ano muito especial pela frente, tanto nas salas de cinema como nas plataformas de streaming. Entre os gigantes da literatura cujas obras vão ser adaptadas encontram-se Emily Brontë, Margaret Atwood, Enid Blyton, Albert Camus e Don Winslow. Mas o mais excitante de tudo é talvez o regresso do grande mestre da narrativa épica: Homero vai receber o toque de Christopher Nolan, em versão IMAX, com a adaptação de A Odisseia, com estreia prevista para o Verão. BookTokers, façam uma pausa no desafio de leitura de 2026 e vão ao cinema: este é o vosso momento. O Monte dos Vendavais A adaptação literária de Emerald Fennell promete lançar um verdadeiro cocktail Molotov sobre o debate cultural do início de 2026. A tórrida história de amor de Emily Brontë vai receber uma versão bem à maneira de Fennell, com músicas de Charli XCX, um elenco de fazer correr tinta (Margot Robbie e Jacob Elordi) e até aspas provocatórias no título do cartaz, como se fosse suposto dizê-lo com ironia. O Monte dos Vendavais pode ser um marco do romantismo literário, mas está longe de ser propriamente romântico, pelo que o slogan “a maior história de amor de todos os tempos” poderá deixar os puristas algo confusos.Estreia: 12 de Fevereiro Abaixo de Zero David Koepp adaptou Parque Jurássico, de Michael Crichton, mas aqui assume o papel de autor-realizador de uma história muito ao estilo do próprio Crichton. O romance, publicado em 2019 (e dois anos depois em Portugal), parte de uma premi

Book lovers have a year to savour in store for them at the movie theatre and on streaming. Among the literary giants having their work adapted are Emily Brontë, Margaret Atwood, Enid Blyton, Albert Camus and Don Winslow. Most excitingly, the big dog of epic storytelling, Homer, is getting the IMAX-enhanced Christopher Nolan treatment with this summer’s adaption of The Odyssey. BookTokers, this is your moment. Photograph: Penguin Classics Wuthering Heights Emerald Fennell’s literary adaptation is sure to lob a Molotov cocktail in the general direction of early 2026’s cultural discourse. Emily Brontë’s toxic love story is getting a proper Fennelling, with Charlie XCX songs, a buzz-worthy cast (Margot Robbie, Jacob Elordi) and provocative quote marks around the title on the poster like you’re supposed to say it in a sarcastic way. Wuthering Heights may be a landmark Romantic novel but it’s not exactly small ’r’ romantic, so that ‘the greatest love story of all time’ tagline may mystify literary types. In cinemas worldwide Feb 13 Photograph: HarperCollins Cold Storage David Koepp adapted Michael Crichton’s Jurassic Park, but the writer-director has his own Crichton-esque monster tale in the shape of his 2019 novel. It delivers a Cold War-era sci-fi premise in a modern setting, with a military facility breach unleashing a parasitic fungus on employees at a self-storage facility. Liam Neeson, Stranger Things’ Joe Keery and Sosie Bacon will be hoping to swerve the blob. The lat

Ya se siente la Navidad, sobre todo en las plataformas de streaming. Cada año, un buen puñado de películas festivas con sabor a roscón salen de la cadena de montaje directas a tu tele (y, de vez en cuando, a los cines). La mayoría son directamente malas, algunas son tan malas que resultan buenas y unas pocas son realmente buenas… o, al menos, lo bastante autoconscientes como para ofrecer una noche divertida reunidos alrededor del brillo de la pantalla. Más raras aún son las que se convierten en auténticos fenómenos virales. En 2024, la fruta escarchada se la llevó Un muñeco de nieve para derretirse, la comedia romántica invernal de Netflix sobre un muñeco de nieve buenorro que cobra vida. ¿Hay alguna película del catálogo de este año que pueda alcanzar ese status? Hemos revisado lo mejorcito de la cosecha navideña de 2025 y las hemos clasificado según sus posibilidades de ponerse tan de moda como "Frosty", el muñequito de nieve. Fotografía: Chip Bergmann/AMAZON CONTENT SERVICES LLC En busca de Joy (Prime Video) Ideal para: Amantes de Tyler Perry ¿Tyler Perry presentando Misery como una comedia romántica? En la nueva película del incansable guionista-director-productor, Shannon Thornton interpreta a una diseñadora de moda neoyorquina insatisfecha con la trayectoria de su carrera que sigue a su crush hasta Colorado, solo para acabar derrapando en una carretera helada, donde es rescatada por un ermitaño sorprendentemente guapo, interpretado por Tosin Morohunfola. ¿Le ens

It’s beginning to feel a lot like Christmas, especially on streaming services. Every year, a stuffed stocking’s worth of peppermint-sweet holiday flicks roll off the assembly line and onto your television (and occasionally theaters). Most are straight-up bad, some are so-bad-they’re-good, and a select few are genuinely good – or at least, self-aware enough to make for a fun night gathered ‘round the glow of the TV set. Rarer still are those which become legit viral phenomenons. In 2024, that was Hot Frosty, Netflix’s winking winter romcom about a hunky snowman come to life. Are there any films from this year’s slate that might attain the same status? We’ve perused the cream of the 2025 yuletide crop, and ranked them by their chances to get as hot as Frosty.  Recommended: 🎅🏻The best Christmas movies of all-time🎄The best Christmas movies for kids to watch this year🎁The best Christmas specials of all-time Photograph: Chip Bergmann/AMAZON CONTENT SERVICES LLC Tyler Perry's Finding Joy (Prime Video) Ideal for: Tyler Perry completists Tyler Perry presents Misery as a romcom? In the indefatigable writer-director-producer’s latest, Shannon Thornton is a New York fashion designer dissatisfied with her career trajectory who follows her crush to Colorado, only to wind up skidding off an icy road where she’s rescued by an improbably handsome hermit, played by Tosin Morohunfola. Will this rugged mountain man teach her to appreciate the things that truly matter in life? No spoilers!

Halloween ne tombe qu’un jour par an, mais les plus fervents adeptes de la fête trouvent toujours le moyen d’en faire un mois entier. Et quoi de mieux pour ça que de se plonger dans des films ? Rien de plus simple, après tout : il existe tout un genre cinématographique consacré à l’art de faire hurler les spectateurs de peur. Mais contrairement à ce qu’on croit souvent, il y a une vraie différence entre les meilleurs films d’horreur et les meilleurs films d’Halloween. Un film comme Ne vous retournez pas (Don’t Look Now) figure peut-être parmi les œuvres les plus bouleversantes du genre, mais il est sans doute un peu trop cérébral pour la « saison des frissons ». En revanche, les apocalypses zombies, histoires de fantômes, massacres à la tronçonneuse et mélanges de monstres ? Là, on est pile dans le thème. Alors, pour vous aider à composer votre programme d’octobre, on a concocté cette liste de films d’Halloween à voir le 31 au soir. Suspiria (1977) Sur le papier, le conte macabre de Dario Argento ne paie pas de mine : une danseuse américaine timide intègre une mystérieuse académie de ballet en Europe, où d’étranges phénomènes ne tardent pas à se manifester. Mais ce point de départ simple permet au maître du giallo de s’en donner à cœur joie : couleurs hallucinées, mises à mort stylisées, et bande-son cauchemardesque signée par les rockeurs progressifs italiens Goblin. Un cauchemar baroque qui hante encore les nuits des cinéphiles. Shining (1980) Si vous ne revoyez pas Shini

Somehow haven’t gotten enough of KPop Demon Hunters? Correction: have your kids still not gotten enough?  Well, if you missed catching the animated musical sensation in theaters during its limited run in August, you’re in luck, because it’s coming back to cinemas, just in time for Halloween. Starting October 31, the movie will screen in select theaters in several countries, including the United States, the United Kingdom, Canada and Australia. And yes, singing along is once again encouraged – and given the time period, so are costumes. Initially released on Netflix back in June, the film, focusing on a mega-popular girl group who are also charged with protecting humanity from soul-sucking, shapeshifting beasties, came out of nowhere to become an almost instant phenomenon. It’s now officially the most popular movie in the history of the platform, topping 325,100,000 views. Four songs from the soundtrack, including the inescapable chart-topper ‘Golden’, occupied the Billboard Top 10 simultaneously, while the vocal trio of EJAE, AUDREY NUNA, and REI AMI recently made their live debut on The Tonight Show with Jimmy Fallon. Tickets for the upcoming screenings go on sale October 17 at 6 am. Find a screening nearest you here. Best to act fast: the movie will only be in theaters for three days, ending November 2. Then you’ll have to go back to singing alone in your home on an endless loop. The best family movies of 2025 (so far) The best Halloween movies for kids on Netflix

If you’re like most Taylor Swift fans, you simply cannot get enough content from your queen. Good thing, then, that she seemingly never stops cranking it out. Not only did she just release her sixth album in seven years, the record-breaking The Lift of a Showgirl – available in 27 different physical variations – it coincided with both a box-office-topping cinematic event, a two-part Channel 4 documentary and the announcement of her engagement to football player Travis Kelce, whose eventual wedding will almost certainly produce a tidal wave of content on its own. Now, the pop megastar has two more film projects guaranteed to capture untold millions of eyeballs. Not even a year after her world-dominating Eras Tour finally ended, a six-part docuseries chronicling the production of her globe-spanning, generation-defining, economy-shifting concert tour is coming to Disney+. According to a press release, The End of an Era ‘gives an intimate look at Taylor’s life as her tour made headlines and thrilled fans around the world’ and features cameos from contemporaries such as Gracie Abrams, Sabrina Carpenter, Ed Sheeran and Florence Welch. (What, no Charli XCX?) The doc premieres December 12 – the day before Swift’s 36th birthday – with two episodes dropping each week. The same day, Disney+ will also debut The Eras Tour: The Final Show, a full concert film indeed shot at the final stop of the 149-date tour, at BC Place Stadium in Vancouver, Canada, on December 8, 2024. You might

Eh bien, il n’aura pas fallu 28 ans, ni même 28 semaines : l’un des meilleurs films d’horreur de l’année débarque déjà sur une plateforme de streaming. 28 Ans plus tard, le retour du réalisateur Danny Boyle et du scénariste Alex Garland dans un monde ravagé par le tristement célèbre virus de la Rage, arrive sur Netflix en France ce samedi 20 septembre. Techniquement, c’est le troisième volet de la saga entamée en 2002 avec 28 Days Later, suivi en 2007 par 28 Weeks Later du réalisateur espagnol Juan Carlos Fresnadillo. Mais ce nouvel épisode prend quelques libertés, allant jusqu’à effacer une partie des événements du précédent film. Situé près de trois décennies après l’apparition du virus – qui transforme les infectés en machines à tuer convulsives et ultra-rapides – le film dépeint des îles Britanniques mises en quarantaine du reste du monde, revenues à une forme de stabilité, certes primitive mais fonctionnelle. L’intrigue suit une famille en particulier : Aaron Taylor-Johnson incarne le patriarche, le jeune Alfie Williams son fils, et Jodie Comer la mère de ce dernier, rongée par une mystérieuse maladie. Ce qui commence comme une aventure initiatique de survie bascule, dans sa seconde moitié, en une méditation profondément émouvante sur l’acceptation de la mort comme partie intégrante de la vie. Porté par une bande-annonce déjà culte, 28 Ans plus tard est sorti en salles en juin et a cartonné au box-office, engrangeant 151 244 007 dollars dans le monde. Côté criti

Well, it didn’t take 28 years, or even weeks, but one of the year’s best horror films is already arriving on a streaming service. 28 Years Later, director Danny Boyle and screenwriter Alex Garland’s return to a world ravaged by the so-called Rage virus, hits Netflix in the United States this coming weekend, on Saturday, September 20. It’s technically the third film in the series, which started with Boyle’s 28 Days Later in 2002 and was followed up in 2007 by 28 Weeks Later, from Spanish director Juan Carlos Fresnadillo, although the newest movie does much to undo the events of the latter. Indeed set nearly three decades after the onset of the virus, which turns the infected into twitchy, fast-moving killing machines, the movie finds the British Isles quarantined from the rest of the world, having returned to a somewhat stable if primitive way of life. It focuses on one family in particular, with Aaron Taylor-Johnson as the patriarch, young Alfie Williams as his son, and Jodie Comer as the latter’s mother, who’s suffering from a mysterious illness. What starts as a coming-of-age survival adventure slows in the second half into a deeply emotional meditation on accepting death as a part of life.  Preceded by an all-time great trailer, 28 Years Later arrived in theaters in June and was a box office hit, pulling in $151,244,007 worldwide. It was also a critical favourite, with an 89 percent Fresh rating on Rotten Tomatoes.  In a mixed review, Time Out praised the action-fi

Gentlemen, rev your Aston Martins and start shaking those martinis, because a new James Bond is on the horizon. Menthol smoke has not yet started billowing out of MGM Studios – the traditional indication that the next 007 has been chosen – with Daniel Craig’s likely replacement still a mystery. What does this mean for the future of the iconic British spy series and its upcoming 26th instalment? Information is limited, but here’s what we know so far.  What does Amazon MGM Studios’ takeover mean for the next James Bond? After months of rumour and speculation, James Bond finally got a new boss in February 2025. Not M, but Amazon MGM Studios who sealed a deal with 007’s producers, Eon’s Barbara Broccoli and Michael G Wilson, to take creative control of the franchise.  Broccoli and Wilson will remain co-owners of James Bond but crucially, will step back from controlling the future direction or execution of the franchise. ‘With the conclusion of No Time to Die and Michael retiring from the films, I feel it is time to focus on my other projects,’ Broccoli said in a statement.So what does it all mean for 007? We’re probably a step closer to a release date for Bond 26 and the announcement of a new James Bond to star in it. Maybe a radical change of direction for the whole franchise, too, with immediate speculation that Amazon will look to spin their expensive new IP into the kind of shared universe storytelling that Disney pursued with Lucasfilm and Star Wars after its takeover. Is a