Three actors portraying Hermione, Harry and Ron on stage for Harry Potter and the Cursed Child
Photograph: Evan Zimmerman for MurphyMade
Photograph: Evan Zimmerman for MurphyMade

Melbourne theatre, musical and dance reviews

Wondering which Melbourne shows to see? Check out the latest theatre, musical, opera and dance reviews from our critics

Adena Maier
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There's a lot happening across Melbourne's stages, so how do you know where to start? Thankfully our critics are always on hand to help with a recommendation. Be sure to also keep an eye on our round-up of the best of Melbourne theatre and musicals each month, and if funds are a bit tight lately, check out our explainer on how to nab cheap theatre tickets in Melbourne

Looking for something less dramatic? Check out the best art exhibitions in Melbourne this month.

5 stars: top notch, unmissable

  • Drama
  • Southbank
  • 5 out of 5 stars
  • Recommended
When Western Sydney playwright S Shakthidharan first invited us into Counting and Cracking, his collective and poetic reckoning with Sri Lanka’s devastating civil war (1983 to 2009) and the persecution of the Tamil peoples, its simple staging made way for magnetic storytelling driven by character.There was little need for bells and whistles with a voice as strong as his. Instead, the drama spun out in a dusty courtyard. The actors’ magnificent performances were enough, aided with simple props, signposts, musicians on stage and a heart of dance. Co-written and directed with Belvoir lead Eamon Flack, The Jungle and the Sea, now playing at MTC’s Southbank Theatre, looks very similar at first glance.  Once again, the transportation relies on the bare bones of a tall-walled courtyard. But there’s a huge difference in Dale Ferguson’s set design: here, there is no door, and the stone is pocked with bullet holes. So is The Jungle and the Sea spinning a similar story? Yes and no. While Counting and Cracking spent more time in Sydney, turning on its wounded heel to look back at the desperate race to escape war, here we mostly live through that horror, with a brief glimpse at a brighter future in the Harbour City.We see waves of fear and loathing crash over the island nation as the Sinhalese government brutally clamps down on the Tamil Tiger insurgency, with all-too devastating echoes of Israel’s merciless destruction of Gaza and its repeated declaration of ‘safe’ zones, only to...
  • Musicals
  • Melbourne
  • 5 out of 5 stars
  • Recommended
If you thought history class was boring, Six the Musical is here to change your mind. Created by Toby Marlow and Lucy Moss, this high-energy musical returns to Australia and will be at Melbourne’s Comedy Theatre from July 24. In this foot-tapping show, the six wives of King Henry VIII are reimagined as modern-day pop stars out to reclaim their stories. One by one, Catherine of Aragon (Sarah Murr), Anne Boleyn (Mia Paris Scalise), Jane Seymour (Cara Bessey), Anna of Cleves (Kadesa Honeyhill), Katherine Howard (Angela Brischetto) and Catherine Parr (Lorinda May Merrypor) take the mic, wowing you with their power ballads and rock anthems. Since its breakout debut at the Edinburgh Festival Fringe in 2017, the show has become a global sensation thanks to its infectious songs, sharp wit and empowering message. It’s making a triumphant return to Australia, so get ready to say “Yasss Queen”. For more info and to secure your tickets, head to the website.  Read on for our five-star review of Six the Musical from 2024. *** Divorced, beheaded… live? This unconventional pop rock musical takes a dry historical topic and turns it into a rowdy 80-minute concert to rival the Spice Girls themselves. Everyone knows that King Henry VIII had not four, not five, but six wives – enough to require a mnemonic technique to keep track. History has reduced the legacies of these ladies to little more than singular words in a rhyme detailing their fearsome fates, but what if we carved out space to...

4 stars: excellent and recommended

  • St Kilda
  • 4 out of 5 stars
  • Recommended
Meaning lies both in and just behind language. Whoever speaks a line, when and how can bend the truth of it in any direction. It’s why new readings of Shakespeare’s plays are still altering our understanding of centuries-old texts. Of course, in his day, every player was a man, including the star-cross’d Juliet and the bloody-palmed Lady Macbeth. From the very start, subtle layers were woven into the lines through this gender-subversion. So I was fascinated by the idea of women and non-binary performers adopting the increasingly odious male personas of Australian playwright Patricia Cornelius’ Savages, her astonishingly powerful takedown of so-called casual misogyny that spirals into something dreadful. While The Bard’s works are re-spun on our stages ad infinitum, it’s disappointingly uncommon for our own playwrights, unless it’s a Ray Lawler or a Joanna Murray-Smith. So, what’s this new read on Savages all about? First performed at fortyfivedownstairs in 2013, then directed by Cornelius’ regular collaborator Susie Dee, Savages starred Mark Tregonning as the hulking Craze; James O’Connell as the preening sex addict, Rabbit; Luke Elliot as the little big man Runt; and Lyall Brooks as sly guy George. As they board a cruise ship getaway, Cornelius loosely based what follows on the real-life tragedy of Dianne Brimble, the 42-year-old Brisbane mother of three found dead on the floor of a cabin shared by four men, with an overdose of GHB in her system and troubling question...
  • Musicals
  • Melbourne
  • 4 out of 5 stars
  • Recommended
Melbourne’s stages have seen a slew of jukebox musicals tread the boards over the past few years. They’ve ranged from the powerful (Tina – The Tina Turner Musical) to the cheesy-yet-crowd-pleasing (Mamma Mia! The Musical) and the glossed-over tributes (MJ the Musical). Thankfully, at a time when it feels more important than ever to encourage people to get out and support the local arts industry, A Beautiful Noise: The Neil Diamond Musical arrives at the Princess Theatre full of razzle-dazzle, an abundance of infectious energy and a stacked setlist guaranteed to appeal to the masses. What is A Beautiful Noise: The Neil Diamond Musical about?  Written by Anthony McCarten, directed by Michael Mayer and created in collaboration with Neil Diamond himself, A Beautiful Noise opens on a dour therapy session between an older Diamond (played with commanding gravitas by Terence Crawford) and his doctor (Monica Sayers). It’s an unflinchingly sharp first introduction to the musical legend – all the more surprising given the heavy involvement of Diamond and his wife Katie – who is being particularly stubborn about revealing anything about the “clouds” that darken his demeanour. Enter the doc whipping out a book of all his lyrics, and suddenly, in true musical theatre fashion, the songs are quite literally spilling onto the stage in the form of the ensemble singing a teasing medley of hits to come.   From there we’re transported back in time as a young Diamond (Will Swenson) gets his big...

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