Malevich

Art

Painting

Tate Modern

Until Sun Oct 26

  • Kazimir Malevich

    'Suprematist Painting (with Black Trapezium and Red Square)', 1915

    © Stedelijk Museum, Amsterdam

    Kazimir Malevich
  • Kazimir Malevich

    'Supremus No. 55', 1916

    © Krasnodar Territorial Art Museum

    Kazimir Malevich
  • Kazimir Malevich

    'Self Portrait', 1908-1910

    © State Tretyakov Gallery, Moscow, Russia

    Kazimir Malevich
  • Kazimir Malevich

    'Woman with Rake', 1930-32

    © State Tretyakov Gallery, Moscow, Russia

    Kazimir Malevich
  • Kazimir Malevich

    'The Scyther', 1912

    © Nizhnii Novgorod State Art Museum (Russia)

    Kazimir Malevich
  • Kazimir Malevich

    'Kazimir Malevich, An Englishman in Moscow', 1914

    © Stedelijk Museum, Amsterdam

    Kazimir Malevich
  • Kazimir Malevich

    'Supremus No 50', 1915

    © Stedelijk Museum, Amsterdam

    Kazimir Malevich
  • Kazimir Malevich

    'Head of a Peasant', 1928-29

    © The State Russian Museum, St Petersburg

    Kazimir Malevich
  • Kazimir Malevich

    'Black Square' 1929

    © State Tretyakov Gallery, Moscow

    Kazimir Malevich

Kazimir Malevich

'Suprematist Painting (with Black Trapezium and Red Square)', 1915

© Stedelijk Museum, Amsterdam

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Venue details

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  • Name:

    Tate Modern

  • Address:

    Tate Modern Bankside
    London
    SE1 9TG

  • Venue phone:

    020 7887 8888

  • Venue website:

    www.tate.org.uk

  • Opening hours:

    Mon-Thu, Sat, Sun 10am-6pm; Fri 10am-10pm (last adm 45 mins before closing)

  • Transport:

    Tube: Southwark/Blackfriars

  • Map

    1. Tate Modern
  • Categories :

    Art. Painting

  • Type of event :

    Exhibitions

Malevich 2014

  • Sep
  • Oct
  • Nov
  • Dec
  • Jan
  • Feb
  • Mar
  • Apr
  • May
  • Jun
  • Jul
  • Aug
  • Date Time Price information
  • Sat Sep 20
    10:00
    £13.10, £11.30 concs, under 12 free
  • Sun Sep 21
    10:00
    £13.10, £11.30 concs, under 12 free
  • Mon Sep 22
    10:00
    £13.10, £11.30 concs, under 12 free
  • Tue Sep 23
    10:00
    £13.10, £11.30 concs, under 12 free
  • Wed Sep 24
    10:00
    £13.10, £11.30 concs, under 12 free
  • Thu Sep 25
    10:00
    £13.10, £11.30 concs, under 12 free
  • Fri Sep 26
    10:00
    £13.10, £11.30 concs, under 12 free
  • Sat Sep 27
    10:00
    £13.10, £11.30 concs, under 12 free
  • Sun Sep 28
    10:00
    £13.10, £11.30 concs, under 12 free
  • Mon Sep 29
    10:00
    £13.10, £11.30 concs, under 12 free
  • Tue Sep 30
    10:00
    £13.10, £11.30 concs, under 12 free

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LiveReviews|3
6 people listening
truEuropean

Didn't have high expectations on this one and I was ready for a lot of monocrome squared figures. Turns out I was wrong. What most impressed me is his ability to understand, learn and copy to perfection other artistic movements techniques: you can see his genious.

If you miss it, you will regret it!

Matthew B

Went knowing nothing about him and came out gobsmacked - brilliantly curated, an inspiring and interesting artistic journey, and wonderful work.

Curated London

This exhibition traces some of the most turbulent periods in Russia's history, from the fall of the Tsars to the Revolution via the First World War. The artist started out producing figurative images, learning from European household names like Cézanne, Picasso and Matisse, whose work was displayed in Moscow. He quickly built a reputation as a talented artist.


It didn't take long for Malevich to develop his own style, distinct from the Europeans who influenced him. Blending elements of Cubism and Futurism, his paintings draw on a consistent, bold colour palette and angular geometry of form. 


Malevich's work became more and more abstract, reaching an esoteric crescendo with his infamous Black Square. For many, it sits alongside Duchamp's Readymade urinal as a turning point in modern art. For others, it falls firmly into the 'my five-year-old could have done that' category. Two versions are featured, so you can make your own mind up.  


As the years went by, Malevich came full circle and returned to his figurative beginnings. With the social upheaval of 1917, and civil war two years later, he struggled to maintain focus, and abandoned painting altogether for a time. He returned to it in the late 1920s, creating stark and controversial works depicting the plight of peasants. Stalin's stranglehold on the arts meant he fell out of favour during the last years of his life.

This is an interesting exhibition, but one with a potentially limited appeal. At £14.50, it's pretty steep, but likely to find favour with die-hard modern art fans looking to expand their knowledge. 


For more art in plain English, check out http://curatedlondon.co.uk