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Stylistically Morley’s work is located at the vector where Expressionism, Pop Art and Realism meet, a mix that aligns well with his exploration of boyhood’s fascination with war and other testosterone-related pursuits. At 84, Morley hardly views such things critically; he’s more interested in limning the talismans of male memory—tin soldiers, model airplanes, military figures. The last, in the form of Napoleon, Nelson and Wellington, put in especially noticeable appearances in his latest show.
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