Tonight! Swans * Baby Dee

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Tonight! Swans * Baby Dee
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Ticketfly Backstage Amplifier says
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Sawns
https://www.facebook.com/SwansOfficial/
https://www.youtube.com/watch?v=4R31AWhv02Y
The voice of Swans frontman and founder Michael Gira is one of stentorian command. Even during the lightest moments of his three-decade career, Gira's bellow has been deep, dark, and direct, both an apt vehicle for his raw lines about spiritual tumult and human filth and a compelling accompaniment to Swans' stylized roil...We Rose comes culled from Swans' first tour in more than a decade, an intercalary period in which Gira introduced the world to Devendra Banhart and Akron/Family, played solo acoustic shows, and led the comparatively mild-mannered Angels of Light…
The 100 minutes of music that precede "Eden Prison" on We Rose make for an exhaustive listen, with 15-minute sprawls of suffocating noise, drums that suggest a fleet of fists to the face and loads of shouts about praising God, committing infanticide, and welcoming slavery. It's the kind of hyper-brutal album that requires an intermission or, at the very least, a long hard look at a plain white wall when its two hours have ended. Though We Rose pulls from gigs in Melbourne, Berlin, and New York City, this collection offers a mostly accurate recapitulation of the 102 sets that this iteration of Swans played since the 2010 release of My Father Will Guide Me Up a Rope to the Sky, the band's first album in 13 years. Loud, mean, and complicated, this six-piece is an articulate goliath, capable of drowning out Gira in waves before disappearing into pools of silence without warning. Each piece of this unit deserves mention: The finesse of Norman Westberg's guitar playing offers the perfect foil for Gira's general force. Christopher Pravdica's bass snaps as much as it throbs, while Christoph Hahn uses his double-lap steel guitar not as a country-music accent mark but as an origin of general abrasion. Drummer Phil Puleo and multi-instrumentalist Thor Harris often double the rhythm, giving that old Swans stomp bigger feet. This band is at once visceral and subtle, reverent with the source but relentless with the sound. During "Sex, God, Sex", Swans suggest the sound of a thousand whips lashing at once; during "The Seer", they shape feedback into geometric patterns that Sonic Youth and Sunn O))) alike might admire…

Swans at Trees
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By: Ticketfly Backstage Amplifier

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