Summerhall, theatre
Photograph: Peter Dibdin

Summerhall

The current king of the city’s arts scene, hosting performances of all shapes and sizes. Even when there’s nothing on, great bars and food are worth dropping by
  • Art | Arts centres
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Time Out says

As Edinburgh’s newest – and hippest – multi-arts venue, Summerhall has quickly evolved from its former life as the Royal Dick School of Veterinary Studies into a cutting edge performance space.

Year round it puts on a programme of largely avant-garde, occasionally political exhibitions, talks, music, theatre and dance, and film events – as well as functioning as a space for workshops and residencies.

It’s quickly emerged as the go-to for ground-breaking, thought-provoking work during the Festival, with shows performed in everything from the lecture hall-slash-theatre spaces, to site-specific works in basement corridors and tiny lifts. In lesser hands dubbing yourself as a ‘cross cultural village for innovators’ would sound a little, well, pretentious. But here, they largely deliver.
 
Geeks aren’t ignored either, with the addition of TechCube providing a space for technology start-ups to rub shoulders and develop their ideas.

Eccentricities from its former life as a veterinary school reside throughout what’s essentially a labyrinth of a building, from the odd bit of taxidermy on the wall and operating tables in the bar, to the much-loved Dissection Room.
 
Beyond its success an arts venue, it’s also establishing itself as a popular place to grab a coffee or a beer, and The Royal Dick Bar and Bistro, which was once the Small Animal Hospital at the school is fast emerging as great place to loiter in, largely thanks to a decent food menu. Across in the café, a decent cuppa is guaranteed, along with a regular exhibition of pop art posters, including work by usual suspects Robert Rauschenberg, Andy Warhol and more.

As an additional hoorah, they have a resident craft brewery, which produces Summerhall Pale Ale, brewed by Barney’s Beer.

Details

Address
Summerhall Place
Edinburgh
EH9 1PL
Transport:
Rail: Edinburgh Waverley

What’s on

As Far As We Know

As much a part of Summerhall experience as quirky old lecture theatres and constant uncertainly about the future, YESYESNONO return for the umpteenth time for this year’s Fringe and we’re certainly not complaining. As with most of their pieces, it’s a de facto solo vehicle for writer/performer Sam Ward, who will take us on a ‘hallucinogenic journey’ through the great unknowns of the world in an effort to understand why our world is going wrong.
  • Experimental

Adam Riches: The Captain

High concept comic Adam Riches made a first foray into ‘proper’ theatre with his Fringe show of last year, Jimmy, an incredibly intense one-man-show about tennis player Jimmy Connors’ legendary 1991 comeback. Now he returns to Summerhall for more intensive character study seriousness with The Captain, a new show about the celebrated Victorian soldier and swimmer Captain Matthew Webb, aka the first man to ever swim the English Channel. Expect a great yarn and to be exhausted just looking at him. 
  • Comedy

Bigfoot Ripped My Dog In Half I Saw It

Cult New York theatre duo Xhloe and Natasha are a rare example of a pair of obscure starving artists who’ve actually made it big at the Fringe under their own steam in 2022 (albeit they’re now very much produced by Soho Theatre). Their latest queer clowning-inflected shaggy dog story is ‘a Brechtian puppet show ripped in two about conspiracy, misdirection and seeing something with your own eyes’. It’s about two teenagers who amuse themselves sturring up their Appalacian town with fake Bigfoot sightings… but then things get alarmingly real when a neighbour’s dog is found ripped to pieces.
  • Experimental

Salty Brine: How Strange It Is (The Neutral Milk Hotel Show)

New York cabaret star Salty Brine has made his name with lavishly high concept shows that splice a classic album with – more often than not – a classic work of literature, for a set of covers, biographical rumination and flights of lyrical fancy. He has a vast arsenal of shows that will probably never get a UK airing, and he’s tended to bring over works that centre on a British album. Not this year, however: How Strange It Is (The Neutral Milk Hotel Show) does, of course, revolve around the cult ’90s indie band Neutral Milk Hotel’s peerless 1998 album In the Aeroplane Over the Sea, which will be spliced with musings on Anne Frank’s The Diary of a Young Girl – fair enough, as the record is in fact largely based upon it.
  • Musicals

Creepy Boys: Slugs/Nude Parade

Creepy Boys’ absurd existential clown show Slugs is allegedly about ‘nothing’, although in truth the duo of Sam Kruger and SE Grummett fail to stay on point spectacularly in a genitals-heavy affair that finds room for puppet Joni Mitchell, a techno concert, and a pantomime horse. The best kind of insane, if you’re in the market for that.  After success at last year’s Fringe it returns for the first half of this year’s festival; for the last week the duo will retain the same timeslot but debut a work-in-progress of a new show called Nude Parade. ‘Like a live theatre version of the game of Operation – but make it trans’, we’re told.  
  • Physical
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