Summerhall, theatre
Photograph: Peter Dibdin

Summerhall

The current king of the city’s arts scene, hosting performances of all shapes and sizes. Even when there’s nothing on, great bars and food are worth dropping by
  • Art | Arts centres
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Time Out says

As Edinburgh’s newest – and hippest – multi-arts venue, Summerhall has quickly evolved from its former life as the Royal Dick School of Veterinary Studies into a cutting edge performance space.

Year round it puts on a programme of largely avant-garde, occasionally political exhibitions, talks, music, theatre and dance, and film events – as well as functioning as a space for workshops and residencies.

It’s quickly emerged as the go-to for ground-breaking, thought-provoking work during the Festival, with shows performed in everything from the lecture hall-slash-theatre spaces, to site-specific works in basement corridors and tiny lifts. In lesser hands dubbing yourself as a ‘cross cultural village for innovators’ would sound a little, well, pretentious. But here, they largely deliver.
 
Geeks aren’t ignored either, with the addition of TechCube providing a space for technology start-ups to rub shoulders and develop their ideas.

Eccentricities from its former life as a veterinary school reside throughout what’s essentially a labyrinth of a building, from the odd bit of taxidermy on the wall and operating tables in the bar, to the much-loved Dissection Room.
 
Beyond its success an arts venue, it’s also establishing itself as a popular place to grab a coffee or a beer, and The Royal Dick Bar and Bistro, which was once the Small Animal Hospital at the school is fast emerging as great place to loiter in, largely thanks to a decent food menu. Across in the café, a decent cuppa is guaranteed, along with a regular exhibition of pop art posters, including work by usual suspects Robert Rauschenberg, Andy Warhol and more.

As an additional hoorah, they have a resident craft brewery, which produces Summerhall Pale Ale, brewed by Barney’s Beer.

Details

Address
Summerhall Place
Edinburgh
EH9 1PL
Transport:
Rail: Edinburgh Waverley

What’s on

Sauna Theatre

Well this is a real ‘only at the Fringe’ event: the Sauna Theatre is exactly as it sounds, ie it’s an 80-seat theatre that is also a sauna that will pop up in Summerhall for the duration of the festival, presumably located where the old Paines Plough Roundabout used to be. Perhaps unsurprisingly it’s both the UK’s largest sauna and first ever sauna arts centre. The exact logistics of all this are so mind-boggling as to maybe be a ‘well maybe just try it, don’t ask us’ type affair. But yeah: you have to wear swimwear, it really is a sauna, there’s an ice bath too.  The programme is extremely varied, albeit understandably sauna centric, and based around ‘aufguss’ sauna ritual. The shows run the gamut from Mysteries of the Picts – a sensory show that takes place at noon and is designed to conjure the ambience of anicent Pictish sweathouses – to an alarming number of clubbing based events including both morning and evening raves almost every day of the run. But if you want to see a stage adaptation of Virgina Woolfe’s landmark modernist novel The Waves in a sauna, then you absolutely can do that. For the full Sauna Theatre listing, see here.
  • Immersive

As Far As We Know

As much a part of Summerhall experience as quirky old lecture theatres and constant uncertainly about the future, YESYESNONO return for the umpteenth time for this year’s Fringe and we’re certainly not complaining. As with most of their pieces, it’s a de facto solo vehicle for writer/performer Sam Ward, who will take us on a ‘hallucinogenic journey’ through the great unknowns of the world in an effort to understand why our world is going wrong.
  • Experimental

Adam Riches: The Captain

High concept comic Adam Riches made a first foray into ‘proper’ theatre with his Fringe show of last year, Jimmy, an incredibly intense one-man-show about tennis player Jimmy Connors’ legendary 1991 comeback. Now he returns to Summerhall for more intensive character study seriousness with The Captain, a new show about the celebrated Victorian soldier and swimmer Captain Matthew Webb, aka the first man to ever swim the English Channel. Expect a great yarn and to be exhausted just looking at him. 
  • Comedy

Roleplay

Francesca Moody has become the Edinburgh Fringe producer with the Midas touch – espeically when it comes to solo shows, having notably had massive success with Fleabag and Baby Reindeer, while 2024’s sell-out Weather Girl is due to get a Netflix adaptation. This year’s big show is Roleplay – stylised as ROLEPLAY – is written and performed by Australian Hannah Reilly, and is a drama about the contrastiung currents in contemporary feminism. In it, a broke podcaster rebrands herself as a ‘slutfluencer’ in pursuit of fame – but at what cost to her soul? Obviously there’s a danger of unhelpfully overhyping Moody’s involvement: but it’s certainly a good sign when picking a show to watch this festival, and odds are the tickets will fly as a result.
  • Drama

Bigfoot Ripped My Dog In Half I Saw It

Cult New York theatre duo Xhloe and Natasha are a rare example of a pair of obscure starving artists who’ve actually made it big at the Fringe under their own steam in 2022 (albeit they’re now very much produced by Soho Theatre). Their latest queer clowning-inflected shaggy dog story is ‘a Brechtian puppet show ripped in two about conspiracy, misdirection and seeing something with your own eyes’. It’s about two teenagers who amuse themselves sturring up their Appalacian town with fake Bigfoot sightings… but then things get alarmingly real when a neighbour’s dog is found ripped to pieces.
  • Experimental

Salty Brine: How Strange It Is (The Neutral Milk Hotel Show)

New York cabaret star Salty Brine has made his name with lavishly high concept shows that splice a classic album with – more often than not – a classic work of literature, for a set of covers, biographical rumination and flights of lyrical fancy. He has a vast arsenal of shows that will probably never get a UK airing, and he’s tended to bring over works that centre on a British album. Not this year, however: How Strange It Is (The Neutral Milk Hotel Show) does, of course, revolve around the cult ’90s indie band Neutral Milk Hotel’s peerless 1998 album In the Aeroplane Over the Sea, which will be spliced with musings on Anne Frank’s The Diary of a Young Girl – fair enough, as the record is in fact largely based upon it.
  • Musicals

Creepy Boys: Slugs/Nude Parade

Creepy Boys’ absurd existential clown show Slugs is allegedly about ‘nothing’, although in truth the duo of Sam Kruger and SE Grummett fail to stay on point spectacularly in a genitals-heavy affair that finds room for puppet Joni Mitchell, a techno concert, and a pantomime horse. The best kind of insane, if you’re in the market for that.  After success at last year’s Fringe it returns for the first half of this year’s festival; for the last week the duo will retain the same timeslot but debut a work-in-progress of a new show called Nude Parade. ‘Like a live theatre version of the game of Operation – but make it trans’, we’re told.  
  • Physical
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