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Kate Elliott

Review

Photographers' Gallery

4 out of 5 stars
  • Art | Galleries
  • Soho
  • Recommended
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Time Out says

The Photographers' Gallery's six-storey premises on Ramillies Street has reopened after a full facelift. Original plans for the new site were for a striking, angular structure with giant floor-to-ceiling lightwells grasping for the sky. After a fiscal wake-up call (the budget was cut nearly in half to £9 million), the Irish architects O'Donnell+Tuomey returned with a handsome refit and recladding of an old brick building, plus what amounts to an extravagant loft conversion, adding two whole storeys and just one thin sliver of those firmament-reaching windows. What hasn't been lost is any of the interior space. The upper floors boast two airy new galleries, while a bookshop, print sales room and café have been dug from the ground floor and basement levels. In fact, the climb-down from landmark building to tasteful conversion is no great loss, given the building's move to an unprepossessing corner plot in a back alley south of Oxford Street. The Photographers' Gallery has kept faith in its location, however tricky and inhospitable their new plot on the vaguely insalubrious Ramilies Street might seem. Indeed, the new site maintains the gallery's roots in Soho (just) and will hopefully come to be as embedded here as it was in its former location on Great Newport Street, which, despite its inelegant, warren-like unsuitability for showing great photography, will also live long in the memory.

Details

Address
16-18
Ramillies St
London
W1F 7LW
Transport:
Tube: Oxford Circus
Price:
£2.50–£4
Opening hours:
10am–6pm daily
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What’s on

Felicity Hammond: Variations at the Photographer's Gallery

London-based artist Felicity Hammond works at the intersection of photography and installation, interrogating how power, politics and data shape the images we consume. Her latest project is a bold, four-part touring exhibition that investigates how artificial intelligence is transforming photography. Each iteration of the exhibition builds on the last, using images and data gathered from previous venues as training material for the next, mirroring the recursive feedback loops of machine learning. The project raises questions about authorship, truth and the collapsing boundaries between the artificial and the real. V3: Model Collapse asks: what happens when the artificial becomes the original?
  • Photography

Boris Mikhailov: Ukrainian Diary

The UK’s first major retrospective of acclaimed Ukrainian artist Boris Mikhailov is coming to the Photographers’ Gallery. A ‘kind of proto-punk’, Mikhailov has been capturing and commenting on life in Ukraine since the 1960s – from the everyday consequences of the collapse of the Soviet Union to the realities of people living on the edges of society – through photography, conceptual work, painting and performance art. Ukrainian Diary brings much of that work together to illustrate the tumultuous social and political changes that have shaken Eastern Europe over the past fifty years.
  • Photography

Click! 100 Years of the Photobooth

One hundred years ago, a strange curtained box appeared on Broadway in New York City. If you went inside and slotted in 25 cents, you’d emerge with eight sepia tinged photos of yourself in a matter of minutes. It was the Photomaton – the world’s first fully automated photobooth. Fast forward to the 21st century and photobooths are in bars, train stations, cinemas, record shops and on streets all over the world. The Photographer’s Gallery is marking a century of the machines with Click!, an archival exhibition exploring their imperfections, their quirks and their most famous fans. Naturally, there’ll be a working photobooth for visitors to take their own snap.
  • Photography

Zofia Rydet: Sociological Record

In 1978, Zofia Rydet decided that was going to photograph the inside of every Polish household. Aged 67, she began knocking on doors and asking occupants if they’d be willing to partake in her project. She continued to knock on doors for the next three decades, collecting everyday stories and creating ‘one of the most important achievements in 20th century Polish photography’. More than 100 of Rydet’s prints will be on display at the Photographers’ Gallery alongside books and personal letters offering extra insight into her sociological mission.
  • Photography
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